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An analysis and readjustment of the entries and dates found in Clarence S. Brigham's "History and bibliography of American newspapers, 1704-1820" that showed the growth, in numbers, of newspapers from colonial times until 1820
Brown here explores America's first communications revolution--the revolution that made printed goods and public oratory widely available and, by means of the steamboat, railroad and telegraph, sharply accelerated the pace at which information travelled. He describes the day-to-day experiences of dozens of men and women, and in the process illuminates the social dimensions of this profound, far-reaching transformation. Brown begins in Massachusetts and Virginia in the early 18th century, when public information was the precious possession of the wealthy, learned, and powerful, who used it to reinforce political order and cultural unity. Employing diaries and letters to trace how information moved through society during seven generations, he explains that by the Civil War era, cultural unity had become a thing of the past. Assisted by advanced technology and an expanding economy, Americans had created a pluralistic information marketplace in which all forms of public communication--print, oratory, and public meetings--were competing for the attention of free men and women. Knowledge is Power provides fresh insights into the foundations of American pluralism and deepens our perspective on the character of public communications in the United States.
Distinguished scholar and library systems innovator Frederick Kilgour tells a five-thousand-year story in this exciting work, a tale beginning with the invention of writing and concluding with the emerging electronic book. Calling on a lifetime of interest in the growth of information technology, Kilgour brings a fresh approach to the history of the book, emphasizing in rich, authoritative detail the successive technological advances that allowed the book to keep pace with ever-increasing needs for information. Borrowing a concept from evolutionary theory--the notion of punctuated equilibria--to structure his account, Kilgour investigates the book's three discrete historical forms--the clay tablet, papyrus roll, and codex--before turning to a fourth, still evolving form, the cyber book, a version promising swift electronic delivery of information in text, sound, and motion to anyone at any time. The clay tablet, initially employed as a content descriptor for sacks of grain, proved inadequate to the growing need for commercial and administrative records. Its successor the papyrus roll was itself succeeded by the codex, a format whose superior utility and information capacity led to sweeping changes in the management of accumulated knowledge, the pursuit of learning, and the promulgation of religion. Kilgour throughout considers closely both technological change and the role this change played in cultural transformation. His fascinating account of the modern book, from Gutenberg's invention of cast-type printing five hundred years ago to the arrival of books displayed on a computer screen, spotlights the inventors, engineers, and entrepreneurs who in creating the machinery of production and dissemination enabled the book to maintain its unique cultural power over time. Deft, provocative, and accessibly written, The Evolution of the Book will captivate book lovers as well as those interested in bibliographic history, the history of writing, and the history of technology.
Today, New York stands as the capital of American culture, business, and cosmopolitanism. Its size, influence, and multicultural composition mark it as a corner-stone of our country. The rich and varied history of early New York would seem to present a fertile topic for investigation to those interested colonial America. Yet, there has never been a modern history of old New York--until this lively and detailed account by Michael Kammen. Gracefully written and comprehensive in scope, Colonial New York includes all of the political, social, economic, cultural, and religious aspects of New York's formative centuries. Social and ethnic diversity have always been characteristic of New York, and this was never so evident as in its early years. This period provides the contemporary reader with a backward glance at what the United States would become in the twentieth-century. Colonial New York stood as a precursor of American society and culture as a whole: a broad model of the American experience we witness today. Kammen's history is enlivened by a look at some of the larger-than-life personalities who had tremendous impact on the many social and political adjustments necessary to the colony's continued growth. Here we meet Peter Stuyvesant, director of New Netherland and an executive of the West India Company--a man facing the innumerable difficulties of governing a large, sprawling colony divided by Dutch, English, and Indian settlements. Ultimately, history would view him as a failure, but his strong, Calvinist approach left such an indelible stamp on the burgeoning colony that readers will be tempted to do a little revisionist thinking about his tenure. Looking at a later governor, Lord Cornbury, gives us the very opposite example of a man despised by his contemporaries as the most venal of all the colonial governors (he was an occasional public cross-dresser, wearing the clothes of his distant cousin, Queen Anne), but who forcefully guided the colony through a transition to Anglican rule. The book culminates in chapters that investigate New York's strategic role in the bloody French and Indian War, and the key part it played in the economic protests and political conflict that finally led to American independence. The intricate and tangled web of alliances, loyalties, and shifting political ground that underlies much of colonial New York's past has clearly daunted many historians from taking on the task of writing an understandable account. Michael Kammen has accepted this challenge and gives us much more than a mere chronicle. Rather, he paints a compelling portrait of colonial life as it truly was. Although this important book is thorough and informed by primary sources, Colonial New York's clear and vivid prose offers a delightful narrative that will entertain both general readers and serious scholars alike. It pays special attention to localities and contains numerous illustrations that are attentive to the decorative arts and the material culture of early New York. Surprising and enlightening, Colonial New York is a delight to read and provides new perspectives on our nation's beginnings.
Similar to the "digital revolution" of the last century, the colonial and early national periods were a time of improved print technologies, exploding information, faster communications, and a fundamental reinventing of publishing and media processes. Between the early 1700s, when periodical publications struggled, and the late 1790s, when print media surged ahead, print culture was radically transformed by a liberal market economy, innovative printing and papermaking techniques, improved distribution processes, and higher literacy rates, meaning that information, particularly in the form of newspapers and magazines, was available more quickly and widely to people than ever before. These changes generated new literary genres and new relationships between authors and their audiences. The study of periodical literature and print culture in the eighteenth century has provided a more intimate view into the lives and tastes of early Americans, as well as enabled researchers to further investigate a plethora of subjects and discourses having to do with the Atlantic world and the formation of an American republic. Periodical Literature in Eighteenth-Century America is a collection of essays that delves into many of these unique magazines and newspapers and their intersections as print media, as well as into what these publications reveal about the cultural, ideological, and literary issues of the period; the resulting research is interdisciplinary, combining the fields of history, literature, and cultural studies. The essays explore many evolving issues in an emerging America: scientific inquiry, race, ethnicity, gender, and religious belief all found voice in various early periodicals. The differences between the pre- and post-Revolutionary periodicals and performativity are discussed, as are vital immigration, class, and settlement issues. Political topics, such as the emergence of democratic institutions and dissent, the formation of early parties, and the development of regional, national, and transnational cultural identities are also covered. Using digital databases and recent poststructural and cultural theories, this book returns us to the periodicals archive and regenerates the ideological and discursive landscape of early American literature in provocative ways; it will be of value to anyone interested in the crosscurrents of early American history, book history, and cultural studies. Mark L. Kamrath is associate professor of English at the University of Central Florida. Sharon M. Harris is Lorraine Sherley Professor of Literature at Texas Christian University.
If the unexamined life is not worth living, surely the unexamined media is not worth heeding. Sentinel Under Siege traces the evolution of the media in the United States and its capacity to examine and regulate itself, from its earliest colonial roots to the modern explosion of digital technology.Once the Bill of Rights was enacted in 1791, the press became the first and only enterprise explicitly protected by the United States Constitution. This book is concerned with the legal content given to freedom of the press by the Supreme Court, and the fitful attempts of media criticism?both intramural and external?to build a greater sense of responsibility among the practitioners.Stanley Flink, former correspondent of Life Magazine and writer/producer at NBC and CBS, is concerned less with the people's right to know than with the people's need to know. Only a competent, responsible press?whatever its means of distribution?can perform the role of watchdog over official abuse of power, business corruption, and political distortions. But the acquisition of so many newspapers, magazines, and broadcasting facilities by corporate conglomerates threatens a new kind of prior restraint on an independent press?the conflicts of interest; the power of advertising; the unspoken self-censorship of reporters and editors, print or electronic, based on the perceived predilections of their employers; and the financial interests of related companies.Flink believes that responsible journalism can also be economically viable in the twenty-first century because the mass communication of reliable news reporting and media accountability will be vital to the democratic process. Unless the news media persistently seeks the high moral ground of public service, the first casualty will be an informed electorate. The second may well be constitutional protection.
John Trenchard and Thomas Gordon were political writers who published in London during the early eighteenth century. Together they authored two serial sets of essays titled Cato's Letters and the Independent Whig. Trenchard and Gordon's works were well known in London and became popular in the British North American colonies. This study examines the use and influences of Trenchard and Gordon's works in eighteenth-century British America. More specifically, Professor Barry demonstrates that Trenchard and Gordon's works were taken out of context and taught colonists a mode of action, which set the groundwork for the American Revolution.
Includes its Report, 1896-19 .
Fundamentally reshapes our understanding of the causes of the American Revolution and the pivotal role foreign news and misinformation played in driving colonists to revolt. Runner-up of the Journal of The American Revolution Book of the Year Award by the Journal of The American Revolution "Fake news" is not new. Just like millions of Americans today, the revolutionaries of the eighteenth century worried that they were entering a "post-truth" era. Their fears, however, were not fixated on social media or clickbait, but rather on peoples' increasing reliance on reading news gathered from foreign newspapers. In Misinformation Nation, Jordan E. Taylor reveals how foreign news defined the boundaries of American politics and ultimately drove colonists to revolt against Britain and create a new nation. News was the lifeblood of early American politics, but newspaper printers had few reliable sources to report on events from abroad. Accounts of battles and beheadings, as well as declarations and constitutions, often arrived alongside contradictory intelligence. Though frequently false, the information that Americans encountered in newspapers, letters, and conversations framed their sense of reality, leading them to respond with protests, boycotts, violence, and the creation of new political institutions. Fearing that their enemies were spreading fake news, American colonists fought for control of the news media. As their basic perceptions of reality diverged, Loyalists separated from Patriots and, in the new nation created by the revolution, Republicans inhabited a political reality quite distinct from that of their Federalist rivals. The American Revolution was not only a political contest for liberty, equality, and independence (for white men, at least); it was also a contest to define certain accounts of reality to be truthful while defining others as false and dangerous. Misinformation Nation argues that we must also conceive of the American Revolution as a series of misperceptions, misunderstandings, and uninformed overreactions. In addition to making a striking and original argument about the founding of the United States, Misinformation Nation will be a valuable prehistory to our current political moment.