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A Generic History of Travel Writing in Anglophone and Polish Literature offers a comprehensive, comparative and generic analysis of developments of travel writing in Anglophone and Polish literature from the Late Medieval Period to the twenty-first century. These developments are depicted in a wider context of travel narratives written in other European languages.
Escaping Kakania is about fascinating characters—soldiers, doctors, scientists, writers, painters—who traveled from their eastern European homelands to colonial Southeast Asia. Their stories are told by experts on different countries in the two regions, who bring diverse approaches into a conversation that crosses disciplinary and national borders. The 14 chapters deal with the diverse encounters of eastern Europeans with the many faces of colonial southeast Asia. Some essays directly engage with post-colonial studies, contributing to an ongoing critical re-evaluation of eastern European “semi-peripheral” (non-)involvement in colonialism. Other chapters disclose a range of perspectives and narratives that illuminate the plurality of the travelers’ positions while reflecting on the specificity of the eastern European experience. The travellers moved—as do the chapter authors—between two regions that are off-centre, in-between, shiftingly “Eastern,” and disorientingly heterogeneous, thus complicating colonial and postcolonial notions of “Europe,” “East,” and East-West distinctions. Both at home and overseas, they navigated among a multiplicity of peoples, “races,” and empires, Occidents and Orients, fantasies of the Self and the Other, adopting/adapting/mimicking/rejecting colonialist identities and ideologies. They saw both eastern Europe and southeast Asia in a distinctive light, as if through each other—and so will the readers of Escaping Kakania.
Exploring how Polish writers positioned themselves as neither colonized nor colonizers, In-Between Empire analyses their literary works on empire during the 19th and 20th centuries to explore how they negotiated their in-between position in the global imperial hierarchy. Leveraging this vantage point, they claimed the unique ability to represent the South to the West, constructing a Polish national identity in conversation with both imperial and anti-imperial currents, and influencing international discourse on colonialism and its legacy. Written at the nexus of historical and literary studies of imperial and colonial discourse, Patton centres Poland and Eastern Europe in debates that have frequently excluded these perspectives. Showing how these Polish writers attempted to portray anticolonial solidarity with non-European victims of colonialism, yet also employed European colonial tropes, each writer demonstrated a distinctive ability to identify the tensions and flaws of imperialism, whilst simultaneously reconciling those tensions to themselves as 'exceptional Europeans', innocent of colonialism, by alternating between metropolitan and peripheral perspectives. In doing so, they informed transnational discourses and policies on colonialism, decolonization, the Cold War and beyond.
Memory and Identity in the Learned World offers a detailed and varied account of community formation in the early modern world of learning and science. The book traces how collective identity, institutional memory and modes of remembrance helped to shape learned and scientific communities. The case studies in this book analyse how learned communities and individuals presented and represented themselves, for example in letters, biographies, histories, journals, opera omnia, monuments, academic travels and memorials. By bringing together the perspectives of historians of literature, scholarship, universities, science, and art, this volume studies knowledge communities by looking at the centrality of collective identity and memory in their formations and reformations. Contributors: Lieke van Deinsen, Karl Enenkel, Constance Hardesty, Paul Hulsenboom, Dirk van Miert, Alan Moss, Richard Kirwan, Koen Scholten, Floris Solleveld, and Esther M. Villegas de la Torre.
This book reflects, comments on and adds to a fast growing field of travel writing studies. The twenty-five papers in this volume rely on a variety of theoretical and methodological approaches and explore a diverse body of travel writing texts created over the last three hundred years in English, Polish, Hungarian and French. The book is divided into three parts. The first one includes papers which apply the findings of post-structuralism, generic and cultural criticism as well as narratology to explore theories, canons and genres in travel writing drawing material not only from non-fictional and fictional prose narratives but also from poetry and tragedy. The second and third parts contain papers on a wide selection of travel writing texts, both fictional and non-fictional, written in Anglophone, as well as other literary traditions. They are arranged chronologically: the second part is devoted to texts written in the eighteenth and nineteenth centuries, while the third part focuses on those written in the twentieth and twenty first centuries.
The manner in which south-east Europe is viewed by western cultures has been an increasingly important area of study over the last twenty years. During the 1990s, the wars in the former Yugoslavia reactivated denigratory images of the region that many commentators perceived as a new, virulent strain of intra-European prejudice. British Literature and the Balkans is a wide-ranging and original analysis of balkanist discourse in British fiction and travel writing. Through a study of over 300 texts, the volume explores the discourse's emergence in the imperial nineteenth century and its extensive transformations during the twentieth and twenty-first centuries. There will be a particular focus on the ways in which the most significant currents in western thought – Romanticism, empiricism, imperialism, nationalism, communism – have helped to shape the British concept of the Balkans.The volume will be of interest to those working in the area of European cross-cultural representation in the disciplines of Literary Studies, Cultural Studies, European Studies, Anthropology and History.
This collection focuses attention on theoretical approaches to travel writing, with the aim to advance the discourse. Internationally renowned, as well as emerging, scholars establish a critical milieu for travel writing studies, as well as offer a set of exemplars in the application of theory to travel writing.
Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.
Keywords for Travel Writing Studies draws on the notion of the ‘keyword’ as initially elaborated by Raymond Williams in his seminal 1976 text Keywords: A Vocabulary of Culture and Society to present 100 concepts central to the study of travel writing as a literary form. Each entry in the volume is around 1,000 words, the style more essayistic than encyclopaedic, with contributors reflecting on their chosen keyword from a variety of disciplinary perspectives. The emphasis on travelogues and other cultural representations of mobility drawn from a range of national and linguistic traditions ensures that the volume has a comparative dimension; the aim is to give an overview of each term in its historical and theoretical complexity, providing readers with a clear sense of how the selected words are essential to a critical understanding of travel writing. Each entry is complemented by an annotated bibliography of five essential items suggesting further reading.
Translation is everywhere, and matters to everybody. Translation doesn't only give us foreign news, dubbed films and instructions for using the microwave: without it, there would be no world religions, and our literatures, our cultures, and our languages would be unrecognisable. In this Very Short Introduction, Matthew Reynolds gives an authoritative and thought-provoking account of the field, from ancient Akkadian to World English, from St Jerome to Google Translate. He shows how translation determines meaning, how it matters in commerce, empire, conflict and resistance, and why it is fundamental to literature and the arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.