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This volume inaugurates a series of accessibly written yet substantive commentaries for use in Catholic universities, seminaries, and parishes.
Leading biblical scholar Thomas Schreiner provides an easy-to-navigate resource for studying and understanding the Acts of the Apostles and the Pauline Letters. This accessibly written volume summarizes the content of each major section of the biblical text to help readers quickly grasp the sense of particular passages. This is the first volume in the Handbooks on the New Testament series, which is modeled after Baker Academic's successful Old Testament handbook series. Series volumes are neither introductions nor commentaries, as they focus primarily on the content of the biblical books without getting bogged down in historical-critical questions or detailed verse-by-verse exegesis. The series will contain three volumes that span the entirety of the New Testament, with future volumes covering the Gospels and Hebrews through Revelation. Written with classroom utility and pastoral application in mind, these books will appeal to students, pastors, and laypeople alike.
The debate continues among today's leading Bible scholars about the conspicuous exclusion of twelve verses (16:9-20) in the gospel of Mark from some early Greek manuscripts.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
How Baptism and the Eucharist Shaped Early Christian Understandings of Jesus Long before the Gospel writers put pen to papyrus, the earliest Christians participated in the powerful rituals of baptism and the Lord's Supper, which fundamentally shaped their understanding of God, Christ, and the world in which they lived. In this volume, a respected biblical scholar and teacher explores how cultural anthropology and ritual studies elucidate ancient texts. Charles Bobertz offers a liturgical reading of the Gospel of Mark, arguing that the Gospel is a narrative interpretation of early Christian ritual. This fresh, responsible, and creative proposal will benefit scholars, professors, and students. Its ecclesial and pastoral ramifications will also be of interest to church leaders and pastors.
Here Professor Hengel argues with a wealth of documentation that the traditional views of the origin and tradition of the Gospel of Mark have far more to be said for them than has been usually allowed by modern New Testament scholars. He argues that the tradition contained in the Gospel is that handed down by Peter through Mark, and that the Gospel was written in Rome in AD 69. The famous note by Papias quoted in Eusebius' 'Church History' is not to be dismissed, but has every appearance of being reliable. Further evidence in support of this view can be found in a detailed consideration of the titles of the Gospels, which must have been attached to the Gospels at a very early stage, if only to identify them. An appendix, by the distinguished classical philologist Wolfgang Schadewaldt, on 'The Reliability of the Synoptic Tradition,' is used to add further weight to the case. With his customary learning, Professor Hengel has produced a powerful argument which those who have held more radical views than his own will have to consider very carefully indeed if they are to continue to carry conviction.
In this second volume of the Biblical Imagination series, Michael Card leads us on an imaginative journey through the Gospel of Mark. Card teaches us to enter each scene with the eyes of faith, knowing that Mark intended us to be filled with passion at the sight of Jesus.
Immediately. Let's go. Right away. Now. Get up. Then ... Mark's narrative moves quickly and you sense the action in the story of Jesus' life. It's teaching presented as the gospel - good news powerfully announced in a world of bad news. This gospel emphasizes not only that Jesus is "the Son of God" (1:1; 15:39) but also that this fact demands a response. The Gospel of Mark highlights Jesus' unparalleled spiritual power and authority, leading us to consider for ourselves the question, "Who do you say that I am?" (Mark 8:29) The Gospel of Mark: the Jesus we're aching for partners the compassion of Jesus with the passion of Christ. We see how the heart of God is moved by the heart of humanity and His response to our loud cry for help. We discover the world-changing result of being recipients of His compassion and the reason for His passion, all the way to the cross. Ultimately, Mark intends for the action-packed presentation of who Jesus is to lead us to acknowledge Jesus, find salvation in Him, and follow Him.
An important contribution to our understanding of Marcan irony, and combines a literary-critical approach with insights gained from the sociology of knowledge.
In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E