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Coastal Georgia History, 1500s to 20th Century.
From the days of early tribes that hunted and fished to the tourists who later relaxed on the beaches, St. Simons Island has been part of the changing landscape of Georgia's coast. When Gen. James E. Oglethorpe established Fort Frederica to protect Savannah and the Carolinas from the threat of Spain, it was, for a short time, a vibrant hub of British military operations. During the latter part of the 1700s, a plantation society thrived on the island until the outbreak of the War Between the States. Never returning to an agricultural community, by 1870 St. Simons re-established itself with the development of a booming timber industry. And by the 1870s, the pleasant climate and proximity to the sea drew visitors to St. Simons as a year-round resort. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a sleepy little place with only a few hundred permanent residents until 1941.
Recognized by the Georgia Press Association as among the state's best features/lifestyle columns, Larry Hobbs' weekly take on the fascinating history of Coastal Georgia's Golden Isles has become a reader favorite in The Brunswick News. In this compendium of the first year's worth of History columns, readers can acquire further insight into the region's storied past. Learn about the real-life folks who inspired a best-selling historical romance trilogy, discover the source behind the U.S.S. Constitution's nickname as "Old Ironsides," and get to know the men and women who fought World War II from the homefront at a shipyard on the Brunswick River. These and many more stories are covered in a casual, fact-filled style. It is all inside this followup to Hobbs' little book with the big title: A Historical Crash Course on Coastal Georgia and the Golden Isles. Also, there just might be a ghost story or two inside Coast Tales.
Knobbed whelks, dwarf clams, and shorebirds -- The lost barrier islands of Georgia -- Georgia salt marshes, the places with the traces -- Rooted in time -- Coquina clams, listening to and riding the waves -- Ghost crabs and their ghostly traces -- Ghost shrimp whisperer -- Why horseshoe crabs are so much cooler than mermaids -- Moon snails and necklaces of death -- Rising seas and étoufées -- Burrowing wasps and baby dinosaurs -- Erasing the tracks of a monster -- Traces of toad toiletry -- Why do birds' tracks suddenly appear? -- Traces of the red queen -- Marine moles and mistaken science -- Tracking that is otterly delightful -- Alien invaders of the Georgia coast -- The wild cattle of Sapelo -- Your Cumberland Island pony, neither friend nor magic -- Going hog wild on the Georgia coast -- Redbays and ambrosia beetles -- Shell rings and tabby ruins -- Ballast of the past -- Riders of the storms -- Vestiges of future coasts.
From its inception in 1886, the Jekyll Island Club included in its elite membership the nation's wealthiest families, among them the Rockefellers, Pulitzers, Vanderbilts, and Morgans. Far from the hectic northern cities where the members tended their fortunes, this private island refuge off Georgia's coast offered the wealthy a tranquil change of pace. Bringing together more than 240 fascinating photographs, Barton and June McCash trace the sixty-two-year history of this exclusive retreat whose members at one time were reputed to represent one-seventh of the nation's wealth. From the time of the club's opening, members came to Jekyll Island each winter to seek elegant leisure, arriving on yachts or in private train cars from New York, Boston, Chicago, and Philadelphia. Capturing the lives and amusements of the very wealthy, this evocative photographic history presents descriptions of elaborate costume balls and playful outdoor parties; the Rockefeller clan gathering at water's edge and J. P. Morgan lounging by the pool; Victor Astor's "patented beach boat" and the Goulds' private indoor tennis court; the Vanderbilts' yacht anchored offshore and the imposing "cottages" built by individual members. During their stays, members amused themselves in a variety of pursuits. In the 1890s they organized bicycling clubs and held races on the beach. Hunting was also for a time a favorite activity and the island was regularly stocked with imported wildlife--pheasant, quail, turkey, and bucks. By 1919, however, the game committee had dwindled to one member, and prime hunting grounds had been cleared for golf courses and tennis courts. The hub of the island's social life, however, was the clubhouse, where members gathered in formal attire to converse, while drinking fine wine and dining on freshly caught game and local delicacies. The seclusion that Jekyll Island offered was not impenetrable. On the day after Christmas in 1900, the country's fascination with technology could no longer be resisted, and the sound of a gasoline automobile disturbed the island's quiet glades for the first time. Despite the immense wealth of the club, it was not immune to the stock market crash of 1893 and the Panic of 1907. The club managed to survive World War I intact and enjoyed a "golden age" from 1919 to 1927, during which time it held its own against the increasingly popular Florida resorts. The stock market crash of 1929, however, initiated a death spiral. Membership declined steadily throughout the 1930s, and when the United States entered World War II, the club closed its doors forever. Based on surviving club records, newspaper accounts, and letters and diaries of members and guests, The Jekyll Island Club chronicles an era when leisure was the preserve of the wealthy. For more than six decades the island, now a state park, served as a haven for millionaires. As one visitor described the Jekyll Island Club, it was "the only place of its kind in the world--and will never be again."
"Switchback Publishing an imprint of Wyatt-MacKenzie."
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.