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This concise volume offers both a practical manual for performers and an authoritative history of the instrument. Includes advice on mastering basic touch, fingering, articulation and phrasing, rhythm and tempo, ornaments, more.
This practical guide treats the mechanics and evolution of the instrument, and offers a survey of its literature. The author provides valuable advice on touch and technique, including articulation and fingering, with a lucid exposition of the issues involved in historical performance practice and a clear explanation of ornamentation. The repertoire of each of the great national schools is presented and discussed, with four representative pieces singled out for detailed analysis. More advanced players will welcome the author's suggestions on continuo playing and the helpful discussion of tuning and temperaments. From advice on acquiring a harpsichord, to wise counsel on how to play it and what music to choose, to suggestions on maintenance and tuning, A Guide to the Harpsichord is an indispensable companion for both beginning and advanced harpsichordists.
Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.
This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.
Elena discovers a magical book in her grandmother's attic, The Harpsichord Diaries. Transported through five centuries, she meets eccentric talking harpsichords that bring music and history to life. Internationally acclaimed harpsichordist Elaine Funaro teamed up with her twins, professional theater director Eric Love and award-winning animator Andrea Love to create this unique musical journey.
A History of the Harpsichord brings together for the first time more than 200 photographs, illustrations, and drawings of harpsichords in public museums and private collections throughout Europe the United States. Edward L. Kottick draws on his extensive technical knowledge and experience as a harpsichord builder to detail the changing design, structure, and acoustics of the instrument over seven centuries.Based on painstaking research, the book considers the place of the instrument in society and vividly describes the market forces that brought about changes in its form, decoration, and cultural importance. An accompanying CDincludes performances on several of the historical instruments described and illustrated in the volume, including a 1580 spinett virginal by Martin van der Biest and instruments built by Ruckers and Pleyel. The volume devotes attention to American harpsichord design as well as to present and future uses of the instrument.Also of interestThe History of the PianoforteA Documentary in SoundEva Badura-Skoda0-253-33582-5 HB £37.95
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
"For around 300 years, the harpsichord was the leading domestic musical instrument and often a highly fashionable piece of furniture as well. Usurped by the piano at the beginning of the nineteenth century, it was taken up again with the first revival of early music at the beginning of the twentieth century. Over the past 40 years, makers have been getting closer to reproducing examples from the historical past. Now, The Art of Making a Harpsichord gives its readers the chance to discover this challenging and rewarding pursuit in a way that is rarely possible without working with an established builder. Beginning with an overview of the instrument, its schools and workshop traditions, the author--himself an experienced maker and researcher--explores the various models and types before leading the reader through the manufacture of an Italian-style instrument, while describing historically-based working methods which are applicable to all traditions. Just as in the seventeenth or eighteenth century, there is no need to rely on large power-tools. This book has been designed to provide assistance to all harpsichord makers, whatever model they choose to make. It is lavishly illustrated with line drawings and photographs, the latter taken--wherever possible--from antique examples that give the reader as full an understanding as possible of the quality of these beautiful instruments."--Publisher's description.
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
"Divided into two parts, the book combines Touch at the harpsichord, in part one, with Rhetoric at the keyboard (or, performance practice) in part two. The book is spiral bound and designed for use at the keyboard, with or without a teacher. It features 30 teaching pieces from the Bach/Ricci "Methode ou Receuil de Connaissances elementaires pour le piano forte ou clavecin" of 1786. Also featured are pieces to play by Louis & Francois Couperin, J. S. Bach and Georg Bohm. An appendix of recommended starting pieces follows. If you take the trouble to work with this book at a harpsichord, (especially if you use the recordings) your touch and knowledge of Baroque performance will improve."--Publisher's description.