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Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives. Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
In this award-winning work of fiction, Ellen van Neerven leads readers on a journey that is mythical, mystical and still achingly real. Over three parts, van Neerven takes traditional storytelling and gives it a unique, contemporary twist. In 'Heat', we meet several generations of the Kresinger family and the legacy left by the mysterious Pearl. In 'Water', a futuristic world is imagined and the fate of a people threatened. In 'Light', familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging. Heat and Light is an intriguing collection that heralded the arrival of a major new talent in Australian writing.
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
When the Nazi occupation of Rome begins, two courageous young women are plunged deep into the Italian Resistance to fight for their freedom in this captivating debut novel. Rome, 1943 Lucia Colombo has had her doubts about fascism for years, but as a single mother in an increasingly unstable country, politics are for other people--she needs to focus on keeping herself and her son alive. Then the Italian government falls and the German occupation begins, and suddenly, Lucia finds that complacency is no longer an option. Francesca Gallo has always been aware of injustice and suffering. A polio survivor who lost her father when he was arrested for his anti-fascist politics, she came to Rome with her fiancé to start a new life. But when the Germans invade and her fiancé is taken by the Nazis, Francesca decides she has only one option: to fight back. As Lucia and Francesca are pulled deeper into the struggle against the Nazi occupation, both women learn to resist alongside the partisans to drive the Germans from Rome. But as winter sets in, the occupation tightens its grip on the city, and the resistance is in constant danger. In the darkest days, Francesca and Lucia face their pasts, find the courage to love, and maintain hope for a future that is finally free.
The author celebrates the art of fiction as she looks at one hundred very different examples of the novel, ranging from the classics to little-known gems, and discusses the evolution of the novel and the practice of novel-writing.
#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.

HISTORY

GLEB V. TAMDHU NOSOVSKIY (FRANCK. FOMENKO, ANATOLY T.)

Published: 2016

Total Pages: 0


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With close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy. The choice to write historical narratives, he says, must be understood historically. These writers earned widespread recognition for their writing in the 1980s, a period of African American commercial success, as well as the economic decline of the black working class and an increase in black-on-black crime. Byerman contends that a shared experience of suffering joins African American individuals in a group identity, and writing about the past serves as an act of resistance against essentialist ideas of black experience shaping the cultural discourse of the present. Byerman demonstrates that these novels disrupt the temptation in American society to engage history only to limit its significance or to crown successful individuals while forgetting the victims.
Few events during that whirlwind of movements, conflicts and upheaval known as "the sixties" took Americans more by surprise, or were more likely to inspire their rage, than the rebellion of those who were young, white, and college educated. Perhaps none have been more maligned or misunderstood since. In A Fiction of the Past, Dominick Cavallo pushes past the contemporary fog of myth, cold disdain and warm nostalgia that shrouds the radical youth culture of the '60s. He explores how the furiously chaotic sixties sprang from the comparatively placid forties and fifties. The book digs beyond the post-World War II decades and seeks the historical sources of the youth culture in the distant American past. Cavallo shows how the sixties' most radical ideas and values were deeply etched in the American soul.
Arranged in chronological order, the novelist's lives are opinionated, informative, frequently funny and often shocking. Professor Sutherland's authors come from all over the world; their writings illustrate every kind of fiction from gothic, penny dreadfuls and pornography to fantasy, romance and high literature. The book shows the changing forms of the genre, and how the aspirations of authors to divert and sometimes to educate their readers, has in some respects radically changed over the centuries, and in others - such as their interest in sex and relationships - remained remarkably constant.