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Apart from the coverage given to it in the grammars, number in English nouns has received relatively little attention, especially in the area of theoretical considerations. Guided by the principles of psychomechanics, Hirtle (1982a) put forth a fairly elaborate theory of number in English nouns. The aim of this work is to provide evidence to validate parts of Hirtle's theory, to verify some of his analyses, and to investigate several problems, some of which are mentioned in his work as subjects for further research. Specific areas treated are ailment nouns, liquid names, ending in "-ings," binary objects, abstract "-s," and external singulars.
English offers verbal expressions in two basic forms: simple verbs such as walk and look, and periphrastic expressions such as have/take a walk and have/take a look. Which do we use, why, and how do particular usages arise or disappear? This volume explores the historical development of two important periphrastic verbal constructions, composite predicates and phrasal verbs, as well as related expressions, from the viewpoint of English historical linguistics. The approach is descriptive and interpretive, encompassing rich and varied data from Old English, Middle English, Early Modern English, Late Modern English, and Present Day English, from sources such as the Chadwyck-Healey electronic corpus databases. The history of English is characterized by the development from synthetic to analytic. The role of this tendency in the development of verbal expressions is of particular interest.
First published in 1979, this book develops a grammatically orientated semantics (as opposed to a semantically orientated grammar) of mood and condition in English. It seeks to establish correspondences between areas of semantic organisation (‘planes’) and surface grammar, without reverting to an intermediate notion of deep grammar. The chapters explore topics including the differences between ‘literal meaning’ and ‘significance’, speech roles, and constructions of condition and reason in terms of the four panes discussed earlier in the volume.