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Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.
Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.
Written to accompany an exhibition of the same name at the Percival David Foundation of Chinese Art in 1996, this text is designed to explain the basic science involved in ceramic manufacture, with reference to Chinese ceramics, as they are the most technologically advanced. Both the exhibition and the book were inspired by many requests for basic information about ceramic technology that did not require experience of making pots or a degree in chemistry to understand. The book thus assumes no previous knowledge of ceramic technology or science in general and uses terms which can be defined and explained in a manner accessible to the non-specialist.
Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature
Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.
This is a black-and-white facsimile reprint of the 1909 edition of "Handbook Of Marks On Pottery & Porcelain". Although it has been checked manually, it may contain imperfections such as marks, notations, marginalia and flawed pages.
Throughout China's long history ceramic products have been very much a part of people's lives. This book takes the reader through the rich history of Chinese ceramics, from primitive pottery to the delicate porcelain for which China is famed, complemented by full color illustrations throughout.