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Back in print, this is the most accurate and useful reference for identifying Anglo-American colonial artifacts.
The first comprehensive guide to identifying and interpreting items such as buttons, clasps, buckles, combs, and other items of personal adornment in early American museum collections and archaeological sites.
Carefully researched, charmingly written guide describes over 50 herbs and plants: bee balm, bloodroot, candytuft, daffodil, hyssop, lovage, rosemary, tansy, wormwood, yarrow, more. Illustrations.
133 full-color photographs which have never been seen before with descriptions on facing pages of thousands of artifacts from the Colonial and Revolutionary time periods.
Four hundred pages of information and color photos of early American Colonial artifacts and how to find them. The best reference yet on colonial artifacts, including coins, buttons, bottles, buckles, household items, tools, and more!
“A delight. All the Best Rubbish is one of those rare volumes that both instruct and entertain. I recommend it to any collector.” —Harold L. Peterson, Chief Curator, US National Park Service Ivor Noel Hume, the former chief archaeologist of Colonial Williamsburg, offers a delightful, anecdotal, and informative celebration of the joys of collecting. In his newly revised edition, All the Best Rubbish traces the fascinating history of collecting from its recorded beginnings and describes the remarkable detective work that goes into establishing the probable facts about uncovered and often underappreciated treasures. Now expanded with hints, tips, and helpful information about antique-hunting online, All the Best Rubbish is the ideal book for the antiquarian or amateur. Noël Hume has pursued bottles, pottery, clocks, and coins through junk shops, street markets, attics, and cellars on two continents. He's unearthed the most fascinating—and valuable—rubbish from the most unlikely places: the shores of the Thames in London; the lagoons of the Caribbean; the bottom of Martha Washington's well. Hume knows everything that's worth knowing about collecting—why we do it, what we can find, where we can find it, and what we can learn from it.
British Military Long Arms in Colonial America By: Bill Ahearn and Robert Nittolo In British Military Long Arms in Colonial America, Bill Ahearn and Robert Nittolo explore the story of the various long arms used during this point in history. Covering a vast time period, Ahearn and Nittolo first illustrate the long arms as tools to help create British rule in Colonial America and continue their explorations to the war that cost Britain their American empire. British Military Long Arms in Colonial America is an educational and informative guide that will provide an enlightening account to the curious readers and historians alike.
Less celebrated than their male counterparts, women have been vital contributors to the arts. Works by women of the colonial era represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression is as impressive as the women themselves. In American Colonial Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass follows the history of creative expression from the early 1600s to the late 1700s. Drawing upon primary sources—such as letters, diaries, travel notes, and journals—this timeline encompasses a wide variety of artistic accomplishment, such as: Stitchery, quilting, and rug hooking Painting, sculpture, and sketches Essays, poems, and other writings Dance, acting, and oratory Musical composition and performance Individual talents highlighted in this volume include miniature portraits by Mary Roberts, pastel likenesses by Henrietta Dering Johnston, stagecraft by Elizabeth Sampson Sullivan Ashbridge, basketry by Namumpum Weetamoo, dance by Mary Stagg, metalwork by blacksmith Elizabeth Hager Pratt, calligraphy by Anna “Anastasia” Thomas Wüster, city planning by Deborah Dunch Moody, poems and essays by Phillis Wheatley, and fabric design by Anne Pogue McGinty. Featuring appendices that list individuals by skill and by state—as well as a glossary that clarifies the parameters of genres—this volume is essential to the study of Colonial women’s art. Resurrecting the efforts of women to record, adorn, and illustrate the spirit of their times, American Colonial Women and Their Art is a valuable resource that will be of interest to students and scholars of gender and women’s studies, art history, and American history.