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The Jewish philosopher Lev Shestov (1866-1938) is perhaps the great forgotten thinker of the twentieth century, but one whose revival seems timely and urgent in the twenty-first century. An important influence on Georges Bataille, Albert Camus, Gilles Deleuze and many others, Shestov developed a fascinating anti-Enlightenment philosophy that critiqued the limits of reason and triumphantly affirmed an ethics of hope in the face of hopelessness. In a wide-ranging reappraisal of his life and thought, which explores his ideas in relation to the history of literature and painting as well as philosophy, Matthew Beaumont restores Shestov to prominence as a thinker for turbulent times. In reconstructing Shestov's thought and asserting its continued relevance, the book's central theme is wakefulness. It argues that for Shestov, escape from the limits of rationalist Enlightenment thought comes from maintaining an insomniac vigilance in the face of the spiritual night to which his century appeared condemned. Shestov's engagement with the image of Christ remaining awake in the Garden of Gethsemane then, is at the core of his inspiring understanding of our ethical responsibilities after the horrors of the twentieth century.
Lessons of Redemption is the autobiography of Kevin Shird, a former drug dealer from Baltimore who now is a leading advocate against violence, drug dealing and social inequality. Lessons of Redemption is an extraordinary account of how one young man turned his life around after years of involvement in serious crime and drug dealing. Shird's book tells of shootings, murder, drug dealing and his life behind bars in a federal prison. Shocking, fascinating and frightening, Shird's book is a raw, uncensored glimpse into a way of life that has destroyed many communities.
Although many scholars have studied Paul's theology, they have not provided satisfactory interpretation. This is because his genuine epistles were studied as they have been left in the New Testament. Rather, from a redactional point of view, Paul, the Founder of Christianity approaches Paul's seven epistles: Romans, 1 Corinthians, 2 Corinthians, Galatians, Philippians, 1 Thessalonians, and Philemon. The book reconstructs his life and uncovers the compilation of sixteen short letters into seven epistles. Accordingly, these can be divided according to the chronological order of composition. When the transformation of Paul's theology is traced, one can see a progressive development of Christology, the death of Jesus Christ, redemption and salvation, the Law, the end of world, the spirit of God, and the church of God. As a result, it can be argued that after the Antioch incident, Paul had conflict with the apostles of Jerusalem and founded Christianity for gentiles—an argument that is presented in detail based on the evidence found in Paul’s sixteen letters.
Although six, long months have passed since Rebecca took her leave from Jean Luc Rousseau near the outskirts of Breles, his feelings for the young woman have remained the same Six months have passed since the Redemption and her crew set sail for the West Indies, but tensions continue to mount back home as Napoleon Bonaparte, in his vain quest to rule all of Europe, creates a quick and efficient chaos to erupt among his countrymen, as well as his British adversaries in neighboring England. Mounting an oppressive manhunt for suspected dissidents and traitors loyal to the French Republic, Bonaparte creates a ruthless regime of terror in which daily executions are carried out in the name of political genocide. Jean Luc Rousseau, along with Claude and Marielle Laroche, are sheltered from the all-too-recent upheaval living in the quiet community of Guilers, until an enchanting newcomer arrives. Her very presence threatens the placid complacency that has each of them under its spell, but when calamity strikes, all believe that only Rebecca can provide the evidence necessary to substantiate the truth. Will the Redemption return in time for her to save the life of Jean Luc Rousseau?
Explores cinematic representations of the "Jew" from film's early days to the present.
While out for the evening William Carterell and his sister are attacked by thugs. He is left in a coma; his sister is dragged away screaming, her body found in a dumpster days later. When William finally opens his eyes nearly three years later, he has no idea why he is in a private medical center, nor what has happened to his sister. After recovery, he embarks on a vengeful quest to track down his sisters killers. Meanwhile, halfway across the world, Zhuo Tan toils in vegetable patches, under the watch of her cruel Chinese father, who resents her for being born female. He decides to sell both Zhuo and her younger sister to human traffickers, and the girls are forced to journey across the ocean in a stifling shipping container to America, where they are separated and forced into modern day slavery. As Zhuo struggles to adapt to her new identity, find her sister, and realize freedom, her path eventually crosses with Williams, where their destinies collide. Redemptions Wrath is the poignant story of two vastly different people from opposite ends of the world. They must travel divergent roads towards the same destination to confront their common enemies.
The Marrano phenomenon is a still unexplored element of Western culture: the presence of the borderline Jewish identity which avoids clear-cut cultural and religious attribution and – precisely as such – prefigures the advent of the typically modern "free-oscillating" subjectivity. Yet, the aim of the book is not a historical study of the Marranos (or conversos), who were forced to convert to Christianity, but were suspected of retaining their Judaism "undercover." The book rather applies the "Marrano metaphor" to explore the fruitful area of mixture and cross-over which allowed modern thinkers, writers and artists of the Jewish origin to enter the realm of universal communication – without, at the same time, making them relinquish their Jewishness which they subsequently developed as a "hidden tradition." The book poses and then attempts to prove the "Marrano hypothesis," according to which modern subjectivity derives, to paraphrase Cohen, "out of the sources of the hidden Judaism": modernity begins not with the Cartesian abstract ego, but with the rich self-reflexive self of Michel de Montaigne who wrestled with his own marranismo in a manner that soon became paradigmatic to other Jewish thinkers entering the scene of Western modernity, from Spinoza to Derrida. The essays in the volume offer thus a new view of a "Marrano modernity," which aims to radically transform our approach to the genesis of the modern subject and shed a new light on its secret religious life as surviving the process of secularization, although merely in the form of secret traces.
This volume is the first-ever collection of essays devoted to the Lurianic concept of tsimtsum. It contains eighteen studies in philosophy, theology, and intellectual history, which demonstrate the historical development of this notion and its evolving meaning: from the Hebrew Bible and the classical midrashic collections, through Kabbalah, Isaac Luria himself and his disciples, up to modernity (ranging from Spinoza, Böhme, Leibniz, Newton, Schelling, and Hegel to Scholem, Rosenzweig, Heidegger, Benjamin, Adorno, Horkheimer, Levinas, Jonas, Moltmann, and Derrida).
In her first-ever collection of essays, poet and novelist Lorna Goodison interweaves the personal and political to explore themes that have occupied her working life: her love of poetry and the arts, colonialism and its legacy, racism and social justice, authenticity, and the enduring power of friendship. Taking her title from one of Kingston's oldest markets, a historic meeting place that was almost destroyed by fire, she introduces us to a vivid cast of characters and remembers moments of epiphany—in a cinema in Jamaica, at New York's Bottom Line club, and as she searched for a black hairdresser in Paris and drank tea in London's Marylebone High Street. Enlightening and entertaining, these essays explore not only daily challenges but also the compassion that enables us to rise above them. Goodison's poet's eye, profound vision and glorious combination of metaphysical and post-colonial sensibilities confirm her as a major figure in world literature.