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The memoir of Shen, age 12 at the start of the Cultural Revolution in 1966, recounts being complicit in arduous Red Guard activities that directly or indirectly led to several gruesome deaths of political "enemies"--And later falling in love with and marrying the daughter of a man brutally tortured and killed by one of his fellow Red Guards.
GANG OF ONE is the remarkable true story of one man's journey from a Glasgow orphanage to a notorious gang-infested prison in Texas. Driven by his desire to return to his son in England and haunted by the increasingly frustrating search for his missing daughter, Gary Mulgrew attempts the impossible task of surviving the prison's gang culture. Told with wit and humanity, GANG OF ONE shows a man constantly confronted by the moral and physical challenges of prison life, where everyone is encouraged to turn their back and 'see nuthin''. Gary's choice - to walk away and let a man die, or intervene and lose the chance to get home - makes GANG OF ONE a book as unforgettable as it is enthralling.
A New York Times Bestseller "A rich portrait of the urban poor, drawn not from statistics but from vivid tales of their lives and his, and how they intertwined." —The Economist "A sensitive, sympathetic, unpatronizing portrayal of lives that are ususally ignored or lumped into ill-defined stereotype." —Finanical Times Foreword by Stephen J. Dubner, coauthor of Freakonomics When first-year graduate student Sudhir Venkatesh walked into an abandoned building in one of Chicago’s most notorious housing projects, he hoped to find a few people willing to take a multiple-choice survey on urban poverty--and impress his professors with his boldness. He never imagined that as a result of this assignment he would befriend a gang leader named JT and spend the better part of a decade embedded inside the projects under JT’s protection. From a privileged position of unprecedented access, Venkatesh observed JT and the rest of his gang as they operated their crack-selling business, made peace with their neighbors, evaded the law, and rose up or fell within the ranks of the gang’s complex hierarchical structure. Examining the morally ambiguous, highly intricate, and often corrupt struggle to survive in an urban war zone, Gang Leader for a Day also tells the story of the complicated friendship that develops between Venkatesh and JT--two young and ambitious men a universe apart. Sudhir Venkatesh’s latest book Floating City: A Rogue Sociologist Lost and Found in New York’s Underground Economy—a memoir of sociological investigation revealing the true face of America’s most diverse city—is also published by Penguin Press.
The classic memoir of life as a Crip, written in solitary confinement: “A shockingly raw, frightening portrait of gang life in South Central Los Angeles.” —Michiko Kakutani, The New York Times After pumping eight blasts from a sawed-off shotgun at a group of rival gang members, twelve-year-old Kody Scott was initiated into the L.A. gang the Crips. He quickly matured into one of the most formidable Crip combat soldiers, earning the name “Monster” for committing acts of brutal violence that repulsed even his fellow gang members. When the inevitable jail term confined him to a maximum-security cell, a complete political and personal transformation followed: from Monster to Sanyika Shakur, black nationalist, member of the New Afrikan Independence Movement, and crusader against the causes of gangsterism. In a work that has been compared to The Autobiography of Malcolm X and Eldridge Cleaver’s Soul on Ice, Shakur makes palpable the despair and decay of America’s inner cities and gives eloquent voice to one aspect of the black ghetto experience.
The Bay City Rollers were one of the brightest things to happen in the tumultuous 1970s, illuminating a dark decade marred by falling stock markets, a plummeting economy and industrial unrest. Alan Longmuir, an apprentice plumber from Edinburgh, was inspired by the Beatles to form a band. After enlisting his brother and throwing a dart at a map, they became the Bay City Rollers. In I Ran with the Gang , Alan recounts his incredible journey from the Dalry backstreets to the Hollywood hills and back again. Along the way, he punctures some of the myths and untruths that have swirled around the group, and unflinchingly tells of the acrimony and exploitation that led to the disintegration of the band. Most of all, though, Alan captures the great adventure of five young boys from Edinburgh who for a few heady years threatened to turn the whole world tartan.
Inside the Shelton Gang tells the true story of what happens when a father’s wall of secrets begin to crumble and a family’s lost heritage of violence erupts from the front pages of history. For daughter Ruthie it’s a discovery that will forever change her life as she learns what it meant to be a Shelton in the days of Prohibition and the decades following, to be a member of a crime family that rivaled Al Capone’s for control of Illinois.
Following hard on the explosion of British punk, in 1979 Gang of Four produced post-punk's smartest record, Entertainment! For the first time, a band wedded punk's angry energy to funk's propulsive beats-and used that music to put across lyrics that brought a heady mixture of Marxist theory and situationism to exposing the cultural politics of everyday life. But for an American college student from the suburbs-and, one expects, for many, many others, including British youth-Jon King's and Andy Gill's mumbled lyrics were often all but unintelligible. Political rock 'n' roll is always something of an oxymoron: rock audiences by and large don't tune in to be lectured to. But what can it mean that a band that made pop songs as political theory actively resisted making that theory legible? Coming to terms with the impact of Entertainment! requires us to take the mondegreen-the misunderstood lyric-seriously. The old joke has it that the title of R.E.M.'s debut album should have been not Murmur, but Mumble: true, so far as it goes. But that's the title, too, of rock 'n' roll's Greatest Hits compilation-and that strategic inarticulateness itself, which creates such an important role for the listener, has an important politics.
Refusing to cast gangs in solely criminal terms, Robert J. Durán, a former gang member turned scholar, recasts such groups as an adaptation to the racial oppression of colonization in the American Southwest. Developing a paradigm rooted in ethnographic research and almost two decades of direct experience with gangs, Durán completes the first-ever study to follow so many marginalized groups so intensely for so long, revealing their core characteristics, behavior, and activities within two unlikely American cities. Durán spent five years in Denver, Colorado, and Ogden, Utah, conducting 145 interviews with gang members, law enforcement officers, prosecutors, and other relevant individuals. From his research, he constructs a comparative outline of the emergence and criminalization of Latino youth groups, the ideals and worlds they create, and the reasons for their persistence. He also underscores the failures of violent gang suppression tactics, which have only further entrenched these groups within the barrio. Encouraging cultural activists and current and former gang members to pursue grassroots empowerment, Durán proposes new solutions to racial oppression that challenge and truly alter the conditions of gang life.
“One of the year’s most important books, a gripping meticulously reported account of the rise of one of the world’s most notorious street gangs.” —Mitch Weiss, Pulitzer Prize winner Winner of the Lukas Prize An NPR Best Book of the Year The MS-13 was born from war. In the 1980s, Alex and his brother fled El Salvador for the US and formed the Mara Salvatrucha Stoners. Initially bound by a love of heavy metal music, the group soon took on a harder edge, selling drugs, stealing cars and killing rivals. Gang members like Alex were incarcerated and deported. But in the prison system, the group only grew stronger. Today, MS-13 is one of the most infamous street gangs on earth—and also largely misunderstood. Longtime organized crime investigator Steven Dudley brings readers inside the nefarious group to tell a broader story of flawed US and Central American policies and the exploitative, unequal systems that shape them. “A remarkable feat of reporting; the ways in which the United States is complicit in the creation and preservation of MS-13 might well keep you awake deep into the night, as it did me.” —Rachel Louise Snyder, author of No Visible Bruises “By detailing the experiences of gang members and victims alike, he anatomizes the complex, fluid dynamics of this elusive transnational network. A startling book.” —Patrick Radden Keefe, New York Times–bestselling author of Rogues: True Stories of Grifters, Killers, Rebels and Crooks “The definitive account of MS-13 . . . An outstanding book for true crime readers.” —Library Journal (starred review)
An award-winning journalist’s dramatic account of a shooting that shook a community to its core, with important implications for the future On the last evening of summer in 2013, five shots rang out in a part of northeast Denver known as the Holly. Long a destination for African American families fleeing the Jim Crow South, the area had become an “invisible city” within a historically white metropolis. While shootings there weren’t uncommon, the identity of the shooter that night came as a shock. Terrance Roberts was a revered anti-gang activist. His attempts to bring peace to his community had won the accolades of both his neighbors and the state’s most important power brokers. Why had he just fired a gun? In The Holly, the award-winning Denver-based journalist Julian Rubinstein reconstructs the events that left a local gang member paralyzed and Roberts facing the possibility of life in prison. Much more than a crime story, The Holly is a multigenerational saga of race and politics that runs from the civil rights movement to Black Lives Matter. With a cast that includes billionaires, elected officials, cops, developers, and street kids, the book explores the porous boundaries between a city’s elites and its most disadvantaged citizens. It also probes the fraught relationships between police, confidential informants, activists, gang members, and ex–gang members as they struggle to put their pasts behind them. In The Holly, we see how well-intentioned efforts to curb violence and improve neighborhoods can go badly awry, and we track the interactions of law enforcement with gang members who conceive of themselves as defenders of a neighborhood. When Roberts goes on trial, the city’s fault lines are fully exposed. In a time of national reckoning over race, policing, and the uses and abuses of power, Rubinstein offers a dramatic and humane illumination of what’s at stake.