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Excerpt from A Georgian Actress Madame, matching the silk for the yellow heart of a rose, did not reply. The sunlight fell aslant the rich border of the cloth. Amidst loving lavishness of gold thread she laid in stitches in clear scarlet, green, purple, and blue. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Comedy Queens of the Georgian Era This book does not profess to be a theatrical history. It is simply a series Of biographical sketches of some of the most prominent English comedy actresses Of the Georgian period. As Leigh Hunt remarked, most people are more eager to hear of actors and actresses than of the members of other professions, and in reading accounts Of them most Of us incline more to the comic than the tragic, and more to the women than the men. But a record Of the strictly professional career of an actor or actress is apt to become a mere dry chronicle of successive representations. I have therefore dealt with these ladies, so far as was possible, more from the private than the professional point of view; and I hope that, in addition to the interest Of the separate personalities, these brief biographies may be found to have a further interest as a series of character sketches Of a dozen representative women who, in the course Of the eighteenth century, attained to eminence in the only profession then open to their sex. There is also another reason for dealing with them from the personal rather than from the professional standpoint. Colley Cibber lamented that the animated graces Of the player. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Tragedy Queens of the Georgian Era My Lord, my sorrow seeks not your relief; You are not fit to judge a mother's grief: You have no child for an untimely grave, Nor can you lose what I desire to save. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Some Famous Women of Wit and Beauty: A Georgian Galaxy The first of the following biographical studies originally appeared in the pages of The Nineteenth Century, the second in King and Country, the third in The Quarterly Review, the fourth in The anglo-saxon Review, the sixth and seventh in Temple Bar, and they are now reprinted by the courtesy of the editors of those periodicals. The fifth and eighth are here printed for the first time. The author hopes that they may at least serve as a, reminder that superlative beauty, brilliant Wit, and lives full of strange happenings, are not the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Souvenir and Programme of the Actors' Fund Fair: Madison Square Garden, May 2d, 3d, 4th, 5th, 6th, 7th, 1892 Palmer, President. Edward E. Kidder, Ist vice-president. Mrs. A. C. Van brunt, 2d vice-president. Miss georgia cayvan, Secretary. Miss emma frohman, Corresponding Secretary. Miss alice fischer, Recording Secretary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
Kemble, a British actress and authoress, was introduced to American slavery with her marriage to Pierce Butler, grandson of one of the largest slaveholders in Georgia. When Butler came into his inheritance, he and his new wife moved to their plantation, where Kemble quickly became appalled at the cruelty of the peculiar institution.In her most popular book, Journal of a Residence on a Georgian Plantation (1863), she chronicles her observations and arguments against slavery and the inhuman treatment of blacks in America. Her journal became a popular work of abolitionist writing, and she donated some of the money from its publication to the cause of ending slavery.Students of history will be intrigued by this firsthand account of life on a plantation in the decades before the American Civil War.British actress and writer FRANCES ANNE KEMBLE (1809-1893), a member of the Kemble theatrical family, was an outspoken abolitionist and later in life became an inspiration to author Henry James. Her most popular books are Records of a Girlhood (1878) and Records of Later Life (1882).