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A history of the Mormon project to collect genealogical information on people across the world form 1894-1994, co-authored by a former assistant historian of the Church of Latter Day Saints. The project was started by the Mormons as a fulfillment of the biblical prophecy of Malachi that the hearts of the children would be turned to the fathers and the prophet Elijah would return. Paper edition (unseen), $12.95. Annotation c. by Book News, Inc., Portland, Or.
Researching family history is the second most popular topic on the Internet (after sex). In Online Roots, Pamela Boyer Porter, a Certified Genealogical Records Specialist, explains how to search effectively on the Internet, how to assess the value of what you find, and the best way to make full use of the resources of the Internet to trace your family's history and heritage. Topics covered include: Judging your sources Checking modern lists and resources Finding clues to primary sources Researching military records When an ancestor has a criminal record Locating photographs on the web Researching on the Internet can be fun and challenging. Online Roots makes your search more effective and creative.
A recent Maritz Poll reported that 60% of Americans are interested in their family history. And with good reason. Through genealogy, you can go back into history to meet people who have had more influence on your life than any others -- your ancestors. And the better you get to know your ancestors, the better you will get to know yourself: the who's and what's and why's of you. Barbara Renick, a nationally-known lecturer on genealogy, tells the uninitiated researcher the steps needed to find out who their ancestors really were, and brings together for even the more experienced genealogical researchers the important principles and practices. She covers such topics as the importance of staying organized and how to go about it; where and how to look for information in libraries, historical societies, and on the internet; recognizing that just because something is in print doesn't mean it's right; and how to prepare to visit the home where your ancestors lived. Genealogy 101 is the first book to read when you want to discover who your ancestors were, where they lived, and what they did.
Everyone tracing a family's history faces a dilemma. We strive to reconstruct relationships and lives of people we cannot see, but if we cannot see them, how do we know we have portrayed them accurately? The genealogical proof standard aims to help researchers, students, and new family historians address this dilemma and apply respected standards for acceptable conclusions.
This guide is designed for use with one those 19th-century Polish-language civil-registration documents that follow the Napoleonic format. The adoption of this uniform manner of document organization explains why the material in this guide is generally applicable to both Jewish and non-Jewish civil-registration documents.
Reprint, with additional material, of the 1950 ed. published in 7 v. by the Waynesburg Republican, Waynesburg, Pa., and in this format in Knightstown, Ind., by Bookmark in 1977.
Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality. In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.