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Release the Kingdom through Dance! You can experience God’s presence and healing power through dance. Encountering God Through Dance equips believers to worship Jesus in wholehearted devotion—to express love without fear or shame. What people are saying: Encountering God Through Dance is the wonderful journey of a radical lover of God…and a manual for instruction and inspiration. —Bill Johnson, Senior Pastor, Bethel Church This is by far the most refreshing book I have read in a long time. Saara Taina has given her life to a core area of life that is far too marginalized in many churches. —Marc A. Dupont, Mantle of Praise Ministries, Inc. Rarely do you see a book that offers passion, testimonies, and biblical expertise so that others can be fully equipped. —Theresa Dedmon, Director of Prophetic Arts, Bethel Church We have personally experienced the breakthrough power of the dance many, many times in Succat Hallel, our 24/7 worship room that overlooks Mount Zion in Jerusalem. —Rick and Patti Ridings, Succat Hallel The author’s personal journey of devotion through dance has taken her worldwide. She wraps her exciting travels with a solid biblical framework for the importance of dance in the Kingdom of God—on earth, today!
With enthusiasm and intelligence, professor Robert Smith steps up the interest in doctrinal preaching and teaching with Doctrine That Dances.
If we are honest, most of us will admit that our understanding of God is vague, no matter how much we profess our love. No wonder Nietzsche famously asked for a better God than a blustering old man or a nameless nothing. How do you love an unseen some One or some Thing? A God Who Dances, a summary of the Bhagavad-gita and Bhagavat-Purana (including a poeticized version of the 10th Canto) introduces you to Krishna. Krishna means the all-attractive person. Knowing Krishna will bring you a windfall of spiritual understanding and realization about the nature of God."
Preaching magazine’s 2008 Book of the Year! The theme of doctrinal preaching and teaching comes to life through the enthusiastic and inspired writing of professor Robert Smith in Doctrine That Dances. Advance Praise: “At a time when so much of the conversation on preaching deals with presentation, Robert Smith has reminded us that effective teaching must also take the theological task seriously. He makes his case so well that his book, Doctrine that Dances, is our Preaching Book of the Year.” Michael Duduit, editor, Preaching magazine "Away with dull doctrinal sermons! Using the metaphor of music, the author shows us how to blend cogitation and celebration—mind and heart—in our preaching of Bible doctrine. You can benefit from his wide knowledge and experience in traditional western homiletics as well as African American preaching. We have much to learn from each other, and this book is a valuable contribution to the current conversation." Warren W. Wiersbe, former pastor of Moody Church, general director of Back to the Bible, and coauthor of Preaching in Black & White “A masterful preacher and teacher himself, Smith provides direction for students, young pastors and veteran preachers alike. Pulpits across the land will be strengthened as preachers implement the guidance offered in this volume. Doctrine That Dances will become mandatory reading for a new generation of preachers. It is a joy to recommend this marvelous work.” David Dockery, president, Union University “Dr. Robert Smith, Jr. is one of the most compelling voices in American preaching today . . . Doctrine That Dances describes the preacher’s task in a way that is at once personal, passionate, and provocative. This book describes the kind of preaching that is at the heart of the awakening that must come.” Timothy George, founding dean of Beeson Divinity School and a senior editor at Christianity Today
Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket.
This book is about Black women's search for relationships and encounters that support healing from intimate and cultural violence. Narratives provide an ethnographic snapshot of this violence, while raising concerns over whether or not existing paradigms for pastoral care and counseling are congruent with how many Black women approach healing.
A ballerina at the height of her powers becomes consumed with finding her missing brother in this “striking debut” (Oprah Daily). “A compelling novel about the spiritual and bodily costs of the dogged pursuit of art.”—Raven Leilani, author of Luster At twenty-two years old, Cece Cordell reaches the pinnacle of her career as a ballet dancer when she’s promoted to principal at the New York City Ballet. She’s instantly catapulted into celebrity, heralded for her “inspirational” role as the first Black ballerina in the famed company’s history. Even as she celebrates the achievement of a lifelong dream, Cece remains haunted by the feeling that she doesn’t belong. As she waits for some feeling of rightness that doesn’t arrive, she begins to unravel the loose threads of her past—an absent father, a pragmatic mother who dismisses Cece’s ambitions, and a missing older brother who stoked her childhood love of ballet but disappeared to deal with his own demons. Soon after her promotion, Cece is faced with a choice that has the potential to derail her career and shatter the life she’s cultivated for herself, sending her on a pilgrimage to both find her brother and reclaim the parts of herself lost in the grinding machinery of the traditional ballet world. Written with spellbinding beauty and ballet’s precise structure, Dances centers around women, art, and power, and how we come to define freedom for ourselves.
When we learn to embrace the dance with our Creator and Savior, God begins to move mountains in our lives and He begins to restore the years of our youth the locusts have taken away. Consider the nation of Egypt after the seven years of plenty when the seven years of famine began. By the time the famine was over, everything belonged to the Egyptian Pharaoh and everyone and everything was Pharaohs possession. It had become a socialistic culture and the government controlled it all. During their times of trial in the seven year famine, that was not the case of the Israelites who had turned to embrace their dance with God. Israel resided in the land of Goshen. God blessed them in a powerful way because they sought divine guidance and provisions from Jehovah. The question we need to ask ourselves today in times of trials; are we going to surrender everything we have to the government expecting hand outs in return, or are we going to the Creator of the universe, who holds the entire universe in the palm of His hand? Louie Giglio said it best in his tour The Heart of Passion, when he stated We serve a Ginormous God! It is my desire that the reading of this book will restore unto you the years of your life the locusts of sin have taken from you so that you can genuinely embrace the dance with God in a powerful way.