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In 1728 a stranger handed a letter to Governor Yue calling on him to lead a rebellion against the Manchu rulers of China. Feigning agreement, he learnt the details of the plot and immediately informed the Emperor, Yongzheng. The ringleaders were captured with ease, forced to recant and, to the confusion and outrage of the public, spared. Drawing on an enormous wealth of documentary evidence - over a hundred and fifty secret documents between the Emperor and his agents are stored in Chinese archives - Jonathan Spence has recreated this revolt of the scholars in fascinating and chilling detail. It is a story of unwordly dreams of a better world and the facts of bureaucratic power, of the mind of an Emperor and of the uses of his mercy.
A Gift for Treason: The Cultural Marxist Assault on Western Civilization is a passionate polemic on the topic of western civilization and the threats it faces. It offers the reader an extensive guide on the nature of both Western Civilization and the Cultural Marxism that opposes all established Western Values.
Hédi Kaddour’s poetry arises from observation, from situations both ordinary and emblematic—of contemporary life, of human stubbornness, human invention, or human cruelty. With Treason, the award-winning poet and translator Marilyn Hacker presents an English-speaking audience with the first selected volume of his work. The poetries of several languages and literary traditions are lively and constant presences in the work of Hédi Kaddour, a Parisian as well as a Germanist and an Arabist. A walker’s, a watcher’s, and a listener’s poems, his sonnet-shaped vignettes often include a line or two of dialogue that turns his observations and each poem itself into a kind of miniature theater piece. Favoring compact, classical models over long verse forms, Kaddour questions the structures of syntax and the limits of poetic form, combining elements of both international modernism and postmodernism with great sophistication. Capturing Kaddour’s full range of diction, as well as his speed, momentum, and tone, Marilyn Hacker’s translations brilliantly bring these poems alive.
Treason of the Heart is an account of British people who took up foreign causes. Not mercenaries, then, but ideologues. Almost all were what today we would call radicals or activists, who thought they knew better than whichever bunch of backward or oppressed people it was that they had come to save. Usually they were applying to others what they saw as the benefits of their culture, and so obviously meritorious was their culture that they were prepared to be violent in imposing it. Some genuinely hated their own country, however, and saw themselves promoting abroad the values their own retrograde government was blocking. The book deals with those like Thomas Paine who saw American independence as the surest means to hurt England; the many who hoped to spread the French revolution and then have Napoleon conquer England; historic characters like Lord Byron and Lawrence of Arabia who fought for the causes that brought them glory; finally those who took up Communism or Nazism. Treason of the Heart is nothing less than the tale of intellectuals deluded about the effect of what they are doing and therefore with immediate reference to today's world.
Gregory Rabassa's influence as a translator is incalculable. His translations of Gabriel Garcia Marquez's One Hundred Years of Solitude and Julio Cortazar's Hopscotch have helped make these some of the most widely read and respected works in world literature. (Garcia Marquez was known to say that the English translation of One Hundred Years was better than the Spanish original.) In If This Be Treason: Translation and Its Dyscontents Rabassa offers a cool-headed and humorous defense of translation, laying out his views on the art of the craft. Anecdotal, and always illuminating, If This Be Treason traces Rabassa's career, from his boyhood on a New Hampshire farm, his school days "collecting" languages, the two-and-a-half years he spent overseas during WWII, his travels, until one day "I signed a contract to do my first translation of a long work [Cortazar's Hopscotch] for a commercial publisher." Rabassa concludes with his "rap sheet," a consideration of the various authors and the over 40 works he has translated. This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.
When Muslim terrorists infiltrate the Navy Chaplain Corps, Lieutenant Zack Brewer, just three years out of law school, is pitted against the world's greatest defense attorney in the court-martial of the century.
When the First Lady is kidnapped, a rescue specialist discovers her secrets—and a deadly conspiracy—in a thriller by the New York Times bestselling author. First Lady Anna Darmond’s penchant for late night parties in South East D.C. is a harmless open secret—until she’s kidnapped out from under the noses of her Secret Service agents in a bloody gunfight. It's an unthinkable crime that, if revealed, could cause public panic. That’s why hostage rescue specialist Jonathan Grave and his team must operate in absolute secrecy. But Grave soon realizes that, extraordinary as it is, the mission is not all it seems. There are shadows in Mrs. Darmond's past, cracks in the presidential marriage—and leaks in the country's critical shields of security. As Grave tracks the missing First Lady through a labyrinth of lies and murder, he confronts a traitor at the highest level of Washington power—and a devastating scheme to bring a nation to its knees.
Shakespeare in Love meets Mr. and Mrs. Smith in this witty and thrilling story of star-crossed assassins in Elizabeth England, perfect for fans of My Lady Jane and TheGentleman's Guide to Vice and Virtue! When Lady Katherine's father is killed for being an illegally practicing Catholic, she discovers treason wasn't the only secret he's been hiding: he was also involved in a murder plot against the reigning Queen Elizabeth I. With nothing left to lose, Katherine disguises herself as a boy and travels to London to fulfill her father's mission, and to take it one step further -- kill the queen herself. Katherine's opportunity comes in the form of William Shakespeare's newest play, which is to be performed in front of Her Majesty. But what she doesn't know is that the play is not just a play. It's a plot to root out insurrectionists and destroy the rebellion once and for all. The mastermind behind this ruse is Toby Ellis, a young spy for the queen with secrets of his own. When Toby and Katherine are cast opposite each other as the play's leads, they find themselves inexplicably drawn to one another. But the closer they grow, the more precarious their positions become. And soon they learn that star-crossed love, mistaken identity, and betrayal are far more dangerous off the stage than on.
“Liberals’ loyalty to the United States is off-limits as a subject of political debate. Why is the relative patriotism of the two parties the only issue that is out of bounds for rational discussion?” In a stunning follow-up to her number one bestseller Slander, leading conservative pundit Ann Coulter contends that liberals have been wrong on every foreign policy issue, from the fight against Communism at home and abroad, the Nixon and the Clinton presidencies, and the struggle with the Soviet empire right up to today’s war on terrorism. “Liberals have a preternatural gift for always striking a position on the side of treason,” says Coulter. “Everyone says liberals love America, too. No, they don’t.” From Truman to Kennedy to Carter to Clinton, America has contained, appeased, and retreated, often sacrificing America’s best interests and security. With the fate of the world in the balance, liberals should leave the defense of the nation to conservatives. Reexamining the sixty-year history of the Cold War and beyond—including the career of Senator Joseph McCarthy, the Whittaker Chambers–Alger Hiss affair, Ronald Reagan’s challenge to Mikhail Gorbachev to “tear down this wall,” the Gulf War, and our present war on terrorism—Coulter reveals how liberals have been horribly wrong in all their political analyses and policy prescriptions. McCarthy, exonerated by the Venona Papers if not before, was basically right about Soviet agents working for the U.S. government. Hiss turned out to be a high-ranking Soviet spy (who consulted Roosevelt at Yalta). Reagan, ridiculed throughout his presidency, ended up winning the Cold War. And George W. Bush, also an object of ridicule, has performed exceptionally in responding to America’s newest threats at home and abroad. Coulter, who in Slander exposed a liberal bias in today’s media, also examines how history, especially in the latter half of the twentieth century, has been written by liberals and, therefore, distorted by their perspective. Far from being irrelevant today, her clearheaded and piercing view of what we’ve been through informs us perfectly for challenges today and in the future. With Slander, Ann Coulter became the most recognized and talked-about conservative intellectual of the year. Treason, in many ways an even more controversial and prescient book, will ignite impassioned political debate at one of the most crucial moments in our history.
In 1686, Alex St Barbe and Louise are living at Wintercombe until tragedy wrecks their marriage. Alex seeks the taverns of Amsterdam while Louise abandons Wintercombe to their detested cousin Charles. England is sliding towards revolution and Alex, working for William of Orange, plotting the treason that will return him at last to Louise and Wintercombe or lead him to his death.