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On Friday, July 13, 1906, fourteen-year-old Addie Lyerly descended the stairs of her Barber Junction, N.C. home and found her parents and one younger sibling bludgeoned to death with the butt of an axe. Her little sister, also injured, was barely alive, and the house had been recently set on fire. It was immediately and conveniently assumed that 5 black or mulatto tenant farmers and the wife of one had committed the crimes. Without ever going to trial, two men and one boy were convicted by a mob, stirred up by a racist press, and lynched near the railroad tracks in Salisbury, North Carolina. It was less than a month after the original murders. Although the mystery of who killed the Lyerlys remained unsolved at the time the first edition of A Game Called Salisbury was printed, Bill and Rachel James' new book, The Man From the Train, has shed new light on this case, perhaps providing the evidence that will fully exonerate Nease Gillespie, John Gillespie and Jack Dillingham, the three who were lynched on August 6, 1906. In the words of Yale History Professor, Glenda E. Gilmore, A Game Called Salisbury "pushes into the white South's darkest secrets" and exposes "the limits of justice under white supremacy."
While researching her family history, Wells uncovered a story of the brutal axe murder of four of her relatives and origins of race myths that fueled the savagery of the lynching that followed. Soon after, she found a noose that had sat for a century in an ancestor's old well house. And hiding inside her own DNA, she discovered even more surprising secrets in her past.Her book is about two murder mysteries, two lynchings, and North Carolina's vicious 1898 political campaign'a campaign so charged with racial rhetoric, its fallout still contaminates race relations in the South today.
In Troubled Ground, Claude A. Clegg III revisits a violent episode in his hometown's history that made national headlines in the early twentieth century but disappeared from public consciousness over the decades. Moving swiftly between memory and history, between the personal and the political, Clegg offers insights into southern history, mob violence, and the formation of American race ideology while coming to terms on a personal level with the violence of the past. Three black men were killed in front of a crowd of thousands in Salisbury, North Carolina, in 1906, following the ax murder of a local white family for whom the men had worked. One of the lynchers was prosecuted for his role in the execution, the first conviction of its kind in North Carolina and one of the earliest in the country. Yet Clegg, an academic historian who grew up in Salisbury, had never heard of the case until 2002 and could not find anyone else familiar with the case. In this book, Clegg mines newspaper accounts and government records and links the victims of the 1906 case to a double-lynching in 1902, suggesting a complex history of lynching in the area while revealing the determination of the city to rid its history of a shameful and shocking chapter. The result is a multi-layered, deeply personal exploration of lynching and lynching prosecutions in the United States.
"From legendary writer Bill James, in collaboration with his daughter, Rachel, a compelling, dramatic, and meticulously researched narrative about a century-old series of unsolved axe murders across America, and how the authors came to solve them"--Jacket.
DIVDIVA frightening confession leads a priest to hunt down a murderer in Grand Master of crime fiction Dorothy Salisbury Davis’s bestselling novel, which critic Anthony Boucher called “one of the best detective stories of modern times”/div On a hot Saturday night in Manhattan, Father Duffy sits in a confessional, growing alarmed as he listens to the voice of a distraught young man who speaks of bloody hair and a dead woman and a compulsion to do things with a hammer that he does not understand. Before the priest can persuade the man to confess to the police, the killer flees, still clutching the hammer.DIV The next day, Father Duffy learns that a high-class call girl on the East Side has been savagely murdered, and no suspect has been found. As he searches for the disturbed young man who he fears will kill again, cerebral New York Police detective Sergeant Ben Goldsmith takes the lead in the investigation of the call-girl murder, racing against the clock to catch a very clever killer who, when enraged, cannot control his need to swing a hammer./divDIV/div/div
Calvin and his friends have the opportunity to earn some money by appearing as extras in a zombie movie being filmed on a nearby beach. Illustrations.
Glenda Gilmore recovers the rich nuances of southern political history by placing black women at its center. She explores the pivotal and interconnected roles played by gender and race in North Carolina politics from the period immediately preceding the disfranchisement of black men in 1900 to the time black and white women gained the vote in 1920. Gender and Jim Crow argues that the ideology of white supremacy embodied in the Jim Crow laws of the turn of the century profoundly reordered society and that within this environment, black women crafted an enduring tradition of political activism. According to Gilmore, a generation of educated African American women emerged in the 1890s to become, in effect, diplomats to the white community after the disfranchisement of their husbands, brothers, and fathers. Using the lives of African American women to tell the larger story, Gilmore chronicles black women's political strategies, their feminism, and their efforts to forge political ties with white women. Her analysis highlights the active role played by women of both races in the political process and in the emergence of southern progressivism. In addition, Gilmore illuminates the manipulation of concepts of gender by white supremacists and shows how this rhetoric changed once women, black and white, gained the vote.
“A gripping saga of wartime survival.” —Kirkus Reviews, Starred Based on a true story, this World War II novel by Scott O’Dell Award winner Graham Salisbury tells how Zenji, 17, is sent from Hawaii to the Philippines to spy on the Japanese. Zenji Watanabe was born in Hawaii. He’s an American, but the Japanese wouldn’t know it by the look of him. And that’s exactly what the US government is counting on. Because he speaks both English and Japanese perfectly, the army recruits Zenji for a top-secret mission to spy on the Japanese. If they discover his true identity, he’ll be treated as a traitor and executed on the spot. As World War II boils over in the Pacific, Zenji is caught behind enemy lines. But even though his Japanese heritage is his death warrant, it’s also his key to outwitting the enemy and finding the strength to face the terrors of battle, the savagery of the jungle, and the unspeakable cruelty of war. The riveting Hunt for the Bamboo Rat is based on a true story and follows in the path of author Graham Salisbury’s other highly acclaimed Prisoners of the Empire titles, which began with the award-winning Under the Blood-Red Sun. Finalist for: Nebraska Golden Sower Award South Carolina Book Awards "Salisbury has once again crafted a fine novel, based on an actual person, about first-generation Americans of Japanese descent and the clash of culture and national identity that World War II accentuated. . . . The story will leave readers spellbound." —Kirkus Reviews, Starred "Fast-paced and compelling, this title will be enjoyed by voracious and reluctant readers." —SLJ "The history is fascinating, and Zenji is a fictional hero readers will long remember." —The Horn Book
Poet and anti-apartheid activist Dennis Brutus recorded a series of tapes in the 1970s which have been edited and annotated by Bernth Lindfors to give valuable insights into Brutus's life and works. Dennis Brutus (1924-2009) is known internationally as a South African poet, anti-apartheid activist and campaigner for human rights and the release of political prisoners. His literary works include Sirens Knuckles Boots (1963), Letters to Martha, and Other Poems from a South African Prison (1968), A Simple Lust (1973), and Stubborn Hope (1978). When Dennis Brutus was a Visiting Professor at The University of Texas at Austin in 1974-75, he recorded on tape a series of reflections on his life and career. In addition, he frequently responded to questions about his poetry and political activities put to him by students and faculty in formal and informal interviews that were also captured on tape. Transcripts of a selection of these tapes, as well as reprints of two interviews recorded earlier, are reproduced here in order to put on record fragments of the autobiography of a remarkable man who lived in extraordinary times and managed to leave his mark on the land and literature of South Africa. Brutus was an effective anti-apartheid campaigner who succeeded in getting South Africa excluded from the Olympics. His opposition to racial discrimination in sports led to his arrest, banning, and imprisonment on Robben Island. Upon release, he left South Africa and lived most of the rest of his life in exile, where he continued his political work and simultaneously earned an international reputation as a poet who often sang of his love for his country. The tapes are edited by Bernth Lindfors who has added an Introduction and a transcript of a 1970 interview as well as other transcripts of lectures and discussions. Bernth Lindfors is Professor Emeritus of English and African Literatures, The University of Texas at Austin, and founding editor of Research in AfricanLiteratures. He has written and edited numerous books on African literature, including Folklore in Nigerian Literature (1973), Popular Literatures in Africa (1991), Africans on Stage (1999), Early Soyinka (2008), and Early Achebe (2009).
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.