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This book describes the life and achievements of the eighteenth-century Scottish physician William Hunter and outlines the history of the Museum named after him. William Hunter built up a wide-ranging private collection at his home in London, encompassing not only anatomical and pathological specimens related to his medical work, but also books and manuscripts, coins and medals, natural history specimens and artworks. On his death in 1783 he bequeathed the collection to the University of Glasgow where he had long ago been a student, and money to construct a Museum which opened in 1807. The book utilises a wide range of source material, much of it previously unpublished, to tell the story of the Museum's development, the many subsequent additions to its holdings and, more recently, the construction of a new Hunterian Art Gallery which houses not only Hunter's own collection but also numerous works be James McNeill Whistler and Charles Rennie Mackintosh. The Museum is celebrating its bicentenary in 2007.There is a foreward contributed by Sir Kenneth Calman, Chancellor of the University of Glasgow, and formerly Government Chief Medical Officer and Vice-Chancellor of the University of Durham
Despite William Hunter's stature as one of the most important collectors and men of science of the eighteenth century, and the fact that his collection is the foundation of Scotland's oldest public museum, The Hunterian, until now there has been no comprehensive examination in a single volume of all his collections in their diversity. This volume restores Hunter to a rightful position of prominence among the medical men whose research and amassing of specimens transformed our understanding of the natural world and man's position within it. This volume comprises essays by international specialists and are as diverse as Hunter's collections themselves, dealing as they do with material that ranges from medical and scientific specimens, to painting, prints, books and manuscripts. The first sections focus upon Hunter's own collection and his response to it, while the final section contextualises Hunter within the wider sphere. A special feature of the volume is the inclusion of references to the Hunterian's web pages and on-line databases. These enable searches for items from Hunter's collections, both from his museum and library. Locating Hunter's collecting within the broader context of his age and environment, this book provides an original approach to a man and collection whose importance has yet to be comprehensively assessed.
Traces the establishment of the Royal College of Physicians and Surgeons of Glasgow as a licensing body to its eminence as a centre of teaching in the 18th century. The text then covers the subsequent decline of the college in the 19th century with an account of how, in conjunction with Glasgow University, it re-established itself as the guarantor of high medical standards of learning and practice.
Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo -- a tale replete with the extravagant, the eccentric, and -- on occasion -- the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra -- which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.
Essays on the career of William Hunter, physician, obstetrician, medical educator and man of culture.