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Riding each evening through the echoing tunnels, ep I've begun to believe in the existence of my ownep soul, its frailty, its ability to grow narrow, ep small. I've begun to understand what it means ep to be born mute, to be born without hope of speech.ep From "Contexts". Published by The Eighth Mountain Press, 624 Southeast Avenue, Portland, OR 97214-3026. Annotation copyrighted by Book News, Inc., Portland, OR
In a framework that is Jewish, lesbian, feminist and class-conscious, Klepfisz speaks out against the Israeli occupation of the West Bank and Gaza, anti-Semitism and homophobia, compulsory motherhood, and the commercialization of the Holocaust, and for the strengthening and preservation of secular Yiddish culture in the US and the joy of doing creative work. Some of the essays have been previously published. Published by The Eighth Mountain Press, 624 Southeast 29th Avenue, Portland, OR 97214-3026. Annotation copyrighted by Book News, Inc., Portland, OR
“Vastly informative and vastly entertaining…A scholarly and fascinating book.” —Los Angeles Times With dazzling wit and astonishing insight, Bill Bryson explores the remarkable history, eccentricities, resilience and sheer fun of the English language. From the first descent of the larynx into the throat (why you can talk but your dog can’t), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world’s largest growth industries.
This classic text by Geneva Smitherman, pioneering scholar of Black Talk, is a definitive statement on African American Language (AAL). Enriched by her inimitable writing style, the book outlines past debates on the speech of African Americans and provides a vision for the future. As global manifestations of AAL increase, she argues that we must broaden our conception of the language and its speakers, and further examine the implications of gender, age and class on AAL. Perhaps most of all we must appreciate the "artistic and linguistic genius" of AAL, from Hip Hop lyrics to the rhyme and rhetoric of the broader Black speech community. Smitherman explores AAL's contribution to American English, includes a summary of expressions as a suggested linguistic core of AAL, and features cartoons that educate readers on the broader relationship between language, race, and racism. This classic edition features a new foreword by H. Samy Alim, celebrating Smitherman's continuing impact on Black Language scholarship and her influence on the future of the field. Word from the Mother is an essential read for students of African American speech, language, culture and sociolinguistics, as well as the general reader interested in the worldwide "crossover" of Black popular culture.
A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos. For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced to abandon school, while Hagos, scorned for his inability to speak, must live vicariously through his sister. Both resist societal expectations by seeking to redefine love, sex, and gender roles in their lives, and when a businessman opens a shop and befriends Hagos, they cast off those pressures and make an unconventional choice. With this cast of complex, beautifully drawn characters, Sulaiman Addonia details the textures and rhythms of everyday life in a refugee camp, and questions what it means to be an individual when one has lost all that makes a home or a future. Intimate and subversive, Silence Is My Mother Tongue dissects the ways society wages war on women and explores the stories we must tell to survive in a broken, inhospitable environment.
The author "presents the latest and most controversial research from the origins of language itself to the way the human brain makes and stores it, as well as how infants create it."--Jacket.
Fahrenheit 451 meets The Giver in an award winning dystopian story about the dangers of censorship and how far we will go in the pursuit of freedom. What if you were only allowed to speak 500 words? The city of Ark is the last safe place on Earth: the polar ice caps have melted and flooded everything, leaving few survivors. To make sure humans do not make the same mistakes, Ark's leader John Noa decrees everyone in Ark must speak List, a language of only 500 words. Language is to blame for mankind's destruction, John Noa says, as politicians and governments hid the disastrous effects of global warming and environmental damage until it was too late. Everyone must speak List ... except Letta. As apprentice to the Wordsmith, Letta can read all the words that have ever existed. Forbidden words like freedom, music, and even pineapple tell her about a world she's never known. One day her master disappears. John Noa tells Letta she is the new Wordsmith, and must shorten List to fewer and fewer words. Then Letta meets a teenage boy who somehow knows all the words that have been banned. Letta's faced with a dangerous choice: sit idly by and watch language slowly slip away or follow a stranger on a path to freedom . . . or banishment. Letta chooses to fight for the very thing that keeps us human: language itself. The List: The perfect tool to discuss censorship and freedom of speech with young readers A gripping, fast-moving story that will appeal to 5th grade readers and above, especially 10 year old girls that will love the strong character of Letta A discussion starter on the importance of language and the power of expression, and what it means for society A 2018 Notable Children's Books Selection A 2018-19 Maine Student Book Award Winner A 2018 Bank Street College of Education Best Children's Book of the Year (Ages 12-14) A Junior Library Guild Selection
This edited collection explores the immense potential of translanguaging in educational settings and highlights teachers and students negotiating language ideologies in their everyday communicative practices. It makes a significant contribution to scholarship on translanguaging and considers the need for pedagogy to reflect and embrace diversity. The chapters provide rich empirical research and document translanguaging in varied educational contexts, with studies from pre-school to adult education in different, mainly European, countries, where English is not the dominant language. Together they expand our understanding of translanguaging and how it can be applied to a variety of settings. This book will be of interest to students and researchers, especially in education, language education and applied linguistics, as well as to professionals and policymakers.
Charles Baudelaire, Walter Benjamin, and Sylvia Plath make up the odd trio on which this book is based. It is in the surprising and revealing links between them--links pertaining to troublesome mothers, elusive foreign languages, and professional disappointments--that Barbara Johnson maps the coordinates of her larger claims about the ideal of oneness in every area of life, and about the damage done by this ideal. The existence of sexual difference precludes an original or ultimate "one" who would represent all of mankind; the plurality of languages makes it impossible to think that one doesn't live in translation; and the plurality of the sexes means that every human being came from a woman's body, and some will reproduce this feat, while others won't. In her most personal and deeply considered book about difference, Johnson asks: Is the mother the guardian of a oneness we have never had? The relations that link mothers, bodies, words, and laws serve as the guiding puzzles as she searches for an answer.