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This work is an in-depth study on the philosophy of Madhva, the Dvaita Vedānta. The Dvaita tradition, which chronologically comes after Advaita and Viśiṣṭādvaita, is one of the great Vedāntic schools. Madhva was a Hindu philosopher of the 12th century belonging to the Vaiṣṇava tradition, and emphatically established that Viṣṇu alone is the focal point of entire Vedic writings by employing an unparalleled hermeneutical technique known as “parama-mukhya-vṛtti” (the super-primary meaning) in all his writings. This study unearths this singular concept with the help of Madhva’s commentaries and related Dvaita literature. The book explores Madhva’s method of hermeneutics and exegetical patterns. It focuses on the first chapter of Brahmasūtras and Madhva’s application of parama-mukhya-vṛtti. It further discusses the hermeneutical issues in some commentaries and independent works of Madhva. The work suggests steps to apply parama-mukhya-vṛtti to different religious texts, taking into account many Western continental thinkers who strike a chord with the thinking of Madhva. It employs an exegetico-interpretative method, and approaches Madhva’s original writings, particularly the notion of parama-mukhya-vṛtti, through exegesis, showing its relevance through interpretation. This research will open up wide horizons by providing a new methodology to interpret the sacred texts of any religious traditions. It will also contribute to Madhva scholarship by stimulating scholarly exchanges, discussions and deliberations. Moreover, it will facilitate inter-religious dialogue and understanding, particularly in the multi-religious context of India.
This work contributes to the ongoing controversies regarding epistemic authority and voice in religious studies."--BOOK JACKET.
An Introduction to Swaminarayan Hindu Theology provides a comprehensive doctrinal account of the Swaminarayan tradition's belief system, drawing on its rich corpus of theological literature, including the teachings of Swaminarayan himself and classical commentaries on canonical Vedāntic texts.
This volume explores aspects of yoga over a period of about 2500 years. In its first part, it investigates facets of the South Asian and Tibetan traditions of yoga, such as the evolution of posture practice, the relationship between yoga and sex, yoga in the theistic context, the influence of Buddhism on early yoga, and the encounter of Islam with classical yoga. The second part addresses aspects of modern globalised yoga and its historical formation, as for example the emergence of yoga in Viennese occultism, the integration of yoga and nature cure in modern India, the eventisation of yoga in a global setting, and the development of Patañjali’s iconography. In keeping with the current trend in yoga studies, the emphasis of the volume is on the practice of yoga and its theoretical underpinnings.
"Wendy Doniger O'Flaherty . . . weaves a brilliant analysis of the complex role of dreams and dreaming in Indian religion, philosophy, literature, and art. . . . In her creative hands, enchanting Indian myths and stories illuminate and are illuminated by authors as different as Aeschylus, Plato, Freud, Jung, Kurl Gödel, Thomas Kuhn, Borges, Picasso, Sir Ernst Gombrich, and many others. This richly suggestive book challenges many of our fundamental assumptions about ourselves and our world."—Mark C. Taylor, New York Times Book Review "Dazzling analysis. . . . The book is firm and convincing once you appreciate its central point, which is that in traditional Hindu thought the dream isn't an accident or byway of experience, but rather the locus of epistemology. In its willful confusion of categories, its teasing readiness to blur the line between the imagined and the real, the dream actually embodies the whole problem of knowledge. . . . [O'Flaherty] wants to make your mental flesh creep, and she succeeds."—Mark Caldwell, Village Voice
This book provides an in-depth analysis of the doctrines of early Advaita and Buddhism that has important implications for the question of the relationship between Hindu and Buddhist thought. The author examines the central doctrines of the Gaudapadiya-karikain a series of chapters that discuss early Advaita in relation to the Abhidharma, Madhyamaka, and Yogacara schools of Buddhism. The question of the doctrinal diversity of Indian Buddhism is also discussed through an analysis of the concept of 'Buddha-Nature' and its relationship with Vedantic thought.
The present volume explores a specific aspect of creativity in South Asian systems of knowledge, literature and rituals. Under the heading of?adaptive reuse,? it discusses the relationship between innovation and perpetuation of earlier forms and contents of knowledge and aesthetic expressions within the process of creating new works. Although this relation rarely became the topic of explicit reflections in the South Asian intellectual traditions, it is here investigated by taking a closer look at the treatment of older materials by later authors.
The Brahma-siddhi, 'The Demonstration of Brahman' is Mandana Misra's largest work, his most important and the sole one dedicated as a whole to Vedanta. The topics occurring in the doctrine of this work which the present author intends to study here in this book are inter-related; they all have to deal with the nature and functioning of error, whether every-day error or the transcendental error, avidya, which makes us see the multiplicity of phenomena where there is nothing but the utter oneness of brahman. Thet also demonstrate the number of different sources upon which Mandana depended in erecting his own system. In spite of the number and variety of these sources Mandana created a system, the closed coherence of whose parts is a cause of admiration, even if one does not always accept his conclusions.Two appendices are also added to give a glimpse of Mandana Misra's date and his order of works. An exhaustive bibliography has been provided to facilitate the curiosity of readers. An index of important words has also been given.
This is a unique work discussing the teachings of four of the great Advaita Acaryas : Gaudapada, Sankara, and histwo disciples, Suresvara and Padmapada. The first three chapters are concerned with the teachings of Gaudapada. These chapters refer to most o