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"A Gentleman's Guide to Duelling is a beautifully illustrated, lyrical guide to duelling etiquette in Elizabethan England. Its author, Vincentio Saviolo, was one of the great Italian fencing masters and a contemporary of William Shakespeare. In the 1590s, both Saviolo and Shakespeare were based in London's Blackfriars; and Shakespeare used Italian fencing terminology in 'Romeo & Juliet' which was written shortly after Saviolo's book was published."--Book jacket.
Arguments about the place and practice of the duel in early modern England were widespread. The distinguished intellectual historian Markku Peltonen examines this debate, and show how the moral and ideological status of duelling was discussed within a much larger cultural context of courtesy, civility and politeness. The advocates of the duel, following Italian and French examples, contended that it maintained and enhanced politeness; its critics by contrast increasingly severed duelling from civility, and this separation became part of a vigorous attempt in the late seventeenth century and beyond to redefine civility, politeness and indeed the nature and evolution of Englishness. To understand the duel is to understand much more fully some crucial issues in the cultural and ideological history of Stuart England, and Markku Peltonen's study will thus engage the attention of a very wide audience of historians and cultural and literary scholars.
The Duellist's Companion is a must-read exploration of 17th century Italian rapier fencing and a thorough interpretation of the style of legendary swordsman Ridolfo Capoferro, author of the most famous fencing book in history, Il Gran Simulacro, published in 1610. Through detailed illustrations and clear explanations, Guy Windsor, a leading expert in historical martial arts, takes you through preparation exercises before teaching you the guard positions, footwork, blade actions, and techniques of Capoferro's style. From foundational footwork to advanced rapier and dagger play, this book covers everything you need to know to become skilled in the use of the rapier alone, and with the dagger. This new edition has been updated with more than 400 photos, further cementing its place as a classic in the field of historical fencing. Whether you're an experienced historical fencer looking to expand your knowledge or a beginner looking to learn a new skill, The Duellist's Companion is an essential resource.
"Benefit from the experience of one of the most accomplished experts in the field. A must-read for beginners and advanced practitioners alike." - Roland Warzecha, DIMICATOR The warriors, knights and duellists of old depended on their skill at arms for their lives. You can learn their techniques and tactics too. From renowned swordsman and teacher Guy Windsor comes an indispensable resource for anyone interested in martial arts, swordsmanship, and history. Through this book Guy will teach you how to train your mind and body to become an expert in historical martial arts. It includes the seven principles of mastery, considers the ethics of martial arts, and goes into detail about the process of recreating historical martial arts from written sources. On the practical side, Guy explains how to develop your skills, and lays out the path for students to become teachers, covering the basics of safe training, looking after your body, and even starting your own training group and teaching basic classes. An accessible, motivating read that includes many suggestions for further study, including courses, books and other resources, this book sets out to answer every question about historical martial arts you may have. Note that this is not a training manual for a specific style: it provides the foundations for every style. Your journey starts here. You decide where it ends.
"Never, never, did I imagine that dueling could be so enthralling, outrageous, gruesome, tragic, and, yes, ridiculous...Lively humor and sparkling prose." -Wall Street Journal The medieval justice of trial by combat evolved into the private duel by sword and pistol, with thousands of honorable men-and not-so-honorable women-giving lives and limbs to wipe out an insult or prove a point. The duel was essential to private, public, and political life, and those who followed the elaborate codes of procedure were seldom prosecuted and rarely convicted-for, in fact, they were obeying a grand old tradition. Based on her fascinating 1997 Smithsonian article, Barbara Holland's Gentlemen's Blood is the first trade book to trace the remarkable, often gruesome, sometimes comical history of the Western tradition of defending one's honor.
This is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. My Cue to Fight is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. Written ideally for theatrical stage directors, fight directors, intimacy consultants, and actors as a technical scene-by-scene breakdown in staging combat during production of these plays, this publication is also for Shakespeare enthusiasts who want to learn more about the blood, sweat, and viscera hidden just underneath the poetry. A writer utilizes violence, like song or dance, in moments where the story requires more than just words. But addressing how the violence will be staged tends either to be neglected or utterly gratuitous, both of which serve to separate the audience from the story and kill the whole venture. The answer rests in approaching violence the same way we do scenework. The plays of William Shakespeare seek to engage audiences with all of the characters’ blood, tears, sweat, and guts. These works are not flowery poems meant to be mumbled in a classroom, or histrionically declaimed in frilly costumes. There is nothing light and fluffy about 'rape' and 'murder’s rages', or 'carving' someone as a dish fit for the gods, or fighting till from one’s bones one’s 'flesh be hacked'. Making matters more complicated is the ambiguity and sometimes even complete lack of stage directions. Modern texts typically possess clear directions whenever violence is to occur in the action, but playscripts were quite different four centuries ago. Such denotations were both rare and inconsistent in Elizabethan and Jacobean printings. The potential violence we will examine is not appropriate for all productions or scene partners. We’re here to question and inspire rather than provide catch-all solutions. Actors, directors, fight directors, and intimacy consultants must work together to find the most effective way for their production to communicate the playwright’s story to the audience.
“Useful, helpful, absorbing, entertaining. Whether you are interested in weaponry or, like me, researching details for a novel, this is the book for you.” - Helen Hollick Your search for a book that will feed your passion for and deepen your knowledge of swordsmanship ends here. Guy Windsor’s Swordfighting offers insight into this magnificent historical European martial art: you will find answers to your burning questions about swordsmanship, its theory and practice. This carefully crafted book provides essential information on diverse topics with piercing clarity. “Whether you are a writer or game-maker seeking the kind of information I sought while writing The Baroque Cycle, or just a general reader with an interest in the arts to which Guy Windsor has dedicated his career, you should find much that is rewarding in these pages.” - Neal Stephenson, New York Times bestselling and multi-award-winning author Made up of a selection of Guy’s essays and articles, with a great deal of brand new material, this engaging and revealing book makes this complex subject accessible, enabling you to deep-dive into — - Benefits of training - Types of weapons - Sword fighting principles - Historical accuracy If you are an actor, writer or games designer creating or writing fight scenes, this book provides cutting-edge research on our European martial arts heritage. You will also discover the dos and don’ts of producing a stunningly realistic sword fight. Swordfighting is not a training manual. For technical instruction on specific swordsmanship styles, pick up The Medieval Longsword and The Duellist's Companion.
After the gross and unjustifiable insults you have offered me both as a soldier and a gentleman, I conclude you must be prepared to give me that satisfaction I am entitled to. I am therefore to request that you will name a place and hour of meeting.' So runs a typical challenge to a duel from the early 19th century; formal, polite - and potentially fatal. Duelling is deeply imbedded in our collective consciousness, through numerous films and novels; it evokes a golden past, of gentlemen defending their honour (or that of their wives) in the early morning light of a wooded glade; of frockcoats, rapiers and pistols. From the duel's roots in medieval chivalric tournaments, to the unforgiving code of honour in which death was preferable to shame, this fascinating history recounts - with the aid of numerous vivid eye-witness accounts - all the drama and sheer terror of the duel.
The presidential election of 1952, unlike most others before and since, was dominated by foreign policy, from the bloody stalemate of Korea to the deepening menace of international communism. During the campaign, Dwight Eisenhower and his spokesmen fed the public's imagination with their promises to liberate the peoples of Eastern Europe and created the impression that in office they would undertake an aggressive program to roll back Soviet influence across the globe. But time and again during the 1950s, Eisenhower and his advisers found themselves powerless to shape the course of events in Eastern Europe: they mourned their impotence but did little. In "Dueling Visions," Ronald R. Krebs argues that two different images of Eastern Europe's ultimate status competed to guide American policy during this period: Finlandization and rollback. Rollback, championed by the Joint Chiefs of Staff and the Central Intelligence Agency, was synonymous with liberation as the public understood it--detaching Eastern Europe form all aspects of Soviet control. Surprisingly, the figure most often linked to liberation--Secretary of State John Foster Dulles --came to advocated a more subtle and measure policy that neither accepted the status quo nor pursued rollback. This American vision for the region held up the model of Finland, imagining a tier of states that would enjoy domestic autonomy and perhaps even democracy but whose foreign policy would toe the Soviet line. Krebs analyzes the conflicting logics and webs of assumptions underlying these dueling visions, and closely examines the struggles over these alternatives within the administration. Case studies of the American response to Stalin's death and to the Soviet--Yugoslav rapprochement reveal the eventual triumph of Finlandization both as vision and as policy. Finally, Krebs suggests the study's implications for international relations theory and contemporary foreign affairs.