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Betty Boyd Caroli's engrossing and informative First Ladies is both a captivating read and an essential resource for anyone interested in the role of America's First Ladies. This expanded and updated fourth edition includes Laura Bush's tenure, Hillary Clinton's 2008 presidential bid, and an in-depth look at Michelle Obama, one of the most charismatic and appealing First Ladies in recent history. Covering all forty-one women from Martha Washington to Michelle Obama and including the daughters, daughters-in-law, and sisters of presidents who sometimes served as First Ladies, Caroli explores each woman's background, marriage, and accomplishments and failures in office. This remarkably diverse lot included Abigail Adams, whose "remember the ladies" became a twentieth-century feminist refrain; Jane Pierce, who prayed her husband would lose the election; Helen Taft, who insisted on living in the White House, although her husband would have preferred a judgeship; Eleanor Roosevelt, who epitomized the politically involved First Lady; and Pat Nixon, who perfected what some have called "the robot image." They ranged in age from early 20s to late 60s; some received superb educations for their time, while others had little or no schooling. Including the courageous and adventurous, the emotionally unstable, the ambitious, and the reserved, these women often did not fit the traditional expectations of a presidential helpmate. Here then is an engaging portrait of how each First Lady changed the role and how the role changed in response to American culture. These women left remarkably complete records, and their stories offer us a window through which to view not only this particular sorority of women, but also American women in general. "Impressive...Caroli's profiles and observations of American first ladies and their relationship to the media are intelligent and perceptive." --Philadelphia Inquirer
Examining the political activities of the period between 1920, when women gained the right to vote, and the mid-1960s, when the women's movement revived, Cynthia Harrison illuminates a long-neglected but vital chapter of women's history.
Contains profiles, contextual essays, historical images, and appendices that provide information about the 229 women who have served in Congress from 1917 through 2006.
The authentic voice of African-American culture is captured in this first comprehensive guide to a treasure trove of writings by and for a people, as found in sources in the United States, Canada, and the Caribbean. This bibliography contains over 6,000 entries.
Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
Includes the proceedings of the Society.
“A witty, entertaining, and enlightening antidote to sloppy, inflated, vague, or dull prose.” —Publishers Weekly Writing comes in grades of quality in the fashion of beer and baseball games—good, better, and best. With the experience of a lifetime spent writing, James J. Kilpatrick wants to make a few judgment calls. Here, in the great tradition of Theodore Bernstein, Edwin Newman, and William Safire, a master of the art gives us a finely crafted, witty guide to writing well. Intended for laymen and professionals alike, The Writer’s Art highlights techniques and examples of good writing—and a section of the book called “My Crotchets and Your Crotchets” comprises more than two hundred personal judgment calls, often controversial, often funny, on word usage. “Put it on your shelf between Strunk & White’s Elements of Style and William Zinsser’s On Writing Well.” —Cleveland Plain Dealer “An honest, forthright, and at times charming look into American usage.” —The New York Times Book Review “The Writer’s Art is itself a work of art.” —Dallas Morning News
Acclaimed as groundbreaking since its publication, Women and the Republican Party, 1854-1924 explores the forces that propelled women to partisan activism in an era of widespread disfranchisement and provides a new perspective on how women fashioned their political strategies and identities before and after 1920. Melanie Susan Gustafson examines women's partisan history against the backdrop of women's political culture. Contesting the accepted notion that women were uninvolved in political parties before gaining the vote, Gustafson reveals the length and depth of women's partisan activism between the founding of the Republican Party, whose abolitionist agenda captured the loyalty of many women, and the passage of the Nineteenth Amendment. Her account also looks at the complex interplay of partisan and nonpartisan activity; the fierce debates among women about how to best use their influence; the ebb and flow of enthusiasm for women's participation; and the third parties that fused the civic world of reform organizations with the electoral world of voting and legislation.