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This Handy Dictionary of Mythology is intended to supply the everyday reader with concise accounts of the gods and goddesses of the ancients in an accessible form. Besides confronting us at every turn in the museums and picture galleries, these deities and heroes are constantly mentioned by poets and portrayed by painters and sculptors, and they are used for the purpose of illustration in the literature of the day. Nothing is more common than to find the comic newspapers resorting to Mythology for subjects for their pictures; and quite recently Punch has given us some delightful cartoons by Tenniel, which, apart from the admirable drawing, are intensely amusing to people who know enough of Mythology to see the drift of the artist. For example, there is a cartoon representing Æacus, Minos, and Rhadamanthus sitting in judgment on the unlucky electioneering bribers, and underneath is the word “Nemesis.” Again, there was a capital cartoon representing the “Judgment of Paris,” in which the Duke of Richmond, Earl Cairns, and Lord Salisbury figure as Juno, Minerva, and Venus. This had reference to the selection of a Conservative Leader for the House of Lords, and was very popular. In order fully to enjoy similar works, and to appreciate the allusions, it is necessary that we should be able to find out readily something about these mythological beings. But to ascertain this “something” we do not want to waste time in wading through such a number of volumes as the compiler has used in making this Dictionary, even if it were possible to get access to them. It has been a matter of astonishment to him to find how many different versions there are of the same fable, and to see how often various writers attribute the same actions to different gods or heroes. In fact, it has frequently been a difficult task to decide which version should be adopted,—which authority accepted. It may therefore be desirable to state that where doubts have arisen, either the various versions are given, or else Lempriere’s Classical Dictionary has been referred to, to decide the questions.
The figures and events of classical myths underpin our culture and the constellations named after them fill the night sky. Whether it�s the raging Minotaur trapped in the Cretan labyrinth or the twelve labours of Hercules, Aphrodite�s birth from the waves or Zeus visiting Danae as a shower of gold, the mythology of Greece and Rome is full of unforgettable stories. All the stories of the Greek tragedies � Oedipus, Medea, Antigone � are there; all the events of the Trojan wars and of Odysseus and Aeneas� epic journeys; the founding of Athens and of Rome� These are the strangest tales of love, war, betrayal and heroism ever told and, while brilliantly retelling them, this book shows how they echo through the works of much later writers from Chaucer and Shakespeare to Camus and Ted Hughes. Full of attractive illustrations and laid out in eighteen clear chapters (the titles include �Dangerous Women� and �Heroes�), Dr Jennifer March has written a fascinating guide to the myths of classical civilization that is as readable as a novel.
This is an A-Z dictionary of mythologies of the Asian continent. Major characters, places and events of Asian mythology, as well as certain relevant themes and cultural traditions are included.
The Dictionary of Classical Myth and Religion offers a fully rounded and highly authoritative point of access to all aspects of ancient religious life and thought. Dr Simon Price and Dr Emily Kearns, area advisers for the third edition of the Oxford Classical Dictionary, have come together to select, revise, edit, and in some cases wholly recast, a large number of key entries from OCD to create this handy, accessible reference work on mythology and religion in the Graeco-Roman world. Bringing to the attention of a wider audience the authority and scholarly rigour of OCD, the Oxford Dictionary of Classical Myth and Religion provides students, teachers, and general readers with an affordable comprehensive, and wide-ranging A-Z reference source. The Dictionary is unique in that in addition to Greek myths and Roman festivals it covers Greek and Roman religious places, monuments, religious personnel, divination, astrology, and magic, and also contains many entries on Judaism and Christianity in Greek and Roman times.
Discusses different gods and goddesses of ancient Greece that appear in stories, films, and art.
Provides over 1,000 accessible, informative and authoritative entries that answer any major question about Hinduism, it's mythology, practices, customs and laws India is so vast that each of its regions is a land in its own right, with diverse languages, customs, and cultural traditions. Yet shared social systems, firmly grounded in religious beliefs, provide the cohesive force that unites over a billion people of different backgrounds. Hinduism is the main religion of India, and this new dictionary provides an unrivaled insight to all aspects of Hindu life, past and present. Some thousand illustrated entries elucidate the history of Hinduism, its mythology, art, architecture, religion, laws, and folklore. The development of Hinduism is presented from its ancient manifestations in local cults and epic poems to modern-day festivals and customs worldwide. The complex relationship between the multitude of gods, goddesses, and semi-divine beings is brought to light in the articles on religion and mythology, while its rich imagery is revealed in the entries on architecture, sculpture, painting, dance, and theater, including works of art illustrated here for the first time. Food and etiquette, the caste system, Ayurvedic medicine, love and marriage, and contemporary practices are just a few of the topics explored. Maps and entries on the major cities and places of pilgrimage in India, as well as a concise chronology and a list of principal dynasties, provide a clear overview of the geography, history, languages, and vibrant religious and cultural traditions of Hinduism. This volume will serve as a lively and indispensable guide for those preparing a visit to India, for Indians living in the West, for students, or for anyone interested in the subcontinent. 275 b/w illustrations.
This collection of fascinating and revealing tales captures the sprawling diversity of African mythology. Four hundred alphabetically arranged entries touch on virtually every aspect of African religious belief, from Africa's great epic themes (dualistic gods, divine tricksters, creator gods, and heroes) to descriptions of major mythic systems (the Dogon, the Asante, and the San) and beyond. Scheub covers the entire continent, from the mouth of the Nile to the shores of the Cape of Good Hope, including North African as well as sub-Saharan cultures. His retellings provide information about the respective belief system, the main characters, and related stories or variants. Perhaps most important, Scheub emphasizes the role of mythmaker as storyteller--as a performer for an audience. He studies various techniques, from the rhythmic movements of a Zulu mythmaker's hands to the way a storyteller will play on the familiar context of other myths within her cultural context. An invaluable bridge to the richly diverse oral cultures of Africa, this collection uncovers a place where story and storyteller, tradition and performance, all merge.
Myths from the ancient world usually have some supernatural element, a component often generated from a particular intoxicant. These substances promoted a variety of states including possession by the gods, liberation of the soul or a communion with the spirit world. From Acan, the Mayan god of intoxicating drinks, to Zagreus, the first incarnation of the Greek god Dionysus, this encyclopedia encompasses intoxicant-related stories from world mythology that explain the origins of a particular intoxicant or how that intoxicant was involved in creating a particular culture. Entries are arranged alphabetically without regard to category (e.g., gods, intoxicants, places, and rites). Different versions of a single myth are presented when pertinent to the overriding theme. Entries record the referenced story, the identity of the culture in which the myth originated, and when applicable, information about related plant sources and pharmacological effects. Cross-references are noted in bold and sources appear at the end of each entry. Appendices group entries by category and by place of origin.
The folk heritage of all regions, cultures, and peoples is well represented in the survey articles and entries