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Albert H. Munsell -- The color sphere -- Balance of color -- Unbalance of color -- The Munsell system : Hue ; Value ; Chroma ; Complementary colors ; Balance ; Color combinations -- The art of harmony -- The science of identification.
Digital technology now enables unparalleled functionality and flexibility in the capture, processing, exchange, and output of color images. But harnessing its potential requires knowledge of color science, systems, processing algorithms, and device characteristics-topics drawn from a broad range of disciplines. One can acquire the requisite background with an armload of physics, chemistry, engineering, computer science, and mathematics books and journals- or one can find it here, in the Digital Color Imaging Handbook. Unprecedented in scope, this handbook presents, in a single concise and authoritative publication, the elements of these diverse areas relevant to digital color imaging. The first three chapters cover the basics of color vision, perception, and physics that underpin digital color imaging. The remainder of the text presents the technology of color imaging with chapters on color management, device color characterization, digital halftoning, image compression, color quantization, gamut mapping, computationally efficient transform algorithms, and color image processing for digital cameras. Each chapter is written by world-class experts and largely self-contained, but cross references between chapters reflect the topics' important interrelations. Supplemental materials are available for download from the CRC Web site, including electronic versions of some of the images presented in the book.
This book constitutes the refereed proceedings of the 4th Computational Color Imaging Workshop, CCIW 2013, held in Chiba, Japan, in March 2013. The 21 revised full papers, presented together with 4 invited papers, were carefully reviewed and selected from numerous submissions. The papers are organized in topical sections on color image perception; color combination; multi-spectral image analysis and rendering; color image detection and classification; color image features; and color image filtering and enhancement.
This book constitutes the refereed proceedings of the 13th Iberoamerican Congress on Pattern Recognition, CIARP 2008, held in Havana, Cuba, in September 2008. The 93 revised full papers presented together with 3 keynote articles were carefully reviewed and selected from 182 submissions. The papers are organized in topical sections on signal analysis for characterization and filtering, analysis of shape and texture, analysis of speech and language, data mining, clustering of images and documents, statistical pattern recognition, classification and description of objects, classification and edition, geometric image analysis, neural networks, computer vision, image coding, associative memories and neural networks, interpolation and video tracking, images analysis, music and speech analysis, as well as classifier combination and document filtering.
The history of color harmony meaning is traced from Aristotle through Kandinsky, to Modern and Postmodern ideas. Discussed are the important contributions to color theory of Alberti, da Vinci, Rubens, Descartes, LeBlon, Hogarth, and Delacoioix, to name a few. Chapters are included on the systematic color analyses of Newton, Goethe, and Chevreul, as well as those of Schopenhauer, Young, Brewster, and Runge; the groundbreaking color-vision research of Helmholtz and the notable scientific studies of Fechner and Rood; the influence of scientific color on such artists as Seurat; and the color organization theories of Moses Harris, Munsell, and Ostwald. Coverage is given to the psychology of affective response, including, among others, Wundt, Allesch, Kirschman, Birkoff, Katz, Arnheim, and Ehrenzweig. Color education is explored through such 20th century teachers as Itten, Katz, Albers, Pope, Sargent, Henri, and many more.
This book offers a holistic view of ceramic art, including its history, theory, and materiality, and discusses ideas of ceramics and sculpture in which students and professional artists can find solutions and inspiration. It focuses on the structures behind forms and colors that constitute ceramic art. The book also provides images of distinguished ceramic art, along with descriptions of their history, techniques, and concepts described, and will serve as an engaging and essential resource for the ceramic arts today.