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For five thousand years, artisans have worked in glass to create forms that serve and delight. But only recently have artists turned their hands and minds to this traditionally utilitarian and decorative material. Clearly Inspired: Contemporary Glass and Its Origins contrasts the work of contemporary glass artists with examples of earlier glass that have inspired them to rediscover or reinvent forgotten techniques. Transforming an ancient craft into a contemporary art, they honor the past while making visual statements that are very much of our time.
Celebrates the vast collection of contemporary glass sculpture and stunning panels in this renowned Museum's collection.
The Heineman Collection at the The Corning Museum of Glass in Corning, New York, is one of the largest collections of studio glass sculptures and vessels in the United States. Given to The Corning in 2006, this is the first publication documenting this vast new addition to the Museum's collections. The Collection reflects historical developments in the field of contemporary studio glass, and it explores the broad themes of abstraction and material. SELLING POINTS: *Reflecting a deep respect for, and commitment to, artists and their work, the Heineman Collection demonstrates the versatility of one material -- glass -- in exploring and expressing a wide range of ideas in art * The collection includes 240 objects, dating from 1969 to 2005, by 87 artists from the United States, Europe, Australia, and Japan 529 colour & 116b/w illustrations
South Florida is home to some of the world's premier private collections of studio glass, collections whose abundance, diversity, and quality are celebrated in Fire and Form. This volume features more than 100 works by 31 of the best-known American and European glass artists of our time, including Jaroslava Brychtova, Dale Chihuly, Dan Dailey, Stanislav Libensky, William Morris, Tom Patti, Lino Tagliapietra, and many others. William Warmus identifies four prominent themes in the relatively recent development of studio glass (since 1960) that provide a framework for exploring the rich variety of works presented in this book. The first theme is what Warmus has called the particular affinity between nature and the making of glass: Where nature creates a heart, the glass artist creates a heart-felt vessel. The second is the ability of glass, equally to that of painting and sculpture, to convey the power of abstraction and color. A third theme is the prevalent use of glass - sometimes called the new bronze - to depict the human figure and animal forms. The final section deals with the theatrical nature of installations and environmental sculptures, demonstrating the surprising capability of glass to impose itself physically and emotionally on the space we inhabit, altering our very perception of it. ancient Egypt, and places contemporary glass within the context of contemporary art and theory at large. In addition, the book includes selected artists' bibliographies and a chronological bibliography of contemporary glass that lists key historical events, general trends and developments, and important publications. Fire and Form offers a unique perspective on this vital and intoxicating medium, and its publication is a welcome event for all lovers of glass - those who make it, those who collect it, and those who admire it.
The Glass Artist's Studio Handbook offers readers a comprehensive and accessible guide to not only the nuts and bolts of this perennially popular craft but insight into the artisan crafter's lifestyle.
"Contemporary Glass profiles an inspiring collection of over 60 such international glassmakers working today, including works by Beth Lipman, Dale Chihuly, Ione Thorkelsson, Mike Kelley, Kiki Smith, Minako Shirakura, Olafur Eliasson, Tanya Pak, Tobias Rehberger and many more." "This volume also features essays by Andrew Page, editor of Glass Quarterly, Michael Petty, artist and Director of MOCA, London, and Heike Brachlow, MPhil research student at the Royal College of Art, which invariably focus on the history of the studio glass revolution, the deployment of colour, light and transparency in glass and the increasingly complex relationship between the 'artist' and the 'craftsman' and its subsequent implications for perceptions of the medium." "Contemporary Glass is an essential guide to an arts and craft scene that is both departing from, and building on its origins, while formulating new directions within which practitioners can work."--BOOK JACKET.
The spring exhibition at LE STANZE DEL VETRO will be dedicated to the Studio Glass, with an extraordinary diversity of contemporary American art and design in glass.00Gathering together 155 outstanding glass vessels, sculptures and installations created by 60 American and Venetian artists, this exhibition will be the first to closely examine the influences of traditional Venetian glass-working techniques, as well as the Venetian aesthetic, on American Studio Glass made from the 1960s to the present. 00?Venice and American Studio Glass? will demonstrate the powerful, enduring and versatile legacy of Venetian glassmaking in America by exploring the impact of Venice on contemporary American art in glass.00Exhibition: Le Stanze del Vetro, Isola di San Giorgio Maggiore, Venice, Italy (26.09.2020 ? 10.01.2021).