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She will fight for her freedom. He will fight for her life. Mila might be slaveborn, but she has no intention of remaining a slave. Impatient for her freedom, the nineteen-year-old takes matters into her own hands. Armed with the combat skills her half-brother taught her, Mila ignores the pleas of her family and takes to the arena. She is prepared to do whatever is necessary, prepared for anything--except Remus Latinius. Raised inside the greatest gladiator school in Rome, Remus fought hard for his freedom. He earned it the only way he knew how--in the arena. Now he is content training others to do the fighting--or so he thought. Something changes the night he meets a slave girl desperate to prove herself. He should walk away, but the gods have other plans. This is the first book in the historical action romance series Roman Hearts. If you enjoy a moving love story with strong female characters, then you will love A Gladiator's Oath.
She will fight for her freedom. He will fight for her life. Mila might be slaveborn, but she has no intention of remaining a slave. Impatient for her freedom, the nineteen-year-old takes matters into her own hands. Armed with the combat skills her half-brother taught her, Mila ignores the pleas of her family and takes to the arena. She is prepared to do whatever is necessary, prepared for anything—except Remus Latinius. Raised inside the greatest gladiator school in Rome, Remus fought hard for his freedom. He earned it the only way he knew how—in the arena. Now he is content training others to do the fighting—or so he thought. Something changes the night he meets a slave girl desperate to prove herself. He should walk away, but the gods have other plans. This is the first book in the historical action romance series Roman Hearts. If you enjoy a moving love story with strong female characters, then you will love A Gladiator’s Oath.
Young love can be beautiful, reckless… dangerous. There is only one thing missing in Dulcia’s life—a husband. At least, that is what others would have her believe. But she feels the absence of something else—her father. Half slave and half noble, Dulcia has existed alongside him her entire life, just out of reach. Everything changes the day she arrives home to news of her betrothal. The problem is her heart already belongs to someone else. Nero is trying to make something of himself. Raised on the streets of Rome, he understands that family is a privilege, not a given. That is why he is trying to build a life worthy of the woman he has loved quietly for years, the one he worships like the sun. But time is running out. Dulcia is to marry a man rich enough to give her every comfort she deserves—every comfort he cannot afford. Nero should step aside, but letting go is never that simple… This is the second book in the historical action romance series Roman Hearts. If you enjoy a moving love story, set against the thrilling and brutal backdrop of ancient Rome, then you will love A Charioteer’s Promise.
The first in an unforgettable historical saga from the New York Times bestselling author of The Alice Network and The Diamond Eye. “So gripping, your hands are glued to the book, and so vivid it burns itself into your mind’s eye and stays with you long after you turn the final page.”—Diana Gabaldon, #1 New York Times bestselling author First-century Rome: One young woman will hold the fate of an empire in her hands. Thea, a captive from Judaea, is a clever and determined survivor hiding behind a slave’s docile mask. Purchased as a toy for the spoiled heiress Lepida Pollia, Thea evades her mistress’s spite and hones a secret passion for music. But when Thea wins the love of Rome’s newest and most savage gladiator and dares to dream of a better life, the jealous Lepida tears the lovers apart and casts Thea out. Rome offers many ways for the resourceful to survive, and Thea remakes herself as a singer for the Eternal ’City’s glittering aristocrats. As she struggles for success and independence, her nightingale voice attracts a dangerous new admirer: the Emperor himself. But the passions of an all-powerful man come with a heavy price, and Thea finds herself fighting for both her soul and her destiny. Many have tried to destroy the Emperor: a vengeful gladiator, an upright senator, a tormented soldier, a Vestal Virgin. But in the end, the life of Rome’s most powerful man lies in the hands of one woman: the Emperor’s mistress.
Keep her inside. Keep her alive. Blake Suttone has a stomach full of grief and no food. A decade of famine has taken its toll on the splintered kingdom, but it is the merchants who suffer most. A wall stands between the hungry and the food, and the kingdom’s defenders stand guard atop it. Desperate times lead to desperate acts, and Blake will do whatever is necessary to ensure her family survives. But a growing attachment to a certain commander was never part of the plan. Now the man protecting the walls seems determined to guard her too. Commander Harlan Wright was raised on a diet of training and discipline. His mind is calloused and his heart closed. These are not faults in a defender but assets. Harlan’s path is clear, until he meets a merchant girl who pulls him in a dangerous new direction. Blake might be a fighter, but she is fighting a losing battle. As the walls continue to go up, Harlan must choose between head and heart, duty and love. This is the first book in the medieval dystopian series Kingdom of Walls. If you enjoy high-emotion romance with plenty of action, then this dark star-crossed lovers tale is for you.
Young Lucius's privileged life is changed forever when his father, accused of being a traitor, disappears and leaves his family in shame and poverty. His brother Quintus chooses to train as a gladiator. Life for Lucius is now among the slaves and criminals who work and train at Rome's gladiator school.
*Includes pictures of art depicting important people, places, and events. *Describes the different classes of Roman gladiators and the armor and weaponry they used. *Describes gladiatorial combat and the myths and misconceptions about the fight. *Includes footnotes and a bibliography for further reading. “He vows to endure to be burned, to be bound, to be beaten, and to be killed by the sword." - The gladiator's oath, according to Petronius in the Satyricon. Gladiators are somewhat synonymous with ancient Rome, and even thousands of years after they performed on the sands, when people are asked about Roman culture, many think about and refer to the bloody spectacles of men fighting to the death in the arena. Gladiatorial combat is often regarded as barbaric, and most find it very difficult to comprehend how people could have enjoyed watching something so violent, but nevertheless, the spectacle still intrigues and fascinates people today, whether in movies like Gladiator or television shows about Spartacus. Gladiatorial combat traces its origins back to the early Republican period from the 5th-3rd century B.C., but it's still unclear where these combats first appeared. Credit has been given to both the Etruscans in northern Italy and the Campanians in southern Italy, though the first recorded gladiatorial combat occurred in the 3rd century B.C. at the funeral of D. Junius Brutus Pera. His sons organized a combat between three different pairs of gladiators who fought at their father's grave, but exactly what these first gladiatorial combats were supposed to represent remains unclear. Some believe that the spilling of human blood was a way of offering a sacrifice to the dead, while others suggest that the contests themselves were a funeral offering in honor of the dead. Gladiatorial combat began in the Republican period and was associated with death and burial, but due to its popularity it became an organized form of entertainment in the Imperial Age, and even as the gladiators were considered low class, they were also admired, leading to some Roman men and women volunteering to become gladiators. Whatever the original role of gladiatorial combats, they thrilled Roman audiences for many centuries. Each match usually pitted one type of gladiator against a different type of gladiator, with each having their own kind of armor, weaponry and fighting style. For example, the retiarius was a gladiator that used a net, dagger and trident as his offensive weapons, while only wearing a protective guard over his left arm for protection. The retiarius would typically fight against the secutor, a gladiator armed with a sword, large shield, helmet and protective covering on his right arm and left leg. Therefore, a retiarius sacrificed armor for quickness in battle, while the secutor did the opposite. Although people often think of gladiators fighting to the death, the outcome of gladiatorial combats was not always fatal for one of the participants. If a gladiator fought well, the sponsor of the show could spare him, particularly if the crowd desired it. The fact that the outcome of matches was never the same and the crowd could help determine the result of the match certainly added to the Roman public's pleasure, making it a lot less surprising that such an abhorrent spectacle still fascinated the modern world. The Roman Gladiators: The History and Legacy of Ancient Rome's Most Famous Warriors examines the history of the gladiators and the games they participated in, explaining what life and death was like for the men who fought in Rome's most famous form of entertainment. Along with pictures depicting important people, places, and events, you will learn about gladiators like you never have before.
Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.
*Includes pictures. *Includes ancient accounts of gladiatorial games and other spectacles. *Explains how the Colosseum was designed and built, as well as how seating was arranged. *Describes the different classes of Roman gladiators and the armor and weaponry they used. *Includes footnotes and a bibliography for further reading. “He vows to endure to be burned, to be bound, to be beaten, and to be killed by the sword." - The gladiator's oath, according to Petronius in the Satyricon. When the Colosseum was built in the late 1st century A.D., the Romans, a people known for their architectural acumen, managed to amaze themselves. Martial, a Roman poet writing during the inauguration of the Colosseum, clearly believed the Colosseum was so grand a monument that it was even greater than the other Wonders of the Ancient World, which had been written about and visited endlessly by the Romans and Greeks in antiquity. Indeed, although the Wonders were wondrous to behold, the Colosseum was a spectacular achievement in architecture, something new and innovative, and therefore an amazing “Wonder” in its own way. The Colosseum was designed to be both a symbol and show of strength by the famous Flavian emperors, most notably Vespasian and his sons Titus and Domitian. Vespasian had started the construction of the Colosseum shortly after becoming emperor in 69 A.D., but he died before he could present any spectacles in his giant amphitheatre. That honor went to his son Titus, who celebrated the inaugural opening in 80 A.D. with 100 days of games, despite the fact that the Colosseum was not completely finished. When his brother Domitian came to power in 81 A.D., he finished the amphitheatre, but not without making some changes to the overall design. By the time it was truly finished, the Colosseum stood about 150 feet tall, with the oval in the center stretching nearly two football fields long and over 500 feet across. The Colosseum is a large stadium even by today's standards, and its great size conveys the power of the empire as it dominates the landscape and towers over nearby buildings. Of course, the main events in the Colosseum were gladiator fights. Gladiators are somewhat synonymous with ancient Rome, and even thousands of years after they performed on the sands, when people are asked about Roman culture, many think about and refer to the bloody spectacles of men fighting to the death in the arena. Gladiatorial combat is often regarded as barbaric, and most find it very difficult to comprehend how people could have enjoyed watching something so violent, but nevertheless, the spectacle still intrigues and fascinates people today, whether in movies like Gladiator or television shows about Spartacus. Each match usually pitted one type of gladiator against a different type of gladiator, with each having their own kind of armor, weaponry and fighting style. For example, the retiarius was a gladiator that used a net, dagger and trident as his offensive weapons, while only wearing a protective guard over his left arm for protection. The retiarius would typically fight against the secutor, a gladiator armed with a sword, large shield, helmet and protective covering on his right arm and left leg. Therefore, a retiarius sacrificed armor for quickness in battle, while the secutor did the opposite. Although people often think of gladiators fighting to the death, the outcome of gladiatorial combats was not always fatal for one of the participants. If a gladiator fought well, the sponsor of the show could spare him, particularly if the crowd desired it. The fact that the outcome of matches was never the same and the crowd could help determine the result of the match certainly added to the Roman public's pleasure, making it a lot less surprising that such an abhorrent spectacle still fascinated the modern world.