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In the goldfields in 1892, water is scarce, disease is common and many men will never find the fortune they've come to seek. When she moves to the new outback town of Coolgardie to live with the flies, red dust and rowdy prospectors, fourteen-year-old Clara Saunders is in search of adventure. A friendship with Jack, the cheeky young water carter, is a promising start, but life in the goldfields is harsh and is set to test the limits of Clara's fierce determination.
Newbery Medalist Avi brings us mud-caked, tent-filled San Francisco in 1848 with a willful heroine who goes on an unintended — and perilous — adventure to save her brother. Victoria Blaisdell longs for independence and adventure, and she yearns to accompany her father as he sails west in search of real gold! But it is 1848, and Tory isn’t even allowed to go to school, much less travel all the way from Rhode Island to California. Determined to take control of her own destiny, Tory stows away on the ship. Though San Francisco is frenzied and full of wild and dangerous men, Tory finds freedom and friendship there. Until one day, when Father is in the gold fields, her younger brother, Jacob, is kidnapped. And so Tory is spurred on a treacherous search for him in Rotten Row, a part of San Francisco Bay crowded with hundreds of abandoned ships. Beloved storyteller Avi is at the top of his form as he ushers us back to an extraordinary time of hope and risk, brought to life by a heroine readers will cheer for. Spot-on details and high suspense make this a vivid, absorbing historical adventure.
It's 1892. Amid a fevered gold rush, 14-year-old Clara Saunders is in search of adventure in the new outback town of Coolgardie. A friendship with cheeky young water carter Jack is a promising start, but the goldfields are a harsh place, where water is scarce, disease is common and where many men will never find the fortune they've come to seek. With unforeseen tragedies on the horizon, Clara's time in the dusty town will truly test the limits of her fierceness and determination.
An account of one woman's life in the West during the second half of the nineteenth century from growing up on the Montana mining frontier to her ascent to young womanhood on a farm in southern California.
On the sun-drenched goldfields of Eureka, a wild colonial girl and an honour-bound soldier will break all the rules to claim a love worth more than gold ... Ballarat, Australia 1854 Gold miner Indy Wallace wants nothing more than to dig up enough gold to give her mother an easier life. Wild and reckless, and in trouble more often than not, Indy finds herself falling for handsome, chivalrous, British Army Lieutenant Will Marsh. But in the eyes of immigrant miners, soldiers are the enemy. Will has been posted to Ballarat with a large contingent of Her Majesty's Army to protect the Crown gold and keep the peace. But once he meets rebellious Indy, he doubts he'll ever be at peace again. As Will and Indy's attraction grows, their loyalties are tested when the unrest between miners and the military reaches breaking point. On opposite sides of the escalating conflict, can their love survive their battle of ideals? And will any of them survive the battle of the Eureka Stockade?
During the frenzied Klondike Gold Rush, many daring women ventured north to seek riches and adventure or to escape a troubled past. These unforgettable, strong-willed women defied the social conventions of the time and endured heartbreak and horrific conditions to build a life in the wild North. At the height of the gold rush, Martha Purdy, Nellie Cashman, Ethel Berry and a few hundred other women were conquering what came to be called the Trail of '98—a route that proved to be an impossible ordeal for many men. From renowned reporter Faith Fenton and successful entrepreneur Belinda Mulrooney to Mae Field, "The Doll of Dawson," and other "citizens of the demimonde," the Klondike's rebel women bring an intriguing new perspective to gold-rush history.
As part of the controversial Earl Grey Scheme, this is the true story of the Kerry girls who were shipped to Australia from the four Kerry Workhouses of Dingle, Kenmare, Killarney and Listowel in 1849 and 1850. Leaving behind scenes of destitution and misery, the girls, some of whom spoke only Irish, set off to the other side of the world without any idea of what lay ahead. This book tells of their 'selection' and their transportation to New South Wales and Adelaide, their subsequent apprenticeship, and finally of their marriage and attempts to rebuild a life far from home.
An American Book Award winner’s creative memoir “traces his own family's history, as well as the long story of Hispanics in America . . . Spirited writing” (Library Journal). People who live in California deny the past, asserts Alejandro Murguía. In a state where what matters is keeping up with the current trends, fads, or latest computer gizmo, no one has the time, energy, or desire to reflect on what happened last week, much less what happened ten years ago, or a hundred. From this oblivion of memory, he continues, comes a false sense of history, a deluded belief that the way things are now is the way they have always been. In this work of creative nonfiction, Murguía draws on memories—his own and his family’s reaching back to the eighteenth century—to (re)construct the forgotten Chicano-indigenous history of California. He tells the story through significant moments in California history, including the birth of the mestizo in Mexico, destruction of Indian lifeways under the mission system, violence toward Mexicanos during the Gold Rush, Chicano farm life in the early twentieth century, the Chicano Movement of the 1960s, Chicano-Latino activism in San Francisco in the 1970s, and the current rebirth of Chicano-Indio culture. Rejecting the notion that history is always written by the victors, and refusing to be one of the vanquished, he records, and draws us into, his own California history.
After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.
In gold-rush Australia, social identity was in flux: gold promised access to fashionable new clothes, a grand home, and the goods to furnish it, but could not buy gentility. Needlework and Women's Identity in Colonial Australia explores how the wives, mothers, sisters, and daughters who migrated to the newly formed colony of Victoria used their needle skills as a powerful claim to social standing. Focusing on one of women's most common daily tasks, the book examines how needlework's practice and products were vital in the contest for social position in the turmoil of the first two decades of the Victorian rush from 1851. Placing women firmly at the center of colonial history, it explores how the needle became a tool for stitching together identity. From decorative needlework to household making and mending, women's sewing was a vehicle for establishing, asserting, and maintaining social status. Interdisciplinary in scope, Needlework and Women's Identity in Colonial Australia draws on material culture, written primary sources, and pictorial evidence, to create a rich portrait of the objects and manners that defined genteel goldfields living. Giving voice to women's experiences and positioning them as key players in the fabric of gold-rush society, this volume offers a fresh critical perspective on gender and textile history.