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An anthology of favorite Russian poems, stories and folk tales for children, arranged in sections for three different age groups, and a collection of folklore.
Reviews 1,400 books for children chosen as the best published during the years 1966-1972.
Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays
Essays zowel van schrijvers uit het verleden als van hedendaagse vertegenwoordigers, waarin een grote verscheidenheid aan meningen weergegeven wordt over een aantal onderwerpen uit de jeugdliteratuur van verschillende kultuurgebieden, niet alleen uit Amerika, maar ook uit Europese en Aziatische landen
This book shows how the totalitarian ideology of the Soviet period shaped the practices of Soviet theatre for youth. It weaves together politics, pedagogy and aesthetics to reveal the complex intersections between theatre and its socio-historical conditions. It paints a picture of the theatrical developments from 1917 through to the new millennium.
Soviet literature in general and Soviet children’s literature in particular have often been labeled by Western and post-Soviet Russian scholars and critics as propaganda. Below the surface, however, Soviet children’s literature and culture allowed its creators greater experimental and creative freedom than did the socialist realist culture for adults. This volume explores the importance of children’s culture, from literature to comics to theater to film, in the formation of Soviet social identity and in connection with broader Russian culture, history, and society.
McCannon also exposes the reality behind these exploits: chaotic blunders, bureaucratic competition, and the eventual rise of the GULAG as the dominant force in the North.