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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
While most Fiji locals can speak English, it's not their mother tongue. Learning the Fijian language means you can get away from the tourist areas and out into the real Fiji - where a little bit of local talk goes a long way.
This work is directed to those who want to learn more about the Fijian language. It is intended as a reference work, treating in detail such tropics as verb and noun classification, transitivity, the phonological hierarchy, orthography, specification, possession, subordination, and the definite article (among others). In addition, it is an attempt to fit these pieces together into a unified picture of the structure of the language.
The people who live in the Boumaa region of the Fijian island of Taveuni speak a dialect of Fijian that is mutually intelligible with Standard Fijian, the two differing as much perhaps as do the American and British varieties of English. During 1985, R. M. W. Dixon—one of the most insightful of linguists engaged in descriptive studies today—lived in the village of Waitabu and studied the language spoken there. He found in Boumaa Fijian a wealth of striking features unknown in commonly studied languages and on the basis of his fieldwork prepared this grammar. Fijian is an agglutinating language, one in which words are formed by the profligate combining of morphemes. There are no case inflections, and tense and aspect as shown by independent clitics or words within a predicate complex. Most verbs come in both transitive and intransitive forms, and nouns can be build up regularly from verbal parts and verbs from nouns. The language is also marked by a highly developed pronoun system and by a vocabulary rich in areas of social significance. In the opening chapters, Dixon describes the Islands' political, social, and linguistic organization, outlines the main points of Fijian phonology, and presents an overview of the grammar. In succeeding chapters, he examines a number of grammatical topics in greater detail, including clause and phrase structure, verbal syntax, deictics, and anaphora. The volume also includes a full vocabulary of all forms treated in discussion and three of the fifteen texts recorded from monolingual village elders on which the grammar is based.
Excerpt from A Fijian and English and an English and Fijian Dictionary: With Examples of Common and Peculiar Modes of Expression and Uses of Words; Also, Containing Brief Hints on Native Customs, Proverbs, the Native Names of Natural Productions, and Notices of the Islands of Fiji, and a Grammar of the Language The above simple rules being attended to, this book will answer all the purposes of a pronouncing dictionary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In The Ways of the Word, Garrett Stewart steps aside from theory to focus on the sheer pleasure of attentive reading and the excitement of recognizing the play of syllables and words upon which the best literary writing is founded. Emerging out of teaching creative writing and a broader effort to convene writers and critics, Stewart's "episodes in verbal attention" track the means to meaning through the byways of literary wording. Through close engagement with literary passages and poetic instances whose imaginative demands are their own reward, Stewart gathers exhibits from dozens of authors: from Dickinson, Dickens, and DeLillo to Whitman, Woolf, and Colson Whitehead. In the process, idiom, tense, etymology, and other elements of expressive language and its phonetic wordplay are estranged and heard anew. The Ways of the Word fluidly and intuitively reveals a verbal alchemy that is as riveting as it is elusive and mysterious.