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An introduction to the subject of medieval seals in Britain, this text discusses every kind of seal used for authenticating documents, their development, design and use. Many of the seals are from the extensive collections of the British Library and the Public Record Office. A detailed caption of each seal is provided, including the seal's actual dimensions, together with an index of mottoes and inscriptions. Considerable references to contemporary records place the seals in their historical context.
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.
Seals and their Context in the Middle Ages offers an extensive overview of approaches to and the potential of sigillography, as well as introducing a wider readership to the range, interest and artistry of medieval seals. Seals were used throughout medieval society in a wide range of contexts: royal, governmental, ecclesiastical, legal, in trade and commerce and on an individual and personal level. The fourteen papers presented here, which originate from a conference held in Aberystwyth in April 2012, focus primarily on British material but there is also useful reference to continental Europe. The volume is divided into three sections looking at the history and use of seals as symbols and representations of power and prestige in a variety of institutional, dynastic and individual contexts, their role in law and legal practice, and aspects of their manufacture, sources and artistic attributes. Importantly and distinctively, the volume moves beyond the study of high status seals to consider such themes as the social and economic status of seal-makers, the nature and meaning _ including reflections of deliberate wit and boastfulness _ of specific motifs employed at various levels of society, and the distribution of seals in relation to the location of, for instance, religious institutions and along major routeways. In so doing, it sets out ways in which sigillography can open new pathways into the study of non-elites and their cultures in medieval society.
Chiefly papers originally presented at a conference held at the British Museum, Feb. 16-17, 2007.
Seals and their Context in the Middle Ages offers an extensive overview of approaches to and the potential of sigillography, as well as introducing a wider readership to the range, interest and artistry of medieval seals. Seals were used throughout medieval society in a wide range of contexts: royal, governmental, ecclesiastical, legal, in trade and commerce and on an individual and personal level. The fourteen papers presented here, which originate from a conference held in Aberystwyth in April 2012, focus primarily on British material but there is also useful reference to continental Europe. The volume is divided into three sections looking at the history and use of seals as symbols and representations of power and prestige in a variety of institutional, dynastic and individual contexts, their role in law and legal practice, and aspects of their manufacture, sources and artistic attributes. Importantly and distinctively, the volume moves beyond the study of high status seals to consider such themes as the social and economic status of seal-makers, the nature and meaning – including reflections of deliberate wit and boastfulness – of specific motifs employed at various levels of society, and the distribution of seals in relation to the location of, for instance, religious institutions and along major routeways. In so doing, it sets out ways in which sigillography can open new pathways into the study of non-elites and their cultures in medieval society.
This book is intended to be a repository of the salient information currently available on the identification of cloth seals, and a source of new material that extends our understanding of these important indicators of post medieval and early modern industry and trade
“An intriguing look into the past through The National Archives . . . It offers a glimpse into the different seals of the monarchs, nobility, and clergy.” —Tudor Blogger Royal Seals is an introduction to the seals of the kings and queens of England, Scotland and latterly the United Kingdom, as well as the Church and nobility. Ranging from Medieval times to modern day, it uses images of impressive wax seals held at The National Archives to show the historical importance of these beautiful works of art. Included are features on the great seals of famous monarchs like Richard III, Henry VIII, Elizabeth I and twentieth-century monarchs, as well as insights on the role of seals in treaties and foreign policy. With ecclesiastical seals and those of the nobility and lower orders included, this is a comprehensive and lavishly illustrated guide. “It is actually very fascinating as the book looks at the different types of seal used by various monarchs and why the seal came into being. We read about some of the most notable monarchs such as Charles II, George IV, James I, Henry VIII and more. But what has to be the best part of this book produced in conjunction with The National Archives, is the high quality of the pictures, certainly fantastic and really do show off the book at its best.” —UK Historian “The book should interest readers of Medieval Archaeology, providing a good introduction to the subject through what is undoubtedly an amazing national collection.” —Medieval Archaeology