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Author, dramatist and satirist, Nikolay Gogol (1809-1852) deeply influenced later Russian literature with his powerful depictions of a society dominated by petty beaurocracy and base corruption. This volume includes both his most admired short fiction and his most famous drama. A biting and frequently hilarious political satire, The Government Inspector has been popular since its first performance and was regarded by Nabokov as the greatest Russian play every written. The stories gathered here, meanwhile, range from comic to tragic and describe the isolated lives of low-ranking clerks, lunatics and swindlers. They include Diary of a Madman, an amusing but disturbing exploration of insanity; Nevsky Prospect, a depiction of an artist besotted with a prostitute; and The Overcoat, a moving consideration of poverty that powerfully influenced Dostoevsky and later Russian literature.
"Although it may read to modern audiences like a hilarious slapstick comedy, The Inspector-General is actually much more than that. Famed Russian writer Nikolai Gogol intended it to be a veiled but pointed satire of the ineptitude, corruption, and greed that exemplified the Russian bureaucracy in the ..."A Comedy In Five Acts by Nikolai Gogol Gogol, Thomas Seltzer was published in 1836.
This collection contains Gogol's three completed plays The Government Inspector, which satirises a corrupt society was regarded by Nabokov as the greatest play in the Russian language and is still widely studied in schools and universities: "I resolved to gather into one heap everything that was bad in Russia which I was aware of at that time, all the injustices being perpetrated in those places, and in those circumstances that especially cried out for justice, and tried to hold them all up to ridicule, at one fell swoop." (Nikolai Gogol) Marriage is a comedy about the business of matchmaking and matrimony; The Gamblers is an exoriating piece about the excesses of the Moscow aristocracy. "Two and two make five, if not the square root of five, and it all happens quite naturally in Gogol's world... Gogol was a strange creature, but then genius is always strange" (Vladimir Nabokov)
This book explores the social dynamics of the interaction between inspectors and their inspectees in the public sector. Government inspectors have a crucial role in enforcing rules and standards. The role of inspectors has changed. Their task is no longer to merely inspect and enforce, but also to educate, to negotiate, and to make compromises. Their decisions come about as a result of an interaction with inspectees: Do I punish or do I let go? Do I negotiate or do I issue a fine? Do I believe what this inspectee is telling me? Using insights from public administration, regulation and sociology, this book looks at the daily work of a diverse group of inspectors such as tax inspectors, veterinary inspectors, school inspectors, environmental inspectors or health inspectors.
The Government Inspector, also known as The Inspector General, is a satirical play by the Ukrainian-born Russian dramatist and novelist Nikolai Gogol. The play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia.
Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
A 2020 CHOICE Outstanding Academic Title How officials reporting to both executive officials and congressional representatives work to keep the government honest, efficient, and effective. Inspectors general are important players in the federal government, and their work often draws considerable public attention when one of them uncovers serious misdeeds or mismanagement that make the headlines. This book by two experts in public policy provides a comprehensive, up-to-date examination of how inspectors general have operated in the four decades since Congress established the offices to investigate waste, fraud, and mismanagement at federal agencies and to promote efficiency and effectiveness in government programs. Unique among federal officials, inspectors general are independent of the agencies they monitor, and they report to the executive and legislative branches of government. One key factor in their independence is that they are expected to be non-partisan and carry out their work without regard to partisan interests. The authors of U.S. Inspectors General: Truth Tellers in Turbulent Times emphasize the “strategic environment” in which inspectors general work and interact with a variety of stakeholders, inside and outside the government. Their new book is based on in-depth case studies, a survey of inspectors general, and a review of public documents related to the work of inspectors general. It will be of interest to scholars and students of public policy and public management, journalists, and ordinary citizens interested in how the government works—or doesn’t work—on their behalf.
Fresh, stylish new translations of Gogol's greatest short stories collected in a beautiful edition 'One of the most profound, and influential, writers Russia has ever produced, he is probably also the funniest' Guardian 'The most morally complete writer: baffled, outraged, reverent, mock-didactic, mocking, all at once. He honours life by feeling no one way about it' GEORGE SAUNDERS No writer has captured the absurdity of the human condition as acutely as Nikolai Gogol. In a lively new translation by Oliver Ready, this collection contains his great classic stories - 'The Overcoat', 'The Nose' and 'Diary of a Madman' - alongside lesser known gems depicting life in the Russian and Ukranian countryside. Together, they reveal Gogol's marvellously skewed perspective, moving between the urban and the rural with painfully sharp humour and scorching satire. Strikingly modern in his depictions of society's shambolic structures, Gogol plunders the depths of bureaucratic and domestic banalities to unearth moments of dark comedy and outrageous corruption. Defying categorisation, the stories in this collection range from the surreal to the satirical to the grotesque, united in their exquisite psychological acuteness and tender insights into the bizarre irrationalities of the human soul. Nikolai Vasilyevich Gogol (1809-1852) was born in Ukraine and moved to St Petersburg after his studies in 1828 to work, at first, in various government departments. His first collection of stories, Evenings on a Farm Near Dikanka (1831), brought him widespread fame, and he went on to write further collections of stories, as well as the play The Government Inspector. The first part of his great, and only, novel Dead Souls appeared in 1842. In his later life he was increasingly tormented both physically and psychologically and he repeatedly burned his manuscripts, including the second part of Dead Souls. After the final burning in February 1852, he stopped eating and died in great pain ten days later.
Freely adapted from Gogol's The Government Inspector 'This is one of the cleverest adaptations of a classic play I have ever seen true to the spirit of Gogol's original, The Government Inspector, yet updating it with elegance and scabrous wit to the 21st century. Like Gogol before him, Farr comes up with some wonderful moments of farcical black comedy. Hilariously funny and chilling.' Daily Telegraph 'David Farr has written and directed an ingenious update.' Independent The UN Inspector premiered at the National Theatre, London, in June 2005.
Written in the 1830s and early 1840s, these comic stories tackle life behind the cold and elegant façade of the Imperial capital from the viewpoints of various characters, such as a collegiate assessor who one day finds that his nose has detached itself from his face and risen the ranks to become a state councillor (‘The Nose’), a painter and a lieutenant whose romantic pursuits meet with contrasting degrees of success (‘Nevsky Prospect’) and a lowly civil servant whose existence desperately unravels when he loses his prized new coat (‘The Overcoat’). Also including the ‘Diary of Madman’, these Petersburg Tales paint a critical yet hilarious portrait of a city riddled with pomposity and self-importance, masterfully juxtaposing nineteenth-century realism with madcap surrealism, and combining absurdist farce with biting satire.