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"A Garland for Girls" is a collection of short stories by the beloved American author Louisa May Alcott. Unlike some of her more famous works like "Little Women," this book does not follow a single continuous narrative but rather presents a series of heartwarming and inspirational tales that celebrate the experiences and achievements of young girls and women. The stories in "A Garland for Girls" depict various characters and situations, highlighting the virtues of kindness, perseverance, and moral growth. Each story features different young female protagonists facing challenges, making choices, and learning valuable life lessons. Some of the stories in this collection include "Pansies," in which a young girl named Effie learns the importance of truthfulness, "Water Lilies," which explores the adventures of a group of friends at a boarding school, and "Little Button-Rose," a touching story about the power of love and empathy. Throughout the book, Alcott's writing style is characterized by its moral and didactic tone, reflecting her commitment to providing young readers with meaningful lessons and positive role models. "A Garland for Girls" is a delightful collection of stories that not only entertains but also imparts valuable lessons and virtues, making it a timeless work of children's literature by one of the most celebrated authors of the 19th century.
This story from Little Women author Louisa May Alcott follows a group of young girls who, seeking to expand their horizons, begin to learn more about the world around them and the plight of the downtrodden. Soon, the experiment takes on a life of its own -- with consequences no one could have predicted.
A luminous and bewitching debut novel that is perfect for fans of Angela Carter. Set in Victorian London, it follows the fortunes of Eve, the Lion-Faced Girl and Abel, the Flayed Man. A magical realism delight.
Ormond Gigli had an illustrious career as a photojournalist over the course of some 40 years and took many magnificent photographs-but one photograph has eclipsed all the others. It was a photograph he conceived for himself, without an editorial assignment. It is the incomparable "Girls in the Windows" of 1960. Girls in the Windows: And Other Stories is the first book to survey the work of Ormond Gigli and escorts the viewer behind the façade of that incredible photograph-to understand its genesis and to celebrate its remarkable achievement-in addition to creating a portal into the rest of Gigli's brilliant career. This beautifully illustrated volume showcases Gigli's celebrity and fashion photographs, and includes his innovative work in the worlds of theater, film, and dance, as well as his little-known travel photography and photojournalism. Gigli, a master of photo art direction, orchestrated his photo shoots like an accomplished film director, and his portraits are intimate and revealing as a result, his set work inventive and at times even playful. His engagement with his subjects was unparalleled, among whom are included Sophia Loren, Gina Lollobrigida, Anna Moffo, Anita Ekberg, Marcel Duchamp, Willem de Kooning, John F. Kennedy, Halston, Marlene Dietrich, Leslie Caron, Judy Garland, Liza Minnelli, Barbra Streisand, Laurence Olivier, Alan Bates, Richard Burton, Louis Armstrong, Miles Davis, and many more. Many of these images have not been widely seen since they were first published decades ago. In addition to the photographs, Gigli contributes his personal account of the making of many of the pictures, evoking long-ago encounters that resulted in such timeless images. This handsome volume highlights a significant body of work, captures a vital aspect of the great age of photojournalism, and places in context an iconic image of the postwar era at the height of its prosperity and on the verge of transformation.
A Garland For Girls1887 Being Boston girls, of course they got up a club for mental improvement, and, as they were all descendants of the Pilgrim Fathers, they called it the Mayflower Club. A very good name, and the six young girls who were members of it made a very pretty posy when they met together, once a week, to sew, and read well-chosen books. At the first meeting of the season, after being separated all summer, there was a good deal of gossip to be attended to before the question, "What shall we read?" came up for serious discussion. Anna Winslow, as president, began by proposing "Happy Dodd;" but a chorus of "I've read it!" made her turn to her list for another title. "'Prisoners of Poverty' is all about workingwomen, very true and very sad; but Mamma said it might do us good to know something of the hard times other girls
Literary and popular culture has often focused its attention on women readers, particularly since early Victorian times. In Reading Women, an esteemed group of new and established scholars provide a close study of the evolution of the woman reader by examining a wide range of nineteenth- and twentieth-century media, including Antebellum scientific treatises, Victorian paintings, and Oprah Winfrey's televised book club, as well as the writings of Charlotte Brontë, Harriet Beecher Stowe, and Zora Neale Hurston. Attending especially to what, how, and why women read, Reading Women brings together a rich array of subjects that sheds light on the defining role the woman reader has played in the formation, not only of literary history, but of British and American culture. The contributors break new ground by focusing on the impact representations of women readers have had on understandings of literacy and certain reading practices, the development of books and print culture, and the categorization of texts into high and low cultural forms.