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"[Prochnow] . . . wrote the book on public speaking." --The Chicago Rotary Club "A wonderful collection! This is must reading for all who give speeches." --James W. Robinson, author of "Better Speeches in 10 Simple Steps "A veritable treasure chest--all in one volume." --"American Banker Add sparkle to your speeches and introductions. Enliven your conversations with humor and memorable facts so that important ideas will not be forgotten. With more than 2,000 epigrams, literary quotations, anecdotes from biographies, humorous stories, inspiring illustrations, and interesting facts, "A Funny Thing Happened on the Way to the Podium is the essential reference you need to present your ideas colorfully and effectively. Inside you'll find: - 500 humorous stories - 500 epigrams and quips - 160 unusual quotations from world leaders through the ages - 292 humorous definitions - 100 stories and comments from unusual lives - 190 statements on important subjects by great thinkers - 209 wise and witty proverbs - and so much more! A Funny Thing Happened on the Way to the Podium is great for any occasion and makes for enjoyable browsing too!
Two experts explain how anyone can bring their people practices in sync with their missions, visions, and values--and walk the talk. The authors translate difficult concepts and corporate contradictions into personal convictions readers can use in everyday lives, and offer timeless strategy for translating corporate philosophy into policies and actual practices.
A candid and eye-opening inside look at the final decades of Sinatra's life told by his longtime manager and friend, Eliot Weisman. By the time Weisman met Sinatra in 1976, he was already the Voice, a man who held sway over popular music and pop culture for forty years, who had risen to the greatest heights of fame and plumbed the depths of failure, all the while surviving with the trademark swagger that women pined for and men wanted to emulate. Passionate and generous on his best days, sullen and unpredictable on his worst, Sinatra invited Weisman into his inner circle, an honor that the budding celebrity manager never took for granted. Even when he was caught up in a legal net designed to snare Sinatra, Weisman went to prison rather than being coerced into telling prosecutors what they wanted to hear. With Weisman's help, Sinatra orchestrated in his final decades some of the most memorable moments of his career. There was the Duets album, which was Sinatra's top seller, the massive tours, such as Together Again, which featured a short-lived reunion of the Rat Pack--until Dean Martin, having little interest in reliving the glory days, couldn't handle it anymore--and the Ultimate Event Tour, which brought Liza Minelli and Sammy Davis Jr. on board and refreshed the much-needed lining of both their pocketbooks. Weisman also worked with many other acts, including Steve Lawrence and Eydie Gorme, and an ungrateful Don Rickles, whom Weisman helped get out from under the mob's thumb. Over their years together, Weisman became a confidant to the man who trusted few, and he came to know Sinatra's world intimately: his wife, Barbara, who socialized with princesses and presidents and tried to close Sinatra off from his rough and tough friends such as Jilly Rizzo; Nancy Jr., who was closest to her dad; Tina, who aggressively battled for her and her siblings' rights to the Sinatra legacy and was most like her father; and Frank Jr., the child with the most fraught relationship with the legendary entertainer. Ultimately Weisman, who had become the executor of Sinatra's estate, was left alone to navigate the infighting and hatred between those born to the name and the wife who acquired it, when a mystery woman showed up and threatened to throw the family's future into jeopardy. Laden with surprising, moving, and revealing stories, The Way It Was also shows a side of Sinatra few knew. As a lion in winter, he was struggling with the challenges that come with old age, as well as memory loss, depression, and antidepressents. Weisman was by his side through it all, witness to a man who had towering confidence, staggering fearlessness, and a rarely seen vulnerability that became more apparent as his final days approached.
Me?!? Go to church? Lightning will strike me dead! Me?!? Homeless? Jobless? How did this happen? Me?!? Give money to the church? They are just after my money! Me?!? Go back to school? Become a CPA? I'm over 40! Me?!? Tithe? I give enough! Me?!? Date? How could I ever trust a man again? Me?!? Write a book? I'm a CPA for Heaven's sake! Me?!? Witness? People will think I'm strange! Author Patricia Coury Hartman is, of all things, a CPA. She always sees the lighter side of life, even though she has been through some very deep painful times, including divorce and parenting alone. Her smile and her laughter brighten any room. Her humility shows through in her writing, as she shares transparently how she got to where she is today. She has a gift of taking the complex and making it simple. Her journey has taken her from: [Runaway to Home Again [Liberal to Conservative [Atheist to Christian [Single Mom to Married [Empty Nester [Rebellion to Contentment [Broke to Financially Stable [Bus Driver to CPA [Homeless to Homeowner [Proud to Humble [Lost to Found [Sinner to... well... Grab a cup of coffee and a box of tissues and head for the easy chair. Get ready for times of laughter, reflection and joy...
"Wait..Gypsy didn't win the Tony for Best Musical?" That's a question that gets asked over and over again, every time a new Rose takes to the runway in the Broadway classic "Gypsy". In "Strippers, Showgirls and Sharks", the popular syndicated theatre critic Peter Filichia chronicles the history of the American musical by looking at those shows that did not win the Tony Award for Best Musical. It happens every spring: The American Theatre Wing bestows its annual awards. Only those shows that have reached Broadway are nominated and while all Tony Awards are created equal in height, width and depth, the universally acknowledged biggest prize is the Best Musical Tony. The envelope is opened. The winner is announced and, then, the screeching begins. "Oh no! They gave it to that?" Did the best musical always win the Best Musical prize? Were there other factors that kept a more deserving show from copping the prize? Peter Filichia answers all these questions and more in "Strippers, Showgirls and Sharks" as he looks at many of the 153 previous Best Musical Nominees that didn't win the big prize. What were the biggest omissions? "Gypsy" had the distinct displeasure of not being either the first or second choice of the committee. In 1959 when Ethel Merman and a variety of strippers took the stage, the Tony for Best Musical was a tie between "The Sound of Music" and "Fiorello". In 1971, Stephen Sondheim's "Follies" and its ghostly showgirls lost to a "groovy" re-tuning of "Two Gentlemen of Verona" that hasn't passed the test of time. And, in 1957, "West Side Story", its Jets and Sharks, were bested by the fine people of River City Iowa singing their Americana hearts out in "The Music Man". If you love Broadway, scratch your head on Tony Award night and still can't figure out how a show you loathed won the Tony for Best Musical, you will love riding through the years with Peter Filichia, one of America's most respected and popular theatre critics.