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On the Divide analyzes the iconic image that Cather helped develop for herself, in contrast to the anonymous face she adopted for promotional activities and the very different private self she shared only with friends and family. Delving into CatherOCOs correspondence and the little-known promotional material she produced anonymously, David Porter provides new insight into the extentOCoand directionOCoof her control. He also considers the contrasting influences of Mary Baker Eddy, whose biography Cather ghostwrote, and Sarah Orne Jewett on the authorOCOs emerging artistic persona. The study goes on to explore the many ways in which these OC dividesOCO in CatherOCOs life found expression in her writing. Extending from CatherOCOs early stories to her final novel, PorterOCOs book documents the degree to which CatherOCOs understanding of her own different and often conflicting sides, and of her penchant for playing diverse roles, enabled her as a novelist to create characters so torn, so complex, and so profoundly human.
Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day. A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contemporaries. Loved by a popular audience for her pieties of family and religion, she was in her youth a freethinker who resisted traditional patterns for women's lives, cutting her hair like a boy's and dressing in men's clothing. Seen by critics since the 1930s as a practitioner of an escapist formalism, she was, in Stout's view, profoundly ambivalent about most of the important questions she faced. Cather structured her writing to control her uncertainty and project a serenity she did not in fact feel. Cather has at times been viewed as a writer preoccupied with the past whose literary project had little to do with the intellectual currents of her time. On the contrary, Stout argues, Cather was a full participant in the doubts and conflicts of twentieth-century modernity. Only in recoil from her distress at these conflicts did she turn to overt celebrations of the past and construct a retiring, crotchety persona. The Cather that emerges from Stout's treatment is a modernist conservative in the mold of T. S. Eliot, though more responsive to her time and simultaneously less assured in her pronouncements. Cather's sexuality, too, is more complicated in Stout's version than previous biographers have allowed. Willa Cather: The Writer and Her World presents a woman and an artist who fully exemplifies the ambivalence, the foreboding, and above all the complexity that we associate with the twentieth-century mind.
Willa Sibert Cather (1873– 1947) was an American author who achieved recognition for her novels of frontier life on the Great Plains, including O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918). Through the 1910s and 1920s, Cather was firmly established as a major American writer. In 1923 she was awarded the Pulitzer Prize for One of Ours (1922), a novel set during World War I. This volume collects 50 of her classic short works, published between 1892 and 1920. Here are: LOU, THE PROPHET PETER A TALE OF THE WHITE PYRAMID A SON OF THE CELESTIAL THE ELOPEMENT OF ALLEN POOLE THE CLEMENCY OF THE COURT “THE FEAR THAT WALKS BY NOONDAY” ON THE DIVIDE A NIGHT AT GREENWAY COURT THE PRINCESS BALADINA -- HER ADVENTURE TOMMY, THE UNSENTIMENTAL THE COUNT OF CROW'S NEST WEE WINKIE'S WANDERINGS THE BURGLAR'S CHRISTMAS THE STRATEGY OF THE WEREWOLF DOG A RESURRECTION THE PRODIGIES NANETTE: AN ASIDE THE WAY OF THE WORLD THE WEST BOUND TRAIN ERIC HERMANNSON'S SOUL THE DANCE AT CHEVALIER’S THE SENTIMENTALITY OF WILLIAM TAVENER A SINGER'S ROMANCE THE CONVERSION OF SUM LOO JACK-A-BOY EL DORADO: A KANSAS RECESSIONAL THE PROFESSOR’S COMMENCEMENT THE TREASURE OF FAR ISLAND A DEATH IN THE DESERT A WAGNER MATINEE THE SCULPTOR'S FUNERAL PAUL'S CASE THE NAMESAKE THE PROFILE THE WILLING MUSE ELEANOR'S HOUSE ON THE GULLS' ROAD THE ENCHANTED BLUFF THE JOY OF NELLY DEANE BEHIND THE SINGER TOWER THE BOHEMIAN GIRL CONSEQUENCES THE BOOKKEEPER'S WIFE THE DIAMOND MINE A GOLD SLIPPER ARDESSA SCANDAL HER BOSS COMING, EDEN BOWER! If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
Willa Cather surely belongs to America's most famous authors of the early 20th century. Most of her stories are set in the Great Plains, especially in Nebraska, where she was born and where she lived. This volume is a carefully selected compilation of more than 25 of her most exciting and successful short stories.
Profiles more than thirty American short-story writers from the period 1880-1910, presenting primary and secondary bibliographies and illustrated biographical essays that chronicle each writer's career in detail.
Willa Cather wrote about the places she knew, including Nebraska, New Mexico, New York, and Virginia. Often forgotten among these essential locations has been Pittsburgh. During the ten years Pittsburgh was her home (1896-1906), Cather worked as an editor, journalist, teacher, and freelance writer. She mixed with all sorts of people and formed friendships both ephemeral and lasting. She published extensively--and not just profiles and reviews but also a collection of poetry, April Twilights, and more than thirty short stories, including several collected in The Troll Garden that are now considered masterpieces: "A Death in the Desert," "The Sculptor's Funeral," "A Wagner Matinee," and "Paul's Case." During extended working vacations through 1916, she finished four novels in Pittsburgh. Cather Studies, Volume 13 explores the myriad ways that these crucial years in Pittsburgh shaped Cather's writing career and the artistic, professional, and personal connections she made there. With contributions from fourteen well-known Cather scholars, this collection of essays recognizes the importance Pittsburgh played in Cather's life and work and deepens our appreciation of how her art examines and elucidates the human experience.
Over forty short stories survey the initial years of discovery and artistic development of the beloved American author
In "Different Dispatches", David Humphries brings together in a new way a diverse group of well-known American writers of the inter-war period including: Willa Cather, Sherwood Anderson, Ernest Hemmingway, Zora Neale Hurston, James Agee and Robert Penn Warren. He demonstrates how these writers engage journalism in creating innovative texts that address mass culture as well as underlying cultural conditions. The book will be of interest to readers approaching these well-known authors for the first time or for scholars grappling with larger issues of cultural production and reception.