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This is a print of the 1927 reissued 4th edition of A General History of the Pirates- enhanced by the Arthur L. Hayward's editorial touches.
The classic account of the lives & exploits of the most notorious pirates of the Golden Age—from Anne Bonny to Blackbeard
A General History of the Pirates has long been a classic of seafaring literature and was inspiration to both Robert Louis Stevenson and J.M. Barrie. Nothing is known about Captain Charles Johnson, and it is thought that the name may be assumed - there are even some who believe he may have been Daniel Defoe. All that can be stated with any certainty is that in 1724 a small octavo volume appeared that became so popular it grew through 4 editions over 2 years and is still famed today. Historians from both sides of the Atlantic have attested to the accuracy of the work's content. This is a reprint of the 1927 reissued 4th edition - enhanced by the Arthur L. Hayward's editorial touches.
A fascinating historical survey of the world’s most infamous outlaws. For as long as human societies have existed there have always been people who have transgressed the laws of their respective societies. It seems that whenever new laws are made, certain people find ways to break them. This book will introduce you to some of the most notorious figures, from all parts of the world, who have committed heinous crimes such as highway robbery, murder, and forgery. Beginning with Bulla Felix, the Roman highwayman, this book traces the careers of medieval outlaws such as Robin Hood and Adam Bell. Early modern murderers also make an appearance, such as Sawney Beane, whose story inspired the cult horror movie The Hills Have Eyes. Learn also about the crimes and daring escapes of Jack Sheppard, an eighteenth-century criminal who escaped from prison on several occasions, and find out if the “gentlemanly” highwayman Dick Turpin was truly a gentleman. This book also includes an appendix of seventeenth- and eighteenth-century thieves’ cant, as well as several historical poems, songs, and ballads relating to the subjects discussed, and the work is prefaced with an essay highlighting the significance of crime literature throughout history.
Romantic Border Crossings participates in the important movement towards 'otherness' in Romanticism, by uncovering the intellectual and disciplinary anxieties that surround comparative studies of British, American, and European literature and culture. As this diverse group of essays demonstrates, we can now speak of a global Romanticism that encompasses emerging critical categories such as Romantic pedagogy, transatlantic studies, and transnationalism, with the result that 'new' works by writers marginalized by class, gender, race, or geography are invited into the canon at the same time that fresh readings of traditional texts emerge. Exemplifying these developments, the authors and topics examined include Elizabeth Inchbald, Lord Byron, Gérard de Nerval, English Jacobinism, Goethe, the Gothic, Orientalism, Emily Dickinson, Walt Whitman, Anglo-American conflicts, manifest destiny, and teaching romanticism. The collection constitutes a powerful rethinking of the divisions that continue to haunt Romantic studies.
First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.
Turned to Account is a study that focuses on the popular genre of criminal biography, examining how it played upon and reflected English society's fears and interest in aberrant behaviour. Faller examines ways in which ordinary Englishmen read, wrote and presumably thought on the subject of criminal actions and character.