Download Free A Girls Suicide Book in PDF and EPUB Free Download. You can read online A Girls Suicide and write the review.

The New York Times bestselling “taut, sophisticated thriller” (BCCB, starred review) packed with twists and turns that will leave you breathless. They say Delia burned herself to death in her stepfather’s shed. They say it was suicide. But June doesn’t believe it. June and Delia used to be closer than anything. Best friends in that way that comes before everyone else—before guys, before family. It was like being in love, but more. They had a billion secrets, binding them together like thin silk cords. But one night a year ago, everything changed. June, Delia, and June’s boyfriend Ryan were just having a little fun. Their good time got out of hand. And in the cold blue light of morning, June knew only this—things would never be the same again. And now, a year later, Delia is dead. June is certain she was murdered. And she owes it to her to find out the truth…which is far more complicated than she ever could have imagined. Sexy, dark, and atmospheric, Suicide Notes from Beautiful Girls will keep you guessing until the very last page.
"SuicideGirls" explores the SuicideGirl phenomenon from their start in 2001 to their Web sites that attract more than one million visitors per week. This title shines a light on a new female aesthetic--a look reminiscent of vintage Betty Page and Bunny Yeager, but with a decisively 21st-century edge.
Ntozake Shange’s classic, award-winning play encompassing the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.
First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.
AN INSTANT NEW YORK TIMES BESTSELLER “Pitch-perfect... Dean tells this story with such nuance and humanity, you’re desperate to step into its pages." —The New York Times “Heart-stopping psychological drama… A modern-day classic." —Jeffery Deaver, New York Times bestselling author “A gripping story about family dynamics and the nature of human psychology.” —Good Housekeeping She thought she had escaped her past. But there are some things you can’t outrun. Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the home into a force for good. But first she must come to terms with her siblings--and with the childhood they shared. What begins as a propulsive tale of escape and survival becomes a gripping psychological family story about the shifting alliances and betrayals of sibling relationships--about the secrets our siblings keep, from themselves and each other. Who have each of these siblings become? How do their memories defy or galvanize Lex's own? As Lex pins each sibling down to agree to her family's final act, she discovers how potent the spell of their shared family mythology is, and who among them remains in its thrall and who has truly broken free. For readers of Room and Sharp Objects, an absorbing and psychologically immersive novel about a young girl who escapes captivity–but not the secrets that shadow the rest of her life.
An unforgettable coming of age novel for fans of 13 Reasons Why, It’s Kind of a Funny Story, and The Perks of Being a Wallflower. Fifteen-year-old Jeff wakes up on New Year’s Day to find himself in the hospital—specifically, in the psychiatric ward. Despite the bandages on his wrists, he’s positive this is all some huge mistake. Jeff is perfectly fine, perfectly normal; not like the other kids in the hospital with him. But over the course of the next forty-five days, Jeff begins to understand why he ended up here—and realizes he has more in common with the other kids than he thought. “With a sprinkling of dark humor and a full measure of humanness, Suicide Notes is quirky, surprising, and a riveting read.” —Ellen Hopkins, author of The You I’ve Never Known and Love Lies Beneath “Like the very best teen novels, Suicide Notes is both classic and edgy, timeless and provocative.” —Brent Hartinger, author of Geography Club “Makes a powerful emotional impact.” —Publishers Weekly (starred review) “Jeff’s wit and self-discovery are refreshing, poignant, and, at times, laugh-out-loud funny.” —School Library Journal
What if you killed yourself and discovered that the "Afterlife"might actually suck? Pogue Eldridge is a woman who does just that, and she starts to realize that this Afterlife stuff isn't at all what she expected. First, she's required to stay on a specific floor at the Sterling Hotel until renovations in Hell and Heaven are completed. That's the rules. Second, she can't go up to the nice floors where all the rich people are. More rules. And third, the food isn't that great, and there's nothing to do. Death imitating life? Pogue thinks so, and along with 15-year-old Katina, who died of a drug overdose (another form of suicide), they decide to go exploring, and bring along some of the others they've met. But because of the rules, they can only go down in the hotel elevator. And once they're in Hell, they can't leave unless "Lucy" decides they can. Join Pogue and her companions on a seriously twisted, often funny, and macabre trip through the Afterlife, where a Goth Lucifer suffers from depression, Jesus plays video games and smokes way too much pot, and Hell truly is a crappy place to be. "Ranalli is one of those rare authors who can seamlessly combine horror with the hilariously bizarre, all with a sly little smile and wink. With Ranalli's unique turns of phrase and descriptions, Suicide Girls in the Afterlife pokes fun at life, death, and the absurdity of being human. A strange, entertaining, and thought-provoking read." --Andi Marquette, author of several novels including Friends in High Places and the award-winning Land of Entrapment
Literary Nonfiction. LGBTQIA Studies. Edited by Clare Kelly. one part ketamine spiral, one part confessional travelogue from the edge of gender, TGSM is a hallucinatory transmission on sex, identity, the internet, and the flickering wish not to exist in a given body at a given point in time. TGSM raises questions with which we have begun to negotiate broadly as a culture: what is actually happening to someone when they transition? how should we understand or describe such processes? what is the role of drugs, of hallucination, of imagination, in transition? is being a trans person in this moment in history--when the identity is ever more carefully traced [and tracked] by larger cultural forces--more liberated than before? drawing its source material from chance encounters--wordless interactions in basements or bathrooms or hotel rooms--to archives of 20th century critical theory, sleepover secrets exchanged between old friends, rhetorical barbs deployed in the classrooms of elite universities, arguments on the phone with your parents across timezones, the nonverbal codes of high and low fashion, and scribbled notes on the backs of receipts for medicines you don't know how they work, TGSM is a morbid yet strangely hopeful meditation on the possibilities and meanings of gender variation in our time.
“A moving and riveting memoir about one family’s love and tragedy…beautifully researched, and expressed” (Anne Lamott). Early one Tuesday morning John Brooks went to his teenage daughter’s room. Casey was gone, but she had left a note: The car is parked at the Golden Gate Bridge. I’m sorry. Within hours a security video showed Casey stepping off the bridge. Brooks spent several years after Casey’s suicide trying to understand what led his seventeen-year-old daughter to take her life. He examines Casey’s journey from her abandonment at birth in Poland, to the orphanage where she lived for her first fourteen months, to her adoption and life with John and his wife, Erika, in Northern California. He reads. He talks to Casey’s friends, teachers, doctors, therapists, and other parents. He consults adoption experts, researchers, clinicians, attachment therapists, and social workers. In The Girl Behind the Door, Brooks’s “desperate search for answers and guilt for not doing the right thing without knowing what it was reveals the utter helplessness of suicide survivors” (Kirkus Reviews). Ultimately, Brooks comes to realize that Casey probably suffered an attachment disorder from her infancy—an affliction common among children who’ve been orphaned, neglected, and abused. She might have been helped if someone had recognized this. The Girl Behind the Door is an important book for parents, mental health professionals, and teens: “Rarely have the subjects of suicide, adoption, adolescence, and parenting been explored so openly and honestly” (John Bateson, Former Executive Director, Contra Costa County Crisis Center, and author of The Final Leap: Suicide on the Golden Gate Bridge).
This is a collection of original essays which focuses on the causes, meanings and significance of female suicides in Ming and Qing China. It is the first attempt in English-language scholarship to revise earlier views of female self-destruction that had been shaped by the May Fourth Movement and anti-Confucian critiques of Chinese culture, and to consider the matter of female suicide in the wider context of more recent scholarship on women and gender relations in late imperial China. The essays also reveal the world of tensions, conflicting demands and expectations, and a variety of means by which both women and men made moral sense of their lives in late imperial China. The volume closes with an extensive bibliography of relevant and important Chinese, Japanese, and Western publications related to female suicide in late imperial China.