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SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
This step-by-step introduction to interpreting bass lines, upper parts, and whole compositions uses the new multi-level hierarchy to show readers the interaction of structure and motion in music. The authors present scores of models for notation and offer a host of exercises which are keyed to chapters or sections of chapters. In addition, lists of optional exercises keyed to commonly used anthologies are also supplied. Content highlights: presents bass-line sketches to allow a smooth transition into Schenkerian analysis; details the link between Schenkerian analysis and traditional methods of analysis of form in music; Uses a generative (top-down) approach to Schenkerian analysis rather than a reductive approach to more clearly illustrate Schenker's original intentions for the method; devotes an entire section to the special topic of nontraditional tonal music before Bach and after Brahms; and offers an encapsulated overview of the principal concepts of Schenker's method to facilitate recall.
This step-by-step introduction to interpreting bass lines, upper parts, and whole compositions uses the new multi-level hierarchy to show readers the interaction of structure and motion in music. The authors present scores of models for notation and offer a host of exercises which are keyed to chapters or sections of chapters. In addition, lists of optional exercises keyed to commonly used anthologies are also supplied. Content highlights: presents bass-line sketches to allow a smooth transition into Schenkerian analysis; details the link between Schenkerian analysis and traditional methods of analysis of form in music; Uses a generative (top-down) approach to Schenkerian analysis rather than a reductive approach to more clearly illustrate Schenker's original intentions for the method; devotes an entire section to the special topic of nontraditional tonal music before Bach and after Brahms; and offers an encapsulated overview of the principal concepts of Schenker's method to facilitate recall.
This extremely practical introduction to musical analysis explores the factors that give unity and coherence to musical masterpieces. Having first identified and explained the most important analytical methods, Nicholas Cook examines given compositions from the last two hundred years to show how different analytical procedures suit different types of music.
Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker's theories, then progresses systematically from the phrase and their various combinations to longer and more complex works. Unlike other texts on this subject, Advanced Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate Instructor’s Manual provides additional advice and solutions (graphs) of all recommended assignments.
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Published originally by the David Mannes Music School, New York, in 1933 under the German title.
This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.