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Excerpt from A General History of the Science and Practice of Music, Vol. 1 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A General History of the Science and Practice of Music, Vol. 1 of 5 The natural media feem to confifi only in colour and figure, and refer ro1e to painting: the artificial are words, which are fymbols by compaa of ideas, as are alfo, in a limited fenfe, mufical fcunds, including in the term the accident of time or duration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A General History of the Science and Practice of Music: Supplementary Volume of Portraits About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This classic work by John Hawkins provides a thorough overview of the history of music and its practice, from the ancient Greeks to the 18th century. Featuring detailed analyses of important musical works and insightful commentary on the evolution of musical theory, this book is a must-read for music lovers and historians alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from General History of the Science and Practice of Music, Vol. 4 France, on the death of the king her hutband; and with thefe, as Buchanan relates, Ricci ingratiated himfelf by (inging and playing among them, till he was taken notice of by the queen, foon after which he was retained in her fervice as a finger. From this fiation, by'means of flattery and the moft abjeét arts of infinuation. He tofe to the higheft degree of favour and confidence; and being appointed her fecretary for French affairs, bec'ame abforbed in the intrigues of the court, in the management whereof he behaved with foch arro gance and contempt, even of his fuperiors, as rendered him odious to all about him The reft of his hifiory is well known he grew rich, and his infolence drawing on him the hatred of the Scottith no bility, he was on the ninth day of March, in the year 1566, drag ged from the prefence of the queen into an outer chamber of the pa lace, and there (lain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.