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A unique civilian's eye-view of World War I, depicting, through heartfelt letters from an American woman, a fascinating before and after picture of a French community in disarray What looked impossible is evidently coming to pass . . . I silently returned to my garden and sat down. War again! This time war was close by—not war about which one can read, as one reads it in the newspapers, as you will read it in the States, far away from it, but war right here—if the Germans can cross the frontier. A Hilltop on the Marne is a collection of letters written by Mildred Aldrich, an American expatriate who had bought a country farmhouse near Paris in the spring of 1914. Writing to her friends back home, she describes her idyllic life in Huiry, the minutiae of her farmhouse and her daily life. Ignoring the panicked pleadings of friends that she return to the U.S. As the political situation in Europe darkens, Aldrich stands firm in her decision to stay in France and her village, come what may. As war breaks out she looks out over Marne valley at the armies moving, hears the cannonade in the distance and watches as soldiers of all nations march down the lanes in turn. Aldrich's narrative goes on to describe the subsequent events of the war until America's entry into the fray and, returning to her narrative after the war, she described the process of rebuilding local life.
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This is the story of 61-year-old Mildred Aldrich and her experiences of the Great War. She retired to a small hill-top house called La Creste in February 1914, with views across the Marne river and valley, little realising she would become embroiled in the first major battle of the war. In spite of the danger she decided to stay and help the British soldiers. Her home was for a few days behind German lines but the British pushed the Germans into retreat and La Creste remained in British territory for the duration. They entrenched in the Marne Valley and Mildred's 'beloved panorama' as she described the view, turned into the valley of horror and death. Informed by journalist Mildred's unpublished journals and voices of those serving in the BEF, along with historical military background, this book examines events from the unique perspective of a remarkable woman who lived through them.
The writing here is beautiful, stylized, descriptive, and ultimately honest.An amazing story is set in 1914 in Huiry, France, about 40 kilometres to the east of Paris. Told through the author's letters to an unknown party, Mildred Aldrich makes you feel both at home and displaced at the same time. As such, you really get a feel of where she is coming from as an American expat in a war zone. Originally from America, Aldrich spent 16 years in Paris before retiring to a beautiful little house in Huiry France. From her letters you can tell she wasn't supported in this decision and many of her friends, who wanted her to come back to America. Three months after settling, the battle of the Marne begins nearly on her doorstep. Fear plays a big role in this book, but not more so than what we do to move beyond that fear and live in the moment. This is reflected in Aldrich's behavior as well as the soldiers who camp at her home.
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
The riveting true story of America's first modern military battle, its first military victory during World War One, and its first steps onto the world stage At first light on Tuesday, May 28th, 1918, waves of American riflemen from the U.S. Army's 1st Division climbed from their trenches, charged across the shell-scarred French dirt of no-man's-land, and captured the hilltop village of Cantigny from the grip of the German Army. Those who survived the enemy machine-gun fire and hand-to-hand fighting held on for the next two days and nights in shallow foxholes under the sting of mustard gas and crushing steel of artillery fire. Thirteen months after the United States entered World War I, these 3,500 soldiers became the first "doughboys" to enter the fight. The operation, the first American attack ever supported by tanks, airplanes, and modern artillery, was ordered by the leader of America's forces in Europe, General John "Black Jack" Pershing, and planned by a young staff officer, Lieutenant Colonel George C. Marshall, who would fill the lead role in World War II twenty-six years later. Drawing on the letters, diaries, and reports by the men themselves, Matthew J. Davenport's First Over There tells the inspiring, untold story of these soldiers and their journey to victory on the Western Front in the Battle of Cantigny. The first American battle of the "war to end all wars" would mark not only its first victory abroad, but the birth of its modern Army.
In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing - and the refusal to see - for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination. Interdisciplinary in focus, this book brings together visual (twenty-two illustrations) and literary texts, "high" and "popular" expressive forms, and well-known and lesser-known figures and texts.
Mildred Aldrich (November 16, 1853 - February 19, 1928) was an American journalist and writer. She was born in 1853 in Providence, Rhode Island. She grew up in Boston, taught at elementary school there and went on into journalism. She wrote for the Boston Home Journal, the Boston Journal and the Boston Herald. She started the short-lived The Mahogany Tree in 1892 In 1898, she moved to France, and, while there, became a friend of Gertrude Stein and Alice B. Toklas.She worked as a foreign correspondent and translator. Aldrich moved to Huiry, near Paris, in 1914, only months before the outbreak of the First World War.[2] Her house there overlooked the Marne river valley, and her experiences during the First Battle of the Marne, as detailed in her letters to friends in the U.S., constitute her first book, A Hilltop on the Marne (1915). Following the success of that work, Aldrich produced three more collections of her wartime letters. On the Edge of the War Zone (1917) contains letters dating from the aftermath of the Marne battle until the entry of the U.S. into the war, The Peak of the Load (1918) details most of the final year of the war, and When Johnny Comes Marching Home (1919) describes her experiences in the months immediately following the war's end. Aldrich also produced one novel, Told in a French Garden, August 1914 (1916), and in 1926 completed an autobiography entitled Confessions of a Breadwinner, which resides in the collections of the Schlesinger Library at Harvard University, but has never been published (although digital images of the typed manuscripts are displayed on the Harvard University