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Struck by the beauty of every visible object in a Shaker kitchen they chanced to visit in 1923, young Edward Deming Andrews and his wife, Faith Young Andrews, embarked on a collection that became the passion of their lives. During the following decades, at a time when the art and artifacts of the Shakers were considered "low" art and unworthy of collecting or exhibiting, the Andrewses energetically collected objects, studied sources, and eventually mounted exhibits and published books on Shaker culture. This beautiful book is the first to document their unparalleled collection, presenting some 600 photographs, most never before published. In addition, the book brings to light the extraordinary story of the Andrewses' collecting and scholarship, their relationships with members of the United Society of Believers (commonly called Shakers) and with important New York City art-world figures of the 1930s, as well as their contributions toward the birth of the field of Shaker Studies. More than passionate collectors, Edward and Faith Andrews were intent on saving a distinct culture, and their accomplishment was to preserve for future generations the most comprehensive body of knowledge ever assembled about the Shakers. Exhibition Schedule: Hancock Shaker Village, Pittsfield, MA (May, 2008 - October, 2008) Fresno Metropolitan Museum, Fresno, CA (October, 2009 - December, 2009) Frist Museum, Nashville, TN (May, 2011 - August, 2011)
Heidi Neumark’s life changed when a few computer keystrokes exposed generations of family secrets, raising questions she could not answer: How did she never know of her grandfather’s murder? Or that her grandmother was a death-camp survivor? Why had the family history and faith been hidden? What did this mean for her work as a pastor, community organizer, and advocate with marginalized and oppressed communities? Seeking answers to these questions, Heidi traveled across the ocean and into the depths of her soul to encounter a family and spiritual heritage she never knew she had. For any who have had secrets, closeted identities, and silence shape their lives, Heidi’s journey is more than a spellbinding memoir. It’s also a courageous call to discover what can happen when all that has been hidden is finally brought to life.
In 2008, the Canadian government established a Truth and Reconciliation Commission (TRC) to review the history of the residential school system, a brutal colonial project that killed and injured many Indigenous children and left a legacy of trauma and pain. In Fragments of Truth Naomi Angel analyzes the visual culture of reconciliation and memory in relation to this complex and painful history. In her analyses of archival photographs from the residential school system, representations of the schools in popular media and literature, and testimonies from TRC proceedings, Angel traces how the TRC served as a mechanism through which memory, trauma, and visuality became apparent. She shows how many Indigenous communities were able to use the TRC process as a way to claim agency over their memories of the schools. Bringing to light the ongoing costs of transforming settler states into modern nations, Angel demonstrates how the TRC offers a unique optic through which to survey the long history of colonial oppression of Canada’s Indigenous populations.
David Tracy is widely considered one of the most important religious thinkers in North America, known for his pluralistic vision and disciplinary breadth. His first book in more than twenty years reflects Tracy’s range and erudition, collecting essays from the 1980s to 2018 into a two-volume work that will be greeted with joy by his admirers and praise from new readers. In the first volume, Fragments, Tracy gathers his most important essays on broad theological questions, beginning with the problem of suffering across Greek tragedy, Christianity, and Buddhism. The volume goes on to address the Infinite, and the many attempts to categorize and name it by Plato, Aristotle, Rilke, Heidegger, and others. In the remaining essays, he reflects on questions of the invisible, contemplation, hermeneutics, and public theology. Throughout, Tracy evokes the potential of fragments (understood both as concepts and events) to shatter closed systems and open us to difference and Infinity. Covering science, literature, philosophy, psychoanalysis, and non-Western religious traditions, Tracy provides in Fragments a guide for any open reader to rethink our fragmenting contemporary culture.
Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.
An impossible decision in the chaos of D-Day. Ripples that cascade seventy-five years into the present. And two lives transformed by the tenuous resolve to reach out of the darkness toward fragments of light. Cancer stole everything from Ceelie—her peace of mind, her selfimage, perhaps even her twenty-three-year marriage to her college sweetheart, Nate. Without the support of Darlene, her quirky elderly friend, she may not have been able to endure so much loss. So when Darlene’s own prognosis turns dire, Ceelie can’t refuse her seemingly impossible request—to find a WWII paratrooper named Cal, the father who disappeared when Darlene was an infant, leaving a lifetime of desolation in his wake. The search that begins in the farmlands of Missouri eventually leads Ceelie to a small town in Normandy, where she uncovers the harrowing tale of the hero who dropped off-target into occupied France. Alternating between Cal’s D-Day rescue by two French sisters and Ceelie’s present-day journey through trial and heartbreak, Fragments of Light explores a timeless question: When life becomes unbearable, will you surrender to the darkness or dare to press toward a lingering light? Praise for Fragments of Light “Michèle Phoenix skillfully explores the strength and resiliency of the human spirit but also its heartbreaking limits. Brimming with expertly researched wartime details, Fragments of Light abounds with poignancy and insight.” —Susan Meissner, bestselling author of The Last Year of the War “As a D-Day Airborne participant, I recommend this novel with enthusiasm. Everyone should read it.” —Staff Sergeant Thomas Rice, WWII Veteran, 101st Airborne “Michele Phoenix’s Fragments of Light is a luminous portrait of men and women grappling with the past in a brave attempt to forge a different kind of future . . . A story as beautiful as it is heartbreaking. In short, I loved this book!” —Lauren Denton, USA TODAY bestselling author of The Hideaway “Deeply personal and beautifully humane, Phoenix once again asserts her power as one of the most moving and lyrical voices in inspirational fiction.” —Rachel McMillan, author of The London Restoration “Written with depth and understanding, this story offers readers a wonderful journey spanning from war-torn World War II France to a battle for love in our time.” —Katherine Reay, bestselling author of Dear Mr. Knightley “As the title suggests, there are no easy illuminations on the path of healing. Cancer attacks more than the body. War destroys more than flesh and bone. Not all heroes welcome the attention, and not all husbands are up to the challenge. Women find the most unlikely sources of strength, and the best families defy definition.” —Allison Pittman, bestselling author of The Seamstress “It’s not often a story moves me as Fragments of Light has. With a rare and honest voice, Michèle Phoenix weaves a story of heroes from yesteryear and also those from your neighborhood—each with hearts of valor—as they endure the fight of their lives.” —Elizabeth Byler Younts, Carol Award–winning author The Solace of Water
This new collection focuses on the impact of sprawl on biodiversity and the measures that can be taken to alleviate it. Leading biological and social scientists, conservationists, and land-use professionals examine how sprawl affects species and alters natural communities, ecosystems, and natural processes. The contributors integrate biodiversity issues, concerns, and needs into the growing number of anti-sprawl initiatives, including the "smart growth" and "new urbanist" movements.
“Through the pages of this book, I invite you into various spaces of sanctuary—not as places of retreat, but for the deepened resistance, vision, and transformation that these days, and the gospel, require.” Throughout her nearly forty years in ministry, Heidi Neumark has strived to make communities of faith into sanctuaries amid the turmoils of life. Now, with the social and political upheaval of the years since Donald Trump was elected president, Neumark believes the true Christian calling is to live out a counterpoint to today’s prevailing spirits of exclusion and hatred. Using her own bilingual, multicultural congregation as a model, she moves through the seasons of the church calendar to reflect on what it looks like to live out essential Christian convictions in community with others. Sanctuary is an amplifier for the many voices crying out against policies and rhetoric that are cruel, dehumanizing, and dangerous. Neumark begins each chapter with a quote from Donald Trump that she defies and dismantles with the power of her own stories—anecdotes about offering shelter for queer youth in her city, supporting immigrants and asylum-seekers being harassed by ICE, and embracing her church’s diversity with a Guadalupe celebration, to name a few. Timely, but also timeless, this book speaks to the deep wounds of this era, inflicted before and during the Trump presidency, which will remain long past its end.
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.