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"Traitor and reformer, persecutor and victim - Janos Kadar, Hungary's Communist leader from 1956 to 1988, had one of the most dramatic and influential political careers of the twentieth century. From poverty to power and then from prison back to power, Kadar played a leading role in both the rise and the ultimate collapse of Communism in Eastern Europe." "In the first English biography of Kadar since his death, Roger Gough analyses the scope and limits of reform in Kadar's Hungary, showing how the failure of his policies contributed to the collapse of European Communism. Gough leads the reader through the world of underground political activism, Stalinist Hungary and the turbulent days of revolution, deftly illuminating the man at the centre of the storm." "After siding with the Soviet Union and overseeing the brutal suppression of his country's revolution, Kadar transformed his position to win domestic and international respect through political concessions, attempts at economic reform and a gradual opening to the West. But when the prosperity of 'goulash communism' proved illusory and foreign debt mounted, Kadar was ousted - ending his political career haunted by the long-suppressed crimes of his past." "Half a century after Kadar's betrayal of the 1956 revolution captured the world's attention, Gough paints a vivid portrait of the withdrawn, austere and tenacious man who dominated Hungarian political life for three decades. This is the dramatic story of an ambiguous yet powerful personality who left his mark not just on Hungary but also on Europe and international history of Communism."--BOOK JACKET.
Few political lives have been as dramatic, or as marked by sudden changes of fortune, as that of Janos Kadar, Hungary's communist leader from 1956 to 1988. A reformist who at first supported Imre Nagy's 1956 attempt to distance his country from Soviet domination, Kadar eventually threw in his lot with the Soviet Union and the repression which followed Hungary's attempt at revolution in 1956. Was he an ambitious, ruthless party functionary or a tragic visionary who sought to preserve a modicum of independence for his country by abandoning its aspirations and his friends? In this, the first biography in English since the collapse of the Soviet bloc, Roger Gough paints a vivid picture of Kadar's personality and career, whilst analysing his significance for Hungary and his place in the history of European communism. "A Good Comrade" is a powerful portrait of a man who dominated Hungarian political life for three decades.
Jan Kurzke was a left-wing artist who fled Nazi Germany in the early 1930s and tramped round the south of Spain, witnessing first-hand the poverty of the rural population. He eventually found his way to London. When the Spanish civil war broke out in 1936, he went back and joined the International Brigade, to defend the democratically elected Republic. Many of his fellow volunteers died in the savage battles on the outskirts of Madrid and Jan himself was seriously wounded at Boadilla, nearly losing his leg. He was dragged off the battlefield by the poet John Cornford, who was killed a few weeks later. For several months, Jan was shunted between various military hospitals in Spain, eventually making his way across the border into France. This is his previously unpublished memoir.
DigiCat Publishing presents to you this special edition of "The Good Comrade" by Una L. Silberrad. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
When people say “comrade,” they change the world In the twentieth century, millions of people across the globe addressed each other as “comrade.” Now, among the left, it’s more common to hear talk of “allies.” In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterized by discipline, joy, courage, and enthusiasm. Considering the egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R. James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.
It was September, 1932. Gerasimovka, Western Siberia. Two children are found dead in the forest outside a remote village. Both have been repeatedly stabbed and their bloody bodies are covered in sticky, crimson cranberry juice. Who committed these horrific murders has never been proved, but the elder boy, thirteen-year-old Pavlik Morozov, was quickly to become the most famous boy in Soviet history - statues of him were erected, biographies published, and children across the country were exhorted to emulate him. Catriona Kelly's aim is not to find out who really killed the boys, but rather to explore how Stalin's regime turned Pavlik into a hero designed to produce good Soviet citizens. Pavlik's story is intriguing and multi-layered: did he denounce his own father to the authorities? Was he murdered by members of his own family? Did he ever belong to the Pioneers, the Communist youth organization who claimed him as member No. 001? This is the first book in English on Pavlik's legend, using previously inaccessible local archives.
One cold Moscow night, Comrade Tulayev, a high government official, is shot dead on the street, and the search for the killer begins. In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence—at least of the crime of which they stand accused. But The Case of Comrade Tulayev, unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to set beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate.
More in love with the alluring properties of cement than he is with his girlfriend, Frunz’s overriding ambition is to become the next legendary architect. If only life was that simple. His father, known as Mr. Cement, is a builder in bed with the autocrats who run Yerevan, the capital of post-Soviet Armenia. As father and son team up to transform the city into a post-modern mecca of Trumpian high-rises, outraged citizens rise up in Revolution against them and Yerevan’s corrupt regime. Will Frunz and his father realize their architectural dreams or come crashing down to Earth in the chaos of the Revolution? Written by Viken Berberian with his signature originality and verve and drawn with audacious compositions, delirious colors, and a kinetic expressionistic technique by the acclaimed painter and illustrator Yann Kebbi, The Structure is Rotten, Comrade is a formally innovative and politically resonant work, by turns prescient, punchy, cautionary, and fearless.
Om den russiske mafia, som ikke kun er bander og organiseret krig, men også et voldeligt udtryk for den revolutionære klassekamp
Luanda, Angola, 1990. Ndalu is a normal twelve-year old boy in an extraordinary time and place. Like his friends, he enjoys laughing at his teachers, avoiding homework and telling tall tales. But Ndalu's teachers are Cuban, his homework assignments include writing essays on the role of the workers and peasants, and the tall tales he and his friends tell are about a criminal gang called Empty Crate which specializes in attacking schools. Ndalu is mystified by the family servant, Comrade Antonio, who thinks that Angola worked better when it was a colony of Portugal, and by his Aunt Dada, who lives in Portugal and doesn't know what a ration card is. In a charming voice that is completely original, Good Morning Comrades tells the story of a group of friends who create a perfect childhood in a revolutionary socialist country fighting a bitter war. But the world is changing around these children, and like all childhood's Ndalu's cannot last. An internationally acclaimed novel, already published in half a dozen countries, Good Morning Comrades is an unforgettable work of fiction by one of Africa's most exciting young writers.