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Kathleen Wheeler's critical guide analyses, in 135 essays, the narrative practices and stylistic devices of women novelists from all over the English-speaking world. Eleven further chapters focus upon the influence of early psychological writing on fiction, the rise of international English literature, fiction from the rich post-war period, post-structuralist theory, postmodernism and magic realism, and feminist theory.
Can you remember what happens at the end of 1984? Or what triggered Quentin Compson's suicide in The Sound and the Fury? Perhaps you need to know who won the National Book Award in 1960, how many times the Booker Prize has been awarded to non-British writers, or what novels people were reading the year the Titanic sank. The answers to all these questions, and many more, can now be found in A Reader's Guide to the Twentieth-Century Novel. Wide-ranging and authoritative, A Reader's Guide to the Twentieth-Century Novel is a unique and invaluable guide to modern fiction written in English. Arranged chronologically from Joseph Conrad's Lord Jim to E. Annie Proulx's The Shipping News, it contains detailed accounts of some 750 novels from the United States, Britain, Ireland, Canada, Africa, India, Australia, New Zealand, and the Caribbean. All of the century's major novelists are represented, alongside less-celebrated writers whose work has been unjustly neglected; such beloved children's authors as A.A. Milne, Frances Hodgson Burnett, and Kenneth Grahame, and such popular authors as Agatha Christie, Ian Fleming, Daphne Du Maurier, and others whose work has left a definite stamp on readers' imaginations. Each lively entry supplies a summary of the plot, places the novel in a biographical and historical context, and provides a provocative critical assessment. Written by a team of thirty-eight contributors made up of critics, biographers, novelists, historians, academics, and literary journalists, all entries are fully cross-referenced and supplemented at the end of the book by brief biographical notes on all authors and by helpful alphabetical indexes of novels and authors. Interwoven with the entries are also 150 short extracts illustrating the voice and style of many featured novels, from Rudyard Kipling's Kim to Roddy Doyle's Paddy Clarke Ha Ha Ha. The chronological arrangement of the Guide gives readers fascinating insight into the sorts of books people were reading at any given period, and each year is prefaced by a selection of contemporary events from the worlds of the arts, science, and politics, revealing the background against which novels were written and published. This arrangement also allows readers to trace the literary history of twentieth-century fiction and to follow the development of individual authors. A celebration of modern fiction and an indispensable aide-memoire, A Reader's Guide to the Twentieth-Century Novel is a book to be read for pleasure as well as consulted for reference.
Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.
Mexicana and Chicana authors from the late 1970s to the turn of the century helped overturn the patriarchal literary culture and mores of their time. This landmark volume acquaints readers with the provocative, at times defiant, yet subtle discourses of this important generation of writers and explains the influences and historical contexts that shaped their work. Until now, little criticism has been published about these important works. Addressing this oversight, Teaching Late-Twentieth-Century Mexicana and Chicana Writers starts with essays on Mexicana and Chicana authors. It then features essays on specific teaching strategies suitable for literature surveys and courses in cultural studies, Latino studies, interdisciplinary and comparative studies, humanities, and general education that aim to explore the intersectionalities represented in these works. Experienced teachers offer guidance on using these works to introduce students to border studies, transnational studies, sexuality studies, disability studies, contemporary Mexican history and Latino history in the United States, the history of social movements, and concepts of race and gender.
The Routledge Introduction to American Women Writers considers the important literary, historical, cultural, and intellectual contexts of American women authors from the seventeenth century to the present and provides readers with an analysis of current literary trends and debates in women’s literature. This accessible and engaging guide covers a variety of essential topics, such as: the transatlantic and transnational origins of American women's literary traditions the colonial period and the Puritans the early national period and the rhetoric of independence the nineteenth century and the Civil War the twentieth century, including modernism, the Harlem Renaissance, and the Civil Rights era trends in twenty-first century American women's writing feminism, gender and sexuality, regionalism, domesticity, ethnicity, and multiculturalism. The volume examines the ways in which women writers from diverse racial, social, and cultural backgrounds have shaped American literary traditions, giving particular attention to the ways writers worked inside, outside, and around the strictures of their cultural and historical moments to create space for women’s voices and experiences as a vital part of American life. Addressing key contemporary and theoretical debates, this comprehensive overview presents a highly readable narrative of the development of literature by American women and offers a crucial range of perspectives on American literary history.
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.
Carole Lombard was the very opposite of the typical 1930s starlet. A no-nonsense woman, she worked hard, took no prisoners and had a great passion for life. As a result, she became Hollywood's highest-paid star. From the outside, Carole's life was one of great glamour and fun, yet privately she endured much heartache. As a child, her mother moved Carole and her brothers across the country away from their beloved father. Carole then began a film career, only to have it cut short after a devastating car accident. Picking herself back up, she was rocked by the accidental shooting of her lover; a failed marriage to actor William Powell; and the sorrow of infertility during her marriage to Hollywood's King, Clark Gable. Lombard marched forward, promising to be positive. Sadly her life was cut short in a plane crash so catastrophic that pieces of the aircraft are still buried in the mountain today. In Carole Lombard, bestselling author Michelle Morgan accesses previously unseen documents to tell the story of a woman whose remarkable life and controversial death continues to enthral.
The novel is the major literary phenomenon of the twentieth century, and its development in Britain since 1900 has reflected the tumultuous changes that have characterized modern society. Randall Stevenson now presents an accessible and authoritative guide to the work of th ecentury's leading novelists as well as many of its lesser known writers. In this stimulating and wide-ranging account, Stevenson locates the work of individual writers, from Conrad to Jeanette Winterson, within an evolving literary history and the wider context of social, political, and cultural change. Included are British writers working in exile and writers with origins elsewhere, such as James and Rushdie, who have chosen to work in Britain. Women novelists are accorded their rightful prominence. This clear and lively survey deals with a broad range of movements, including modernism and postmodernism, as well as the influence of other world literatures and the impact of two world wars. An ideal text, this is a 'guide' in the best sense—concise and lucid, well-informed and perceptive. Readers new to the field will appreciate Stevenson's clear direction, while the experienced will be delighted by newly revealed connections and fresh perspectives.
This book looks at the process by which particular books materialized against the odds. This collection of essays on the most influential women writers of the first half of the last century is a mixture of close reading with a sensitivity to nuances, and biographical exploration.