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An “engrossing narrative history” (Joanna Scutts, The Lily) of the enslaved girl whose photograph transformed the abolition movement. When a decades-long court battle resulted in her family’s freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. Due to generations of sexual violence, Mary’s skin was so light she “passed” as white—a fact abolitionist Senator Charles Sumner knew would be the key to his white audience’s sympathy. Girl in Black and White restores Mary to her rightful place in history, “probing issues of colorism and racial politics” (New York Times Book Review) that still affect us profoundly today.
My once upon a time didn't end with happily ever after-but with blood-stained hands and cold blue eyes. The story of my life had been laid beneath my feet since childhood, but until death, I'd never known that road was paved with stones called lies. In this city of sun and heat, cloaked in dark, both inside and out, I became somebody other than Farm Girl. There was no assassin behind my back. No, my shackles were just as tight but came in a different form. Like Death's icy fingers running down my spine, the ones that had gripped me for months, my past haunted my present in the guise of nostalgia. My old chains still left marks on my skin, their owner's gaze following behind. But he didn't know I lived. He didn't know I was so close, that I heard his name spoken every day. That I still hated him. Until my hate started tasting suspiciously different. One mistake and everything I'd created unraveled. A liar. Corruptor. He stood in front of me now. The air was heavy with expectation, tense with the possibilities of how this would unfold, of what he would do. But there was always two sides to every story, and maybe in this version, the corruptor wasn't him, but me.
Fifteen years ago, in 1975, Genna Hewett-Meade's college roommate died a mysterious, violent, terrible death. Minette Swift had been a fiercely individualistic scholarship student, an assertive—even prickly—personality, and one of the few black girls at an exclusive women's liberal arts college near Philadelphia. By contrast, Genna was a quiet, self-effacing teenager from a privileged upper-class home, self-consciously struggling to make amends for her own elite upbringing. When, partway through their freshman year, Minette suddenly fell victim to an increasing torrent of racist harassment and vicious slurs—from within the apparent safety of their tolerant, "enlightened" campus—Genna felt it her duty to protect her roommate at all costs. Now, as Genna reconstructs the months, weeks, and hours leading up to Minette's tragic death, she is also forced to confront her own identity within the social framework of that time. Her father was a prominent civil defense lawyer whose radical politics—including defending anti-war terrorists wanted by the FBI—would deeply affect his daughter's outlook on life, and later challenge her deepest beliefs about social obligation in a morally gray world. Black Girl / White Girl is a searing double portrait of "black" and "white," of race and civil rights in post-Vietnam America, captured by one of the most important literary voices of our time.
This is a memoir of a woman whose life touches upon intersections of identity in so many ways. Her story is also a testament to the power of silences and naming, claiming Truth despite uncomfortable truths, and the healing grace found through story. There is so much to love about this book, and so much to discuss. Readers will be grateful for having spent time with Black Girl White Skin.
One woman’s memoir of coming of age while being bused to largely black schools after a Virginia legal battle forced integration in the 1970s. This poignant account recalls firsthand the upheaval surrounding court-ordered busing in the early 1970s to achieve school integration. As a white student sent to predominantly black schools in Richmond, Virginia, Clara Silverstein tells a story that pulls us into the forefront of this great social experiment. At school, she dealt daily with the unintended, unforeseen consequences of busing as she also negotiated the typical passions and concerns of young adulthood—all with little direction from her elders, who seemed just as bewildered by the changes around them. Inspired by her parents’ ideals, Silverstein remained in the public schools despite the emotional stakes. Her achingly honest story, woven with historical details, confronts us with powerful questions about race and the use of our schools to engineer social change. “At once a vivid description of a controversial social experiment, an intimate chronicle of a girl’s turbulent journey through adolescence, and a loving tribute to a visionary father who died too young.”—James S. Hirsch, author of Two Souls Indivisible “In White Girl, Clara Silverstein has written an honest, balanced, and deeply personal memoir. With lively prose she describes what it felt like to be perceived as “the enemy” and explains all the inherent contradictions in her own coming of age.”—Robert Pratt, author of We Shall Not Be Moved: The Desegregation of the University of Georgia “It’s easy to feel Silverstein’s anguish, but her message is that positive social change is possible.”—Library Journal
White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.
In this poignant and timely memoir—written with the searing power of Beautiful Struggle and Born a Crime—Degrassi Junior High star Anais Granofsky contemplates the lingering impact of a childhood spent in two opposite and warring worlds. Though recognized around the world for her role as Lucy Hernandez on the hit show Degrassi, Anais Granofsky’s true childhood story is largely unknown. Growing up, Anais was caught between two vastly different worlds: her father, Stanley, came from a wealthy, prominent, white Jewish family in Toronto. Her mother, Jean, was one of 15 children from a poor Black Methodist family in Ohio directly descended from freed Randolph slaves. When Anais’s parents met at Antioch College in the early 1970s and soon had their first child, they didn’t anticipate being cut off by the wealthy Granofskys, or that Stanley would find his calling in the spiritual teaching of Bhagwan Shree Rajneesh, change his name to Fakeer, and leave his family for an ashram in India. Young Anais and her mother teetered on the abyss of poverty, sharing a mattress in a single room in social housing in Toronto, while her grandparents lived in a mansion that was 20 minutes away. As Anais grew up, she spent weekends with her wealthy Granofsky grandparents. On Saturdays and Sundays she would wear expensive clothes and eat lunch by the pool. In the weeks between, she and her mother lived day by day penniless, rarely knowing where their next meal would come from. From her earliest youth, Anais realized that if she wanted to be loved, she had to keep her two lives separate, learning to code switch between her Jewish identity on the weekend and her Black one during the week. Her life was compartmentalized, until at age 12, Anais was cast in the internationally successful television show Degrassi Junior High. The Girl in the Middle is a tale of two vastly different families and the granddaughter they shared and clashed over. Compassionate and vivid, Anais’s story is a powerful lens revealing two divided families and the systematic, generational oppression that separated them. As Anais shares her experiences growing up in opposing worlds, she offers a heart-wrenching exploration of generational trauma, love, shame, grief, and prejudice—and essential insight for healing and acceptance.
Stories are powerful. They have the ability to provide comfort and solace. Growing up in a predominantly white institution (PWI) as a young black girl provides amazing opportunities as well as challenging experiences. The poems, anecdotes, and entries found between the pages of this book seek to provide support and guidance for black girls in PWI's by black girls and women who either attend a PWI now or have in the past. They also offer insight into a student's experience for institutions, administrators and faculty to learn from. No matter if you are looking for friendship, information, or a vent space take a look inside and find so much more. Check out the matching journal for a writing space of your own!
A Hulu Original Series Coming Soon “Riveting, fearless, and vividly original” (Emily St. John Mandel, New York Times bestselling author), this instant New York Times bestseller explores the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing. Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust. Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW. It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career. Having joined Wagner Books to honor the legacy of Burning Heart, a novel written and edited by two Black women, she had thought that this animosity was a relic of the past. Is Nella ready to take on the fight of a new generation? “Poignant, daring, and darkly funny, The Other Black Girl will have you stressed and exhilarated in equal measure through the very last twist” (Vulture). The perfect read for anyone who has ever felt manipulated, threatened, or overlooked in the workplace.
I was a simple farm girl living in the magical land, Alyria, where men ruled and women only existed. Call me sheltered. Call me naive. I was probably both. I never expected to be the key to Alyria's destruction. The journey I was on wasn't only one to save me. But one where I had a lot of learning to do. With men. With magic. And with myself. But I wasn't alone. I had an escort. One I wasn't so sure about. But one I couldn't afford to lose and one I wasn't so sure I could even leave. I had many hopes. But the most important one was that my name wouldn't become my fate.