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A wondrously written book of literary criticism and philosophy that maps the relationship between poetry and natural history, connecting verse from poets such as Shakespeare and Rainer Maria Rilke to the work of scientists and theorists like Francis Bacon and Michael Polanyi. Taking its bearings from the Greek myth of Orpheus, whose singing had the power to move the rocks and trees and to quiet the animals, Elizabeth Sewell’s The Orphic Voice transforms our understanding of the relationship between mind and nature. Myth, Sewell argues, is not mere fable but an ancient and vital form of reflection that unites poetry, philosophy, and natural science: Shakespeare with Francis Bacon and Giambattista Vico; Wordsworth and Rilke with Michael Polanyi. All these members of the Orphic company share a common perception that “discovery, in science and poetry, is a mythological situation in which the mind unites with a figure of its own devising as a means toward understanding the world.” Sewell’s visionary book, first published in 1960, presents brilliantly illuminating readings of A Midsummer Night’s Dream and Rilke’s Sonnets to Orpheus, among other masterpieces, while deepening our understanding not only of poetry and the history of ideas but of the biological reach of the mind.
Following on from The Beast and the Sovereign, Volume I, this book extends Jacques Derrida’s exploration of the connections between animality and sovereignty. In this second year of the seminar, originally presented in 2002–2003 as the last course he would give before his death, Derrida focuses on two markedly different texts: Heidegger’s 1929–1930 course The Fundamental Concepts of Metaphysics, and Daniel Defoe’s Robinson Crusoe. As he moves back and forth between the two works, Derrida pursuesthe relations between solitude, insularity, world, violence, boredom and death as they supposedly affect humans and animals in different ways. Hitherto unnoticed or underappreciated aspects of Robinson Crusoe are brought out in strikingly original readings of questions such as Crusoe’s belief in ghosts, his learning to pray, his parrot Poll, and his reinvention of the wheel. Crusoe’s terror of being buried alive or swallowed alive by beasts or cannibals gives rise to a rich and provocative reflection on death, burial, and cremation, in part provoked by a meditation on the death of Derrida’s friend Maurice Blanchot. Throughout, these readings are juxtaposed with interpretations of Heidegger's concepts of world and finitude to produce a distinctively Derridean account that will continue to surprise his readers.
A companion volume to the Classical Korean Poetry, this anthology provides the reader a bird's eye view of modern, 20th century Korean poetry, thus completing the sampling of the Korean poetry beginning with the 12th century through the present.
Travelogue, literary autobiography, and journalistic exposé of the mores of capital punishment, Rue Rilke chronicles its author's initiatory Rilke pilgrimage to France and Switzerland and—upon his return to America—his up-close involvement in death penalty politics. Immersed in the legal and human drama unfolding in Houston in the days leading up to an impending execution, the intimate linkage of love and death learned from Rilke aid him in his efforts to confront his country's sanction of lethal violence and make spiritual sense of his torn, too often black-and-white world. “Poetry matters and this book shows us why. The astonishing range of Rue Rilke—a travel diary, a meditation on Rilke, and a gripping account of efforts to oppose an unjust judicial execution—reveals the essense of what James Hillman calls soul-making. Poet, essayist, and passionate abolitionist, Daniel Polikoff gives us a book dedicated to the fiery poetry of life itself.” SUSAN ROWLAND, author of Jung as a Writer and The Ecocritical Psyche “In his stunning early book Rue Rilke, Daniel Joseph Polikoff offers us an impassioned and stylistically brilliant travelogue. With Rilke as his Virgil, he descends in quest of the feminine values he must labor to integrate into contemporary life. Never before has Rilke’s mythic identification with the prodigal son been so personally authenticated, taken up with such imaginative immersion and inquisitive grace. A remarkable achievement.” BRUCE BOND, University of North Texas, author of Immanent Distance “Polikoff's is a profound and spacious spiritual imagination. That passionate young man who wrote of his experiences one summer more than two decades ago was filled with the old wisdom of The Poet, the song-lines of landscape, and the prophetic voice that dares confront “the fear that guts the spiritual house of this land.” We need his voice now in our own deeply disturbed times.” NAOMI RUTH LOWINSKY, author of The Sister from Below and The Faust Woman Poems Poet, translator, and internationally recognized Rilke scholar Daniel Joseph Polikoff received his Ph.D. in Comparative Literature from Cornell University and his Diploma in Waldorf Education from Rudolf Steiner College. In addition to work in numerous literary journals, he has published five books of poetry, translation, and criticism, incuding In the Image of Orpheus: Rilke—A Soul History and a bilingual translation of Rilke's Sonnets to Orpheus. Dr. Polikoff has taught literature in Waldorf high schools as well as courses in literature and depth psychology at Sonoma State University and the California Institute of Integral Studies. He has shared his passion for Rilke in a wide variety of venues in the United States and abroad, including annual meetings of the International Rilke and Jean Gebser Societies, the San Francisco Jung Institute, and the Napa Valley Writer's Conference. His webinars on Rilke: Poetry and Alchemy and Rilke and the Hermetic Tradition are available through the Asheville Jung Center. He resides with his wife Monika and family in the San Francisco Bay area. More information is available at danielpolikoff.com.