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Originally published in 1904, this book presents a fourteenth-century English version of the Bible derived from five different manuscripts. Three of the manuscripts were found in the following Cambridge Libraries: Selwyn College, Corpus Christi, and the University Library. The other two were found in the Bodleian Library, Oxford and the private collection of the Earl of Leicester at Holkham Hall, Norfolk. A detailed critical introduction is also included, with notes on the manuscript sources, language and translation. Extensive textual notes are incorporated throughout. This book will be of value to anyone with an interest in the English Bible and biblical translation.
The 1611 King James Version was a revision of multiple English Bibles from the 1500s: Tyndale’s Bible, Coverdale’s Bible, Matthew’s Bible, Taverner’s Bible, the Great Bible, the Geneva Bible, and the Bishops’ Bible. The 1611 King James Bible translators stated in the Preface that they knew others would revise their work too (1) as more manuscripts came to light and (2) translators had a better understanding of biblical Hebrew and Greek. How many versions of the King James are there? Eventually, five different editions of the King James Version were produced in 1611, 1629, 1638, 1762, and 1769. It is the 1769 edition which is most commonly cited as the King James Version (KJV). The next major revision of the English Bible came in 1881, 1885 Revised Version) and 1901 American Standard Version. Over 30,000 changes were made, of which more than 5,000 represent differences between the Greek text used for the Revised Version and that used as the basis of the King James Version. Most of the other changes were made in the interest of consistency or modernization. Further significant revisions only considering literal translations have been the 1952 Revised Standard Version, the 1960-2020 New American Standard Bible, the 2001 English Standard Version, and the 2022 Updated American Standard Version. We do not need the originals. We do not need those original documents. The Bible was miraculously restored, not miraculously preserved as some would like us to believe. Herein, we will clear up many misunderstandings and misconceptions about the English Bible translations.
The fascinating story of how we got the English Bible in its present form starts 1,120 years ago. HISTORY OF ENGLISH VERSIONS OF THE BIBLE covers the fascinating journey of the Bible from the 9th century AD to the beginning of the 20th-century. The chief translator of the Updated American Standard Version Edward D. Andrews invites readers to explore the process of from the early manuscripts to contemporary translations today. And so, it was that translators like William Tyndale were martyred for the honor of giving the people a Bible that could easily be understood. What a price they had paid, however; it was a priceless gift! Tyndale and others before and after him had worked with the shadow of death towering over their heads. However, by delivering the Bible to many people in their native tongue, they opened up before them the possibility, not of death, but life eternal. As Jesus Christ said in the Tyndale Bible, “This is lyfe eternall that they myght knowe the that only very God and whom thou hast sent Iesus Christ.” (John 17:3) May we, therefore, know the value of what we can now hold in our hands, and may we diligently study God’s Word.
Ethan Campbell argues that a central feature of the Gawain-poet's Middle English works' moral rhetoric is anticlerical critique. Written in an era when clerical corruption was a key concern for polemicists such as Richard FitzRalph and John Wyclif, as well as satirical poets such as John Gower, William Langland, and Geoffrey Chaucer, the Gawain poems feature an explicit attack on hypocritical priests in the opening lines of Cleanness as well as more subtle critiques embedded within depictions of flawed priest-like characters.
This was the first full-scale history of medieval English literature for nearly a century. Thirty-three distinguished contributors offer a collaborative account of literature composed or transmitted in England, Wales, Ireland and Scotland between the Norman conquest and the death of Henry VIII in 1547. The volume has five sections: 'After the Norman Conquest'; 'Writing in the British Isles'; 'Institutional Productions'; 'After the Black Death' and 'Before the Reformation'. It provides information on a vast range of literary texts and the conditions of their production and reception, which will serve both specialists and general readers, and also contains a chronology, full bibliography and a detailed index. This book offers an extensive and vibrant account of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists.
A new analysis of the neglected genre of medieval Biblical poetry.Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere "paraphrase", they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage. This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like Iacob and Iosep, two lives of Adam and Eve; an alliterative version of the Susanna story, the Pistel of Susan; and the Gawain-poet's Patience and Cleanness. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.nder of their household audiences.
An examination of how The Book of Psalms shaped medieval thought and helped develop the medieval English literary canon. The Book of Psalms had a profound impact on English literature from the Anglo-Saxon to the late medieval period. This collection examines the various ways in which they shaped medieval English thought and contributed to the emergence of an English literary canon. It brings into dialogue experts on both Old and Middle English literature, thus breaking down the traditional disciplinary binaries of both pre- and post-Conquest English and late medieval and Early Modern, as well as emphasizing the complex and fascinating relationship between Latin and the vernacular languages of England. Its three main themes, translation, adaptation and voice, enable a rich variety of perspectives on the Psalms and medieval English literature to emerge. TAMARA ATKIN is Senior Lecturer in Late Medieval and Early Renaissance Literature at Queen Mary University of London; FRANCIS LENEGHAN is Associate Professor of OldEnglish at The University of Oxford and a Fellow of St Cross College, Oxford Contributors: Daniel Anlezark, Mark Faulkner, Vincent Gillespie, Michael P. Kuczynski, David Lawton, Francis Leneghan, Jane Roberts, Mike Rodman Jones, Elizabeth Solopova, Lynn Staley, Annie Sutherland, Jane Toswell, Katherine Zieman.