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SHORTLISTED FOR THE PORTICO PRIZE SHORTLISTED FOR THE DIVERSE BOOK AWARDS LONGLISTED FOR THE AUTHORS’ CLUB BEST FIRST NOVEL AWARD SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD WINNER OF CALIBRE AUDIO’S ‘HIDDEN GEM’ AWARD ________
Death and resurrection, 1392-1450 -- Search for a ritual heir, 1450-1589 -- The court and society, 1589-1724 -- Renewed attention to Koryŏ legacies, 1724-1864 -- Modernity, kinship, and individuals, 1864-1910
As an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work would serve as the basis for her novels and other writings in which she shaped a vision of African American Southern rural folk culture articulated through an antiracist concept of culture championed by Boas: culture as plural, relative, and long-lived. Meanwhile, a very different antiracist model of culture learned from Robert Park's sociology allowed Richard Wright to imagine African American culture in terms of severed traditions, marginal consciousness, and generation gaps. In A Genealogy of Literary Multiculturalism, Christopher Douglas uncovers the largely unacknowledged role played by ideas from sociology and anthropology in nourishing the politics and forms of minority writers from diverse backgrounds. Douglas divides the history of multicultural writing in the United States into three periods. The first, which spans the 1920s and 1930s, features minority writers such as Hurston and D'Arcy McNickle, who were indebted to the work of Boas and his attempts to detach culture from race. The second period, from 1940 to the mid-1960s, was a time of assimilation and integration, as seen in the work of authors such as Richard Wright, Jade Snow Wong, John Okada, and Ralph Ellison, who were influenced by currents in sociological thought. The third period focuses on the writers we associate with contemporary literary multiculturalism, including Toni Morrison, N. Scott Momaday, Frank Chin, Ishmael Reed, and Gloria Anzaldúa. Douglas shows that these more recent writers advocated a literary nationalism that was based on a modified Boasian anthropology and that laid the pluralist grounds for our current conception of literary multiculturalism. Ultimately, Douglas's "unified field theory" of multicultural literature brings together divergent African American, Asian American, Mexican American, and Native American literary traditions into one story: of how we moved from thinking about groups as races to thinking about groups as cultures—and then back again.
Examining the mimetic theory of René Girard, this book investigates the development of society as a result of an original crime (a murder) that shaped the way the earliest humans organized the social structures we live with today - an analysis that reveals the dangerous structure of the most basic social relationships. With attention to family relationships, A Genealogy of Social Violence sheds light on the processes by which the traditional nuclear family, through the mimetic behaviour of children, embeds violence into human desires and hence society as whole. Challenging the thought of Girard and of Rawls in order to offer a new understanding of justice, this book suggests that in order to achieve a more peaceful society, what is required is not the self-defeating narrative of equality, developed in order to manage the violence engendered by our social institutions, but a reconceptualisation of the nuclear family structure. A striking critique of modern society, which draws on religion, mythology, literature, history, philosophy and political theory, A Genealogy of Social Violence will be of interest to social and political theorists, as well as philosophers working in the area of contemporary social and European thought.
In 1975, M.R. Kurkrit Pramoj met Mao Zedong, marking the eventual establishment of diplomatic relations and a discursive rupture with the previous narrative of Communist powers as an existential threat. This book critically interrogates the birth of bamboo (bending with the wind) diplomacy and the politics of Thai détente with Russia and China in the long 1970s (1968–80). By 1968, Thailand was encountering discursive anxiety amid the prospect of American retrenchment from the Indo-Pacific region. As such, Thailand developed a new discourse of détente to make sense of the rapidly changing world politics and replace the hegemonic discourse of anticommunism. By doing so, it created a political struggle between the old and new discourses. Jittipat Poonkham also argues that bamboo diplomacy – previously seen as a classic and continual ‘tradition’ of Thai-style diplomacy – had its origins in Thai détente and has become the metanarrative of Thai diplomacy since then. Based on a genealogical approach and multi‑archival research, this book examines three key episodes of Thai détente: Thanat Khoman (1968–71), M.R. Kukrit Pramoj (1975–76), and General Kriangsak Chomanan (1977–80). This transformation was represented in numerous diplomatic/discursive practices, such as ping‑pong diplomacy, petro‑diplomacy, trade and cultural diplomacy, and normal visits.
A Genealogy of the Gentleman argues that eighteenth-century women writers made key interventions in modern ideals of masculinity and authorship through their narrative constructions of the gentleman. It challenges two latent critical assumptions: first, that the gentleman’s masculinity is normative, private, and therefore oppositional to concepts of performance; and second, that women writers, from their disadvantaged position within a patriarchal society, had no real means of influencing dominant structures of masculinity. By placing writers such as Mary Davys, Eliza Haywood, Charlotte Lennox, Elizabeth Inchbald, and Mary Robinson in dialogue with canonical representatives of the gentleman author—Joseph Addison and Richard Steele, David Hume, Samuel Johnson, and Samuel Richardson—Mary Beth Harris shows how these women carved out a space for their literary authority not by overtly opposing their male critics and society’s patriarchal structure, but by rewriting the persona of the gentleman as a figure whose very desirability and appeal were dependent on women’s influence. Ultimately, this project considers the import of these women writers’ legacy, both progressive and conservative, on hegemonic standards of masculinity that persist to this day.
"Edmund Greenleaf ... was born in the parish of Brixham, and county of Devonshire, near Torbay, in England, about the year 1600. He married Sarah Dole, and had several children born in England. In the year 1635 he came to America with his family, and settled in Newbury, Mass. He lived near "Old Town Bridge ... About the year 1650 he removed to Boston where he buried his wife, and afterwards married a Widow Hill. In the early part of 1671, Mr. Greenleaf died. His will ... was proved February 12, 1671, and is recorded in the Probate Records of Boston ... "--P. [47]. Descendants lived in Connecticut, New York, New Hampshire, Vermont, Massachusetts, Illinois, Indiana, Ohio, Pennsylvania, Michigan, Maine, Mississippi, Iowa, Wisconsin, Minnesota and elsewhere.
Through interviews with developers, gamers, and journalists examining the phenomena of bedroom coding, arcade gaming, and format wars, mapped onto enquiry into the seminal genres of the time including driving, shooting, and maze chase, Playback: A Genealogy of 1980s British Videogames examines how 1980s Britain has become the culture of work in the 21st century and considers its meaning to contemporary society. This crucial and timely work fills a lacuna for students and researchers of sociology, media, and games studies and will be of interest to employees of the videogames and media industries. Research into videogames have never been greater, but exploration of their historic drivers is as elided as the technology is influential, giving rise to a range of questions. What were the social and economic conditions that gave rise to a billion dollar industry? What were the motivations of the early 'bedroom coders'? What are the legacies of the seminal videogames of the 1980s and how do they inform the current social, political and cultural landscape? With a focus on the characteristics of the UK videogame industry in the 1980s, Wade explores these questions from perspectives of consumption, production and leisure, outlining the construction of a habitus unique to this time.