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The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.
This volume is the first in a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars.
This valuable resource both presents and demonstrates the numerous developments in feminist criticsm of the Bible and the enormous rage of influence that feminist criticism has come to have in biblical studies. The purpose of the book is to raise issues of method that are largely glossed over or merely implied in most non-feminist works on the Bible. The editors have included broadly theoretical essays on feminist methods and the various roles they may play in research and pedagogy, as well as non-feminist essays that have direct bearing on the methods or subject matter that feminists use, as well as reading that illustrate the variety of methodological strategies adopted by feminist scholars. Some 30 scholars, from North America and Europe, have contributed to this Companion.
This original commentary foregrounds at every turn the poetic genius of the Song of Songs, one of the most elusive texts of the Hebrew Bible. J. Cheryl Exum locates that genius in the way the Song not only tells but shows its readers that love is strong as death, thereby immortalizing love, as well as in the way the poet explores the nature of love by a mature sensitivity to how being in love is different for the woman and the man. Many long-standing conundrums in the interpretation of the book are offered persuasive solutions in Exum's verse by verse exegesis. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.
Belonging to Hebrew Wisdom literature, the Song of Songs offers a fresh look at love and relationships through its main female character, the Shulamite, which profoundly differs from traditional religious approaches to love and sexuality. Drawing from exegetical as well as philosophical sources, Abi Doukhan follows the Shulamite’s journey away from patriarchy to her own self-individuation as she discovers a wisdom of love that is deeply personal and feminine.
This lively commentary encompasses four major books focusing on women in the Hebrew Bible and Apocrypha. Each section in the volume addresses the biblical text in detail, and draws connections from the world of ancient audiences to that of present-day readers. Wolfe's research is motivated by the usual inquiries of biblical scholarship, as well as the questions raised by the many church Bible study groups she has taught. Clergy and laity, students and scholars will benefit from these contemporarily relevant reflections on Ruth, Esther, Song of Songs and Judith. Ruth: The foreign widow who sneaks onto the nighttime threshing floor to find survival for herself and her devastated mother-in-law. Esther: The Jewish orphan-turned-queen who turns Persian banqueting on its head in an effort to defend her people. Song of Songs: The proud and alluring lover who claims her sexuality as her own and joyfully shares it with her beloved. Judith: The pious and beautiful widow who lets the enemy commander's appetite become his downfall in order to save her besieged city. This volume is an opportunity to engage these women's suspense-filled stories, which have sustained faith communities since ancient times. ________ Lisa Wolfe is also the author of a DVD Bible study series "Uppity Women of the Bible" (Living the Questions, 2010), which is a companion to this book.To purchase a copy of the DVD series, please visit the following link at Living the Questions: http://www.livingthequestions.com/xcart/home.php?cat=461
Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: “the most beautiful woman”. Arbel treats “the most beautiful woman” as a culturally constructed and performed representation of “woman,” and situates this representation within the cultural-­discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes “womanhood” as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs' female protagonist with a heuristic examination of Mark Chagall's Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song's protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the “most beautiful woman” and about multiple femininities.
This best-selling book, now revised and updated, shares the work of many feminist biblical scholars who have examined women's stories for several years. These stories are powerful accounts of women in the Old Testament--stories that have profoundly affected how women understand themselves as well as men's perception of them. Here, Alice Bellis shares the research of feminist biblical scholarship during a quarter of a century, which renders a vast amount of refreshing, exciting, sometimes disturbing material.
"On Gendering Texts" is a wonderful book in a field that demonstrates its maturity by this publication. It discusses the important and traditional issue of authorship. Whereas the idea of a unique and divinely inspired biblical author has long been abandoned, the issue of authorship itself has not. The possibility that women might have contributed to the production of the Bible has not been taken seriously and yet the idea that everything is male unless otherwise proven is hardly acceptable. What can one do? The two authors of this book shrewdly displace the question. Rather than worrying about unprovable historical authors, they consider gender-positions; authority; gendered textuality and attributions of gender within the text; voice; world-view and ideological content. Each of these issues is important, and the gesture of raising them in connection with that of authorship alone makes this book worthwhile. This book is both unique and in line with a growing tradition; a climatic point in the developing area of feminist biblical study. [from the Foreword by Mieke Bal]
This verse-by-verse commentary offers a fresh reading of an intriguing book of the Old Testament.