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Excellent sample of strikingly original poems includes The Wreck of the Deutschland, "Carrion Comfort," "The Caged Skylark," and more.
In this powerful new collection, one of our most dazzlingly inventive and prolific poets tackles a universal theme: the agonizing search for God that is part and parcel of the livse of all of us. As always, Anne Sexton's latest work derives from intense personal experience. She explores the dilemmas and triumphs, and the agony and the peace of her highly unorthodox faith, sharing all her findings with her readers as the quest progresses. Anne Sexton's poetry speaks to our most passionate yearnings for love and our deepest fears of evil and death. The uncompromising honesty and vividness of "The Awful Rowing Toward God" confirms her stature as one of the most compelling voices of our time. -- From publisher's description.
Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
On 23 April 1943, Good Friday, Maria Valtorta reported hearing the voice of Jesus. From then until 1951 she produced over 15,000 handwritten pages in 122 notebooks, mostly detailing the life of Jesus as an extension of the gospels. Her handwritten notebooks containing close to 700 reputed episodes in the life of Jesus were typed on separate pages by her priest and reassembled, given that they had no temporal order, and became the basis of her 5,000-page book The Poem of the Man God.
Poetry. Literary Nonfiction. African & African American Studies. Australian Book Review Book of the Year. Honorable mention for the 2017 Glenna Luschei Prize for African Poetry. "Timothy Ogene's poems are writings of witness, displacement and beauty. Instead of a home address there are poems as address, at once exquisitely gentle and acute. The sharpness of the poems' blades --whether literal, like the blades that peel cassavas and leave the speaker's arms scarred, or deeper injuries of trauma and loss--sits alongside their subtlety and tenderness. These are poems of deep attentiveness to the smallest encounters, and to the largest questions of love, doubt, solitude and migration. Their crafting reveals Ogene's deep reading, both of poetry and of the landscapes the poems explore. How do poems that bear witness to violence, loss and displacement open so gently to the reader? This paradox is one of many in these wise, important poems. I am reminded of Hélène Cixous's description of Paul Celan's poetry as 'writing that speaks of and through disaster such that disaster and desert become author or spring.' Where trees hold 'time in absent leaves,' these poems mourn roots but refrain from 'easy paths,' offering, instead, the force and grace of a numinous poetics."-- Felicity Plunkett "Where does he come from, Timothy Ogene? From Nigeria, from Liberia, from Texas, from Oxford, now Boston. But look for him in the future, where he will be writing great books. Look for him in the present, too, in this satisfying, wonderful book--already he can do everything--he makes music, his figurative language is rare in that it goes deep, is never arbitrary, there is a care for especially the poor people and objects of this world, he remains hidden behind his language yet clear, which is to say his ego does not control the writing, something else does--a desire to lead us gently to noticing. Not just noticing, experiencing. Suddenly an empty bench comes to the forefront of our sight, from the "remains" of fog. He can personify without anthropomorphizing, maybe because he loves the world without needing to hold on to any aspect of it. He is unusually free yet aware of the limitations imposed on us politically and yes by language itself. If you want some pleasure, slow down and listen to his poems."-- Ruth Lepson "Timothy Ogene's debut collection, DESCENT & OTHER POEMS, presents a lyric and emotional journey that swiftly and utterly captures the reader's eye and heart."--John Keene, judge for the 2017 Glenna Luschei Prize for African Poetry
An utterly delightful collection of responses to poems written across the centuries, these modern poems are not only engaging themselves but also capable of casting surprising new light on the poems that inspired them.
Philip Schultz, winner of the 2008 Pulitzer Prize for poetry, has been celebrated for his singular vision of the American immigrant experience and Jewish identity, his alternately fierce and tender portrayal of family life, and his rich and riotous evocation of city streets. His poems have found enthusiastic audiences among readers of Garrison Keillor’s Writer’s Almanac, Slate, The New Yorker, and other publications. His willingness to face down the demons of failure and loss, in his previous book particularly, make him a poet for our times, a poet who can write “If I have to believe in something / I believe in despair.” Yet he remains oddly undaunted: “sometimes, late at night / we, my happiness and I, reminisce / lifelong antagonists / enjoying each other’s company.” The God of Loneliness, a major collection of Schultz’s work, includes poems from his five books (Like Wings, Deep Within the Ravine, The Holy Worm of Praise, Living in the Past, Failure) and fourteen new poems. It is a volume to cherish, from “one of the least affected of American poets, and one of the fiercest” (Tony Hoagland), and it will be an essential addition to the history of American poetry.
The Nightgown is a mythic, mystic, and hungry collection of poems, a roiling landscape wandered over by wild swerves of language, creatures of all sorts, and mysterious beings such as The Folklore, The Hurt Opera, The Eunuch, and the titular angry Nightgown. Haunted by the magic and transformations of Slavic and Western European fairy tales, the symbolism of the Tarot, the medieval world, feminism, and a mythology all its own, The Nightgown bears an immigrant’s fascination with the black, alien syrup of the English language’s first stratum, that merciless Anglo-Saxon word-hoard preserving an ancient consciousness of human, beast, and earth. Funny and loud, the poems are strangely accessible in their animal awareness of mortality and urgency for contact with the unknown. The Nightgown is the debut book of poetry from renowned writer Taisia Kitaiskaia (Literary Witches: A Celebration of Magical Women Writers).
The new poetry collection by Tony Hoagland, the award-winning author of What Narcissim Means To Me and Donkey Gospel In Unincorporated Persons in the Late Honda Dynasty, Tony Hoagland is deep inside a republic that no longer offers reliable signage, in which comfort and suffering are intimately entwined, and whose citizens gasp for oxygen without knowing why. With Hoagland's trademark humor and social commentary, these poems are exhilarating for their fierce moral curiosity, their desire to name the truth, and their celebration of the resilience of human nature.
"In 'The President Looks Like Me and Other Poems', Tony Medina celebrates the diversity that President Barack Obama symbolizes through poems that are multicultural in scope and wide-ranging in style. With distinctly urban settings and flavor, this collection covers a myriad of themes including childhood, family, friendship, identity, spirituality, social justice, and Hip Hop..."--Preface.