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What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities—to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds up to more than the sum of its parts. In A Harp in the Stars, Randon Billings Noble has collected lyric essays written in four different forms—flash, segmented, braided, and hermit crab—from a range of diverse writers. The collection also includes a section of craft essays—lyric essays about lyric essays. And because lyric essays can be so difficult to pin down, each contributor has supplemented their work with a short meditation on this boundary-breaking form.
There had been four Artefacts of Power, belonging to the four branches of the Magefolk. Now, millennia later, only the human Mages survived, and the Artefacts were lost. Until the coming of Aurian... Child of wizards, swordmistress, the headstrong Aurian had set her power against that of Miathan, the evil Archmage. Whilst he possessed the Cauldron of Rebirth, Aurian had recreated the Staff of Earth, the first of the three lost weapons, the only defence against Miathan's plans of conquest. Trapped in the Southern Lands, her powers reft by pregnancy, Aurian must rely upon the untried powers of the half-blood Mage Anvar as their odyssey takes them to the realm of the mysterious Xandim, to the peaktop city of the Skyfolk, and to the worlds beyond. But, Miathan's webs of deceit are only beginning to unfurl...
A history of a college town, Davidson, NC, told in autobiography by an African-American barber who lived a 20th century of unparalleled change. Ralph Johnson, 96, caught in the poverty-ridden rule of Jim Crow customs, tells of struggles against disadvantage, unbelievable today, to get ahead. Of frugal, intense personal discipline, correspondence courses, self-schooling and hard work. As he moved into the post world war II years and his efforts began to find some success -- his 7-chair shop was one of the largest in the south -- he suddenly became the 1967 target of desegregation picketers who demanded he sacrifice his business to try to settle the centuries old curse of segregation. After a difficult, divisive struggle of a community with itself, Mr. Johnson's peacefully became the first publicly integrated barber shop anyone knew of in the South if not the nation and its demise followed shortly thereafter. Trying to understand what happened to him and why is a very personal puzzle in this eloquent, gripping life story as well as a life changing experience for any serious reader.
A story of two sisters and their cousin.
Music.
Darkness looms over the ancient world of Ahn Norvys, and the Great Harmony of Ardiel lies rent asunder. Prince Starigan, heir to the throne, has been abducted and power has been usurped by a traitorous cabal In the mountainous highlands of Arvon is the small but ancient community the Stoneholding, which has held out against the gathering forces of the evil Ferabek. Here by tradition, from earliest times, the High Bard has resided as guardian of the Sacred Fire, as well as the golden harp called the Talamadh. But in his search for the lost prince, Ferabek has attacked the Stoneholding with his Black Scorpion Dragoons and razed it to the ground. Wilum, the aged High Bard was forced to flee for his life with a ragged band of survivors, including Kalaquinn Wright, the wheelwrightss son. Kal, green in years and understanding, was torn from his pastoral life in a remote highland clanholding, and thrust out onto a broader stage in a journey of danger and escape, discovery and enlightenment. Now, as night covers Ahn Norvys, he must save what remains of the hallowed order of things and seek his destiny, a destiny that lies far beyond the Stoneholding. He must somehow find Prince Starigan and rekindle the Sacred Fire. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Harp
When I was yet a very young woman I threw my heart away. Ever since then I have lived heartless, or almost heartless, the way Humans think all Fey live. Among the towering trees of magical Avalon, where humans dare not tread, lives Niviene, daughter of the Lady of the Lake. Her people, the Fey, are folk of the wood and avoid the violence and greed of man. But the strife of King Arthur's realm threatens even the peace of Avalon. And while Merlin the mage has been training Niviene as his apprentice, he now needs her help to thwart the chaos devouring Camelot. Niviene's special talents must help save a kingdom and discover the treachery of men and the beauty of love... "The story glows...a mythical tapestry that is at once completely recognizable yet utterly fresh..." —Publishers Weekly "Like The Mists of Avalon, the Arthurian legend from a woman's point of view." —USA Today "Readers will be enchanted...the characters and strands of the famous legend are skillfully woven together here." —School Library Journal "Take heed: the feminist possibilities of the Arthurian legendary cycle were not exhausted by Marion Zimmer Bradley's bestselling The Mists of Avalon... A riveting good read." —Booklist What readers are saying: "A rather unique look at the legend of King Arthur." "An exquisite addition to Arthurian literature." "The writing is lyrical; the plot twists are original. Great!"
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.