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Welcome to Topsea, the strangest place you'll ever visit. In this town, the coves are bottomless and the pier has no end in sight. There's a high tide and a low tide . . . and a vanishing tide. Dogs are a myth, but mermaids are totally real. And seaweed is the main ingredient in every meal-watch out, it might just start chewing you back! New kid Davy definitely thinks Topsea is strange. His mom keeps saying they'll get used to life in their new town-it's just the way things are on the coast! But after his first day at Topsea School, Davy finds himself wondering: Why is his locker all the way at the bottom of the school swimming pool? Why can't anyone remember his name? (It's Davy!) And why does everyone act like all of this is normal?! Through newspaper articles, stories, surveys, notifications, and more, follow Davy and the rest of Ms. Grimalkin's fifth grade class through the weird world of Topsea. (Whatever you do, don't make eye contact with the rubber ducks.)
Talise knows more about the ocean than any kid in Topsea. Any adult, too. As the best-and only-bathymetrist in Topsea, Talise is able to predict important things about the sea, like the next tide (Severely Low with a threat of Wildcard) or the arrival of Seaweed Season. What she can't predict, however, are her classmates' behaviors. Sometimes it's as if they're speaking different languages. When Talise discovers a mysterious message in a bottle, her classmates believe it must have been sent by someone stranded on a deserted island. (Not to be confused with a dessert island.) But Talise is convinced the message is meant for her. And it's telling her to build a boat. Everyone seems to think Talise is just being silly. Even Talise isn't exactly sure why she has to build the boat. And who keeps sending those strange bottled messages, anyway? All Talise knows is that she'd better finish building her boat fast, because an Extremely High Tide is coming?
Eighteen-year-old Bria wants to be a Global Vagabond. In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a tour of Central America—the wrong one. Middle-aged tourists are hardly the key to self-rediscovery. So when Bria meets Rowan, devoted backpacker and dive instructor, and his outspoken sister, Starling, she seizes the chance to ditch her group and join them off the beaten path. Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel through Mayan villages and remote Belizean islands, they discover they're both seeking to leave behind the old versions of themselves. The secret to escaping the past, Rowan's found, is to keep moving forward. But Bria realizes she can't run forever. At some point, you have to look back.
It's hard finding beauty in the badlands of Washokey, Wyoming, but 14-year-old Grace Carpenter knows it's not her mother's pageant obsessions, or the cowboy dances adored by her small-town classmates. True beauty is wild-girl Mandarin Ramey: 17, shameless and utterly carefree. Grace would give anything to be like Mandarin. When they're united for a project, they form an unlikely, explosive friendship, packed with nights spent skinny-dipping in the canal, liberating the town's animal-head trophies, and searching for someplace magic. Grace plays along when Mandarin suggests they run away together. Blame it on the crazy-making wildwinds plaguing their Badlands town. Because all too soon, Grace discovers Mandarin's unique beauty hides a girl who's troubled, broken, and even dangerous. And no matter how hard Grace fights to keep the magic, no friendship can withstand betrayal.
Kat didn't believe in ghosts--until she became a teenage ghostbuster. . . When Kat Sinclair's dad tells her his new job hosting the ghost-hunting TV show Passport to Paranormal means they'll be living on the road and visiting the world's most haunted places, Kat packs her bags without a second thought. But her new life as a ghostbuster isn't as cool as Kat expected. The cast and crew don't always get along, the producer's annoying nephew has unexpectedly shown up, and Kat thinks the show--and her dad--might be cursed. Kat decides to start writing a blog with "a behind the scenes look at the creepiest show on TV." But she soon discovers that going behind the scenes may just reveal more than she really wants to know.
NATIONAL BESTSELLER • "James and Deborah Fallows have always moved to where history is being made.... They have an excellent sense of where world-shaping events are taking place at any moment" —The New York Times • The basis for the HBO documentary streaming on HBO Max For five years, James and Deborah Fallows have travelled across America in a single-engine prop airplane. Visiting dozens of towns, the America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.
"Olive discovers an old theater where she'll finally have a chance to shine on stage, but this theater--and its mysterious owner--are hiding dark secrets"--
A drummer, a fanfic writer, and an amateur taxidermist walk into a convention center, and the weekend that unfolds will change all of their lives. Drummer Phoebe Byrd prides herself on being one of the guys, and she's ready to prove it by kicking all their butts in the snare solo competition at the Indoor Percussion Association Convention. Writer Vanessa Montoya-O'Callaghan has been looking forward to the WTFcon for months. Not just because of the panels and fanfiction readings but because WTFcon is where she'll finally meet Soleil, her internet girlfriend, for the first time. Taxidermy assistant Callie Buchannan might be good at scooping brains out of deer skulls, but that doesn't mean it's her passion. Since her parents' divorce, her taxidermist father only cares about his work, and assisting him at the World Taxidermy and Fish-Carving Championships is the only way Callie knows to connect with him. When a crazy mix-up in the hotel lobby brings the three girls together, they form an unlikely friendship against a chaotic background of cosplay, competition, and carcasses!
The linguistic study of Japanese, with its rich syntactic and phonological structure, complex writing system, and diverse sociohistorical context, is a rapidly growing research area. This book, designed to serve as a concise reference for researchers interested in the Japanese language and in typological studies of language in general, explores diverse characteristics of Japanese that are particularly intriguing when compared with English and other European languages. It pays equal attention to the theoretical aspects and empirical phenomena from theory-neutral perspectives, and presents necessary theoretical terms in clear and easy language. It consists of five thematic parts including sound system and lexicon, grammatical foundation and constructions, and pragmatics/sociolinguistics topics, with chapters that survey critical discussions arising in Japanese linguistics. The Cambridge Handbook of Japanese Linguistics will be welcomed by general linguists, and students and scholars working in linguistic typology, Japanese language, Japanese linguistics and Asian Studies.
In 1952 and 1953 as he wandered around America, Jack Kerouac jotted down spontaneous prose poems, or "sketches" as he called them, on small notebooks that he kept in his shirt pockets. The poems recount his travels—New York, North Carolina, Lowell (Massachusetts, Kerouac’s birthplace), San Francisco, Denver, Kansas, Mexico—observations, and meditations on art and life. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. Published for the first time, Book of Sketches offers a luminous, intimate, and transcendental glimpse of one of the most original voices of the twentieth century at a key time in his literary and spiritual development.