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This first volume of a two-volume Handbook treats a challenging, largely neglected subject at the crossroads of several academic fields: biblical studies, reception history of the Bible, and folklore studies or folkloristics. The Handbook examines the reception of the Bible in verbal folklores of different cultures around the globe. This first volume, complete with a general Introduction, focuses on biblically-derived characters, tales, motifs, and other elements in Jewish (Mizrahi, Sephardi, Ashkenazi), Romance (French, Romanian), German, Nordic/Scandinavian, British, Irish, Slavic (East, West, South), and Islamic folkloric traditions. The volume contributes to the understanding of the Hebrew Bible/Old Testament, the New Testament, and various pseudepigraphic and apocryphal scriptures, and to their interpretation and elaboration by folk commentators of different faiths. The book also illuminates the development, artistry, and “migration” of folktales; opens new areas for investigation in the reception history of the Bible; and offers insights into the popular dimensions of Jewish, Christian, and Muslim communities around the globe, especially regarding how the holy scriptures have informed those communities’ popular imaginations.
This first volume of a two-volume Handbook treats a challenging, largely neglected subject at the crossroads of several academic fields: biblical studies, reception history of the Bible, and folklore studies or folkloristics. The Handbook examines the reception of the Bible in verbal folklores of different cultures around the globe. This first volume, complete with a general Introduction, focuses on biblically-derived characters, tales, motifs, and other elements in Jewish (Mizrahi, Sephardi, Ashkenazi), Romance (French, Romanian), German, Nordic/Scandinavian, British, Irish, Slavic (East, West, South), and Islamic folkloric traditions. The volume contributes to the understanding of the Hebrew Bible/Old Testament, the New Testament, and various pseudepigraphic and apocryphal scriptures, and to their interpretation and elaboration by folk commentators of different faiths. The book also illuminates the development, artistry, and “migration” of folktales; opens new areas for investigation in the reception history of the Bible; and offers insights into the popular dimensions of Jewish, Christian, and Muslim communities around the globe, especially regarding how the holy scriptures have informed those communities’ popular imaginations.
Traditionally revered as the literal word of God, the Qur’an serves as Islam’s sacred book of revelation. Accordingly, its statements and pronouncements rest at the core of the beliefs and teachings that have inexorably defined expressions of the Islamic faith. Indeed, over the centuries, engaging with and poring over the contents of the Qur’an inspired an impressive range of traditional scholarship. Notwithstanding its religious pre-eminence, the Qur’an is also considered to be the matchless masterpiece of the Arabic language and its impact as a text can be discerned in all aspects of the Arabic literary tradition. Presenting contributions from leading experts in the field, The Oxford Handbook of Qur’anic Studies offers an authoritative collection of chapters that guide readers through the gamut of themes, subjects, and debates that have dominated the academic study of the Qur’an and its literary heritage. These range from chapters that explore the text’s language, vocabulary, style, and structure, to detailed surveys of its contents, concepts, transmission, literary influence, historical significance, commentary tradition, and even the scholarship devoted to translations. With the aim of serving as an indispensable reference resource, the Handbook assesses the implications of research discourses and discussions shaping the study of the Qur’an today. There exists no single volume devoted to such a broad review of the scholarship on the Qur’an and its rich commentary tradition.
This handbook presents an overview of the main approaches from social and cultural anthropology to the Hebrew Bible. Since the late 19th century, biblical scholarship has addressed issues and themes related to biblical stories from a perspective which could now be considered socio-anthropological. It is however only since the 1960s that biblical scholars have started to produce readings and incorporate analytical models drawn directly from social anthropology to widen the interpretive scope of the social and historical data contained in the biblical sources. The handbook is arranged into two main thematic parts. Part 1 assesses the place of the Bible in social anthropology, examines the contribution of ethnoarchaeology to the recovery of the social world of Iron Age Palestine and offers insights from the anthropology of the Mediterranean for the interpretation of the biblical stories. Part 2 provides a series of case studies on anthropological themes arising in the Hebrew Bible. These include kinship and social organisation, death, cultural and collective memory, and ritualism. Contributors also examine how the biblical stories reveal dynamics of power and authority, gender, and honour and shame, and how socio-anthropological approaches can reveal these narratives and deepen our knowledge of the human societies and cultural context of the texts. Bringing together the expertise of scholars of the Hebrew Bible and Biblical Archaeology, this ethnographic introduction prompts new questions into our understanding of anthropology and the Bible.
T.D. Kokoszka grew up in Texas with a Jewish mother and a Polish-American father. While he was aware of roots going back to Eastern Europe from both families, he found it hard to learn very much about them. He knew that Polish people would whack one another with palm leaves around Easter, and he knew that his great-grandmother purportedly believed in forest spirits known as borowy. However, it wasn't until he was in his teens that he became vaguely aware of an ancient people known as the Slavs who gave rise to the Polish, Ukrainian, Russian, Serbian, Bulgarian, Slovakian, Slovene, and Czech languages. It quickly became clear to him that this was a family of cultures currently under-represented in popular culture, and even in western scholarship. Not simply a regurgitation of scholarship from the Soviet period - and presenting new analyses by using previously neglected resources - Bogowie: A Study of Eastern Europe's Ancient Gods offers one of the most painstaking scholarly reconstructions of Slavic paganism. These new resources include not only an overview of folklore from many different Slavic countries but also comparisons with Ossetian culture and Mordvin culture, as well as a series of Slavic folktales that Kokoszka analyzes in depth, often making the case that the narratives involved are mythological and shockingly ancient. Readers will recognize many European folktale types and possibly learn to look at these folktales differently after reading this book.
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
This companion explores Søren Kierkegaard's theological importance, offering a comprehensive reading of his work through a distinctly theological lens, including interpretative concerns, his approach to specific doctrines, and theological trajectories for thinking beyond his work. Beginning with essays on key interpretative factors involved in approaching Kierkegaard's complex corpus, there are also historical accounts of his theological development, followed by – for the first time in a single volume – focused expositions of Kierkegaard's approach to particular doctrinal themes, from those oft-discussed in his work (e.g. Christology) to those more understated (e.g. Pneumatology). The book concludes with theological trajectories for Kierkegaard's thought in the twenty-first century. This volume helps not only to situate Kierkegaard's theology more firmly on the map, but to situate Kierkegaard more firmly on the theological map, as one who has much to offer both the form and content of the theological task.
Religion and literature is the study of interrelationships between religious or theological traditions and literary traditions, both oral and written, with special attention to religious or theological underpinnings of, influences upon, and reflections in, individual “texts” (oral and written) or authors’ oeuvres. Religion and Literature: History and Method by Eric Ziolkowski considers the origins and history of, and methods employed in, that scholarly enterprise, focusing on the dual construals of “literature” in religious studies (as a body of sacred writings and as writing valued for artistic merit); the problematics of defining “religion”; the transformation of theology and literature as a “field” (pioneered by Nathan A. Scott Jr. et al.) to religion and literature; the affiliated fields of myth criticism, and of biblical reception; and the institutionalization, globalization, and future of the study of religion and literature.